Two groups of animals, Rocky Mountain Big Horn Sheep; the top group has 5 animals in various poses on a grassy hillside; the lower group has 4 animals all facing to the left standing on a gentle grassy slope.
Two groups of animals, Rocky Mountain Big Horn Sheep; the top group has 5 animals in various poses on a grassy hillside; the lower group has 4 animals all facing to the left standing on a gentle grassy slope.
Two groups of animals: top group has 5 Mountain Goats, 3 in full form the other two head and shoulders; lower group has 2 moose, the one on the left is walking to the right, the other is a back view with his head turned to the right, the second moose has no horns.
Two groups of animals: top group has 5 Mountain Goats, 3 in full form the other two head and shoulders; lower group has 2 moose, the one on the left is walking to the right, the other is a back view with his head turned to the right, the second moose has no horns.
In August, 1881 Lieutenant Adolphus W. Greely and a team of 25 determined men set out as part of the First International Polar Year to build a research station on Ellesmere Island, 450 miles from the North Pole. The Lady Franklin Bay Expedition began as the most ambitious arctic expedition in United States history, but was destined to descend into a three year journey through a frozen hell - a voyage of forced retreaat, starvation, brewing mutiny and cannibalism. Against all odds, six men survived and returned to Portsmouth, New Hampshire as American heros. (from back of book)
Contents
Introduction
Adolphus W. Greely and the Lady Franklin Bay Expedition
The Beginning
Research and Exploration
The Retreat
The Rescue
Greely's Later Years
The Making of the Flim - Abandoned in the Arctic
List of Illustrations
Bibliography
Notes
DVD of associated film included with publication
Robson Gmoser was a member of the 2004 expedition team which also included Bob Saunders, Scott Simper, Julia Szucs, Tom Stere, Jeff Clark, Steve Smith, James Shedd, Gino Ded Guercio
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the m…
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the mountain peak. The rocks are various shades of very dark blue, lighter blue and brown. To the viewer’s left the snow is tinged in various shades of pink as the morning light strikes it and the view to the right is still in the blue shades of shadow. The artist’s signature in white is in this area. The middle of the painting is the pink glow of the sun on snow with some shaded snow and rocks still showing to the viewer’s right. The top-half is a snow-covered Mt. Assiniboine with brown rock bands; viewer’s right in the sun’s light and viewer’s left in the shade. Beyond the mountain are hills and valleys of pink, blue and green. The sky is a very deep shade of purple and blue.
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black…
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the trhc, “45/W”.
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artis…
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artist’s signature is in the blhc in purple paint. Au verso, written in black ink in the tlhc, “47/R”.