An untanned, buckskin jacket with floral beadwork design on the back across the shoulders in flowers with colours red, blue, black, yellow and leaves of green. The area below the beadwork is pinked and fringed. There is mirror image, identical beadwork on each side of the front of the jacket. There…
An untanned, buckskin jacket with floral beadwork design on the back across the shoulders in flowers with colours red, blue, black, yellow and leaves of green. The area below the beadwork is pinked and fringed. There is mirror image, identical beadwork on each side of the front of the jacket. There is a zippered front closure and a pinked and beaded portion on each side of the zipper. The beadwork is alternating blue, yellow and red flowers with blue and yellow leaves and stems and then below flowers with colours of red, blue, black, yellow and leaves in green. There are four flowers on each side. On the flat front pockets the borders are pinked and the beadwork is a flower with red petals rimmed with black and a yellow centre. The leaves and stem are green.
A pair of men’s cured hide, high-top moccasins, plain, no beadwork; they have pinked tongues and uppers, and long ties threaded through high-tops and tongue where it meets the vamps.
A pair of men’s cured hide, high-top moccasins, plain, no beadwork; they have pinked tongues and uppers, and long ties threaded through high-tops and tongue where it meets the vamps.
A large painting of an Indigenous dressed as a bear. The man’s face is visible through the mouth of the bear fur that covers him. The man’s eyes are hidden by shadows. Yellow and black paint is on the rest of his face. In the claws, the man holds a wand-like stick, at the tip of which are four …
A large painting of an Indigenous dressed as a bear. The man’s face is visible through the mouth of the bear fur that covers him. The man’s eyes are hidden by shadows. Yellow and black paint is on the rest of his face. In the claws, the man holds a wand-like stick, at the tip of which are four feathers. These are in the blc of the image. On either side of the bear’s head are patches of aquamarine.
Photograph of Elizabeth Eagle Speaker sitting in a car after her grandson’s funeral at St. Catherine Cemetery. Photograph taken at the Blood Reserve, Alberta.
Elizabeth Eagle Speaker After the Funeral of her Grandson, Roland Scowt
Date
1999 – 2000
Medium
photograph on paper
Dimensions
11” x 14” cm
Description
Photograph of Elizabeth Eagle Speaker sitting in a car after her grandson’s funeral at St. Catherine Cemetery. Photograph taken at the Blood Reserve, Alberta.
A simple clay pipe, bowl and stem. Bowl is more or less an elongated teardrop, steam is straight, has a small "blip" below the bowl. White clay, stained with use. "T" and "D" on back of wall of bowl, "C78 W. White" and "Scotland" on stem.
A simple clay pipe, bowl and stem. Bowl is more or less an elongated teardrop, steam is straight, has a small "blip" below the bowl. White clay, stained with use. "T" and "D" on back of wall of bowl, "C78 W. White" and "Scotland" on stem.
A flint spear point which has been shaped by knapping. Long and narrow with sharp edges, short shaft, and one sharp shoulder, residue of reddish clay adhering.
A flint spear point which has been shaped by knapping. Long and narrow with sharp edges, short shaft, and one sharp shoulder, residue of reddish clay adhering.
Down the centre of the piece there is a column of four historical photographs of Indigenous people participating in the sundance ritual. Different colours and patterns border each photograph on either side of them. On each side of the piece there are painted areas or strips. Red paint looks like…
Down the centre of the piece there is a column of four historical photographs of Indigenous people participating in the sundance ritual. Different colours and patterns border each photograph on either side of them. On each side of the piece there are painted areas or strips. Red paint looks like blood running down the image. A quill is attached to the painting in the top left corner. A bone or tooth is attached to the canvas in the top right corner. The left side of the piece is painted in red tones, the left in green. In the bottom right corner there are some pictograph-like drawings of people and a dog.