Fonds consists of visual and texual material pertaining to the Canadian Pacific Railway and its holdings. Visual material conists of two series. Series I: lantern slides, Series II: prints. Textual material consists of two series. Series I: organizational records, Series II: the 1942 film "Canadian…
69 b&w lantern slides, 5 cm of textual records, ca. 309 prints : b&w ; 27.9 x 20.3 cm or smaller
Scope & Content
Fonds consists of visual and texual material pertaining to the Canadian Pacific Railway and its holdings. Visual material conists of two series. Series I: lantern slides, Series II: prints. Textual material consists of two series. Series I: organizational records, Series II: the 1942 film "Canadian Pacific" screenplay and associated documents.
Visual material includes black and white lantern slides and black and white prints depicting various scenes pertaining to travelling on the Canadian Pacific Railway and depict dining rooms, scnes involving trains and mountains, farming scenes and fields, people in train cars, various cities and towns, figures in natural landscapes, horses and horseback riding, mountains, waterfalls, skiing, ships, CP hotels, and other grand buildings [across Canada] such as Notre Dame Cathedral in Montreal.
Textual material includes paper reports [some compiled by Canadian Pacific Hotels Architectural Engineer Ed Steel] detailing various construction and/or renovation projects for hotels, lodges, tea houses, bugalow camps, huts, and backcountry lodges throughout the Canadian Rockies as well as records pertaining to CP hotels in the Canadian Rockies, and the screenplay for "Canadian Pacific."
Notes
Slides were stored in rectangular wood box with leather handle on top, and metal handle at one end. White label that says “Lyon & Turnbull 432 04 February 2009” on lid of the box. Old, peeling, and stained label on top under handle, illegible. Faded, peeling labels on front, some words legible: “from the Canadian Pacific…” 2 stained and water damaged labels detached from box appear to be English shipping labels.“10” stamped in black on both ends of box. Stamped in black on rear of box: “Canadian Pacific Rly Co. 62 to 65 Charing Cross, London, S.W. 1. “3” engraved on upper rim of box. Box is divided into 3 sections with removable wood separators, small pieces of felt line 2 sections of the box.
Prints and some textual records absorbed from old records V121 and M48.
Lantern slides donated to the Whyte Museum by Dr. William and Mrs. Wynn Bensen. The slides were purchased by the Bensens from Lyon and Turnbull in Scotland.
Fonds consists of two sous-fonds: M521 and V75.
M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including cor…
154 cm of textual records. -- 1304 photographs (1190 prints, 95 negatives, 19 transparencies). -- 6 photograph albums.
History / Biographical
The Wardle family was comprised of husband and wife, James Morey Wardle (June 26,1888 - May 18,1971) and Maud Leette (Roney) Wardle (May 24,1889 - December 1,1969), and their one child, Dorothy Hope Wardle (May 23,1919 - July 20,2003).
James Wardle, born in Chiliwack, British Columbia, was a civil engineer and public servant. He was the Superintendent of Banff National Park from 1918-1921, Chief Engineer for Parks Canada from 1921-1935, and Deputy Minister of the Interior from 1935-1936. He is primarily known as a highway design engineer, particularly for building the Banff-Windermere, Banff-Lake Louise, and Banff-Jasper highways. He was a councillor for the Municipality of Rockcliffe Park in Ontario and he was the President of the Trail Riders of the Canadian Rockies in Banff from 1925-1929. Mount Wardle in Vermillion was named after him in 1921. James married Leette on November 4, 1913, with whom he had one child, Dorothy.
Born in Calgary, Alberta, Dorothy (also known as Dot and Dorie) grew up in Banff, Alberta and Ottawa, Ontario, due to her father's position with the federal government. She was educated at the Mountain School in Banff and at the Elmwood School in Ottawa. All three family members were graduates of Queen's University in Kingston, Ontario. James graduated in 1912 with a Bachelor of Science in Engineering, Leette graduated with a Bachelor's degree, and in 1942, Dorothy also earned a Bachelor's degree. Dorothy was prominent in student life and active in athletics. In 1941, Dorothy became the first woman elected as President of the Alma Mater Society and during her academic career, Dorothy was a member of the Levana Intercollegiate Debative, University Centenary Committee, and Queen’s War Aid Commission.
Dorothy spent her career as a freelance writer however, upon graduation she served as the first Secretary-In-Charge of Records at Carleton College (now Carleton University) from 1942-1944 in Ottawa and in the mid-1950s worked as a secretary for the Glenbow Foundation in Calgary. Dorothy pursued a lifelong interest in traveling, art, and antiques. Although she was fiercely proud and protective of Banff and the Park, and remained a volunteer and patron of the Whyte Museum of the Canadian Rockies, Dorothy eventually settled in Sidney, British Columbia and shared an apartment with Sheila Iris Ritchie, with whom Dorothy travelled extensively. After her death in 2003, Dorothy, "Dorie," was laid to rest alongside her parents in the Old Banff Cemetery.
Scope & Content
Fonds consists of two sous-fonds: M521 and V75.
M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including correspondence with Carl Rungius and Mrs. Helen Brett, and Christmas and other greeting cards from Peter and Catharine Whyte). Series III: Queen's University, 7.5 cm, 1911-1980 (including graduation certificates for each family member and records pertaining to Dorothy's participation on the Alma Mater Society). Series IV: Travel, 44.5 cm, ca.1950-1988 (includes hand-written notebooks meticulously detailing their travels).
V75 consists of two series, 79.5 cm, ca. 1912-2001. Series I: Wardle Family, ca. 1912-1971, 6 albums, 31 cm of photograph prints and negatives (including family trips, trail rides in the Canadian Rocky Mountains, and family gatherings). Series II: Dorothy Wardle, 1972-2001, 34 cm of photograph prints, negatives, and transparencies (including Dorothy's travels in Alberta and British Columbia, overseas, and various outings with friends).
File pertains to 99 35 mm colour transparency slides mounted in glass with silver matting paper, and black binding tape with blue dots denoting the collection in the upper right corners. The slides the original title and Reel locations written on the matting paper - all slides in this colelction ha…
File pertains to 99 35 mm colour transparency slides mounted in glass with silver matting paper, and black binding tape with blue dots denoting the collection in the upper right corners. The slides the original title and Reel locations written on the matting paper - all slides in this colelction have been pulled from varius Reels taken by Lillian Gest from trips taken in the Canadian Rockies between 1940 and 1947. Their removal is noted in the slide title notebook SL I (M67 / II / C / i / a / 51 - 1). Topics include a broad selection of images pertaining to Canadian Rockies, Banff and area, camps and hikes, wildlife, flora, friends and associates.
Titles:
1. Jasper Lake Beauvert & Cavel R33-15
2. [Jasper] Lake Beauvert 39-5
3. [Jasper Lake Beauvert] & Pyramid 40-18
4. [Jasper] golf course [& Pyramid] R40-16
5. [Jasper golf course] R40-15
6. Mt. Edith Cavel & Clouds 39-16
7. On steps of Lodge 33-19
8. Rock garden of Lodge 39-4 [MISSING]
9. [Rock garden] & flag 39-17
10. Bear in the Lake 40-20
11. [Bear] on trail (L. Louise) 76-8
12. [Bear]s at Dump Jasper 40-2
13. [Bear] on road (Deer Lodge) 76-11
14. Jasper rodeo 40-4
15. [Jasper rodeo] 40-5
16. Ram by the road 32-15
17. [Ram by the road] eating 32-17
18. [Ram] on cliff 79-3
19. Two rams on rocks 79-2
20. Deer in sandpit (Jasper) 38-18
21. [Deer] on Bow River 82-18
22. Two bucks (Banff) 112-9
23. Baby Fawn (Dan)
24. Whistler Mt Trail 39-12
25. Engelman spruce & cones 102-2
26. [Engelman spruce] cones 101-1
27. Avalanche fr. Lefroy 101-15
28. Mt. Athabaska & A1 R32-20
29. Mt. Kitchner 36-8
30. Natural Bridge Field 44-18
31. Takkakaw Falls 60-10
32. Polly above Twin Falls 52-14
33. Trail into Little Yoho 45-13
34. Fireweed – Mt Balfour 45-8
35. Lake Louise & Poppies 101-28
36. [Lake Louise] & horseman 101-26
37. Chateau fr. Fairview Lake Trail 76-21
38. On lawn of Chateau 102-20
39. Reflections in window 101-34
40. [Reflections] in shiny ball 101-33
41. Giant Steps R75-15
42. [Giant Steps] R75-17
43. Reflections Opabin Lake J6-4
44. Lunch Sheol Valley 83-7
45. Arnica 56-2
46. Queen Cap R103-2
47. Ptarmigan & chick 86-5
48. Chick in hand & mother 86-9
49. [Chick in hand] R93-17
50. [Chick in hand] R93-19
51. Gopher & lunch box 12-5
52. At Peyto Lookout R106-11
53. Kay & Polly St Nick Glacier 107-7
54. Party at lake opabin Pass 81-1
55. Opabin Pass 55-10
56. Edward on needles 102-16
57. Polly [on needles] 102-19
58. Lake Agnes fr. [needles] 102-15
59. Our tent at O’Hara Camp 81-4
60. Sun on Bugaboos 103-4
61. More sun on [Bugaboos] 103-5
62. Climb of Yukness D.R. 81-14
63. Rope on [Yukness] 81-19
64. Cliff on Mt Forbes 37-18
65. Party on Eiffel 94-13
66. Eiffel Tower 94-16
67. AAC Party on Paradise 87-2
68. Glacier Peak fr. Yukness 81-14
69. Goodsirs fr. Temple 88-4
70. On Paradise Pk. Daver C.H. 95-5
71. Sunday Service 87-13
72. Summit St. Nicholas 107-12
73. Party on E. Post Trip 103-8
74. [Party on E. Post] R103-9
75. Top cliffs Snow Patch 103-14
76. Howser Spire 105-10
77. Party for Mt. Pigeon 105-14
78. Snow slope on Baker 128-29
79. Looking down crevasse 105-14
80. Pinnacle E. Post 103-16
81. Summit Mt. Christian 35-4
82. On Top – St. Nicholas 107-8
83. Indigenous people at Banff Springs 57-18
84. Two Indigenous Chiefs 57-5
85. Indigenous woman & girl 57-9
86. Tepee tops in sky 58-12
87. Hoodoos 73-15
88. Storm on Fairholme Mts 89-6
89. Deer at 202 Muskrat 107-19
90. Deer at garbage pail 107-20
91. Doe by corral 100-3
92. Mt Edith & beaver dam 122-14
93. The Beaver Show 144-12
94. Beaver 114-14
95. Tree cut by brawn R42-8
96. [Tree] over trail R42-7
97. Mt Rundle & gardens 75-4
98. Columbine R73-17
99. Close-up pool & flowers R58-5
100. Bow Valley view R51-8
Notes
This material is presented as originally created, it contains outdated cultural descriptions and potentially offensive content. Materials in historical collections reflect the attitudes, ideas, and norms of the era and culture in which they were created or collected. Offensive or harmful terms are retained for historical accuracy or to document the issues and social context of a specific time and the attitudes and opinions of the people who created the material.
Slide numbering and titles as originally organized, as noted on a title list adhered to the inside of the box lid.
Photographs pertain to mountain peaks, glaciers, landscapes and scenery; mountaineering and alpine recreation; mountaineers and personalities, including portraits; huts; events and other subjects. A significant portion pertain to Alpine Club camps (ca.225 prints, 8 negatives and 5 albums containin…
Most items, including the six photograph albums, were likely produced by private individuals and club members. Includes photographs by: M. E. Alford, L. M. S. Amery, Fred Armbrister, A. H. Bent, B. C. Government, Eric Brooks, Allan Carpe, P. A. Carson, W. M. Docharty, Mary Fallis, Marion Fawdry, E. Feuz, F. W. Godsal, Douglas Griffin, L. G. Grimble, Klaus Hahn, Don Harmon, E. W. D. Holway, Frank Jacobs, Wally Joyce, E. Mills, C. H. Mitchell, Elfreda Pigou, Jaroslav Ruza, Mary Schaffer, W. E. Stone, J. M. Thorington, W. J. Topley, Hap Trevelyan, Underwood and Underwood, Valentine and Sons, Charles Walcott, Bradford Washburn and A. G. Wehrli. Many items are not credited.
Date Range
[ca.1900-1960]
Physical Description
ca.720 photographs (ca.560 prints, ca.40 negatives, ca.120 transparencies, 6 albums of ca.350 prints)
Scope & Content
Photographs pertain to mountain peaks, glaciers, landscapes and scenery; mountaineering and alpine recreation; mountaineers and personalities, including portraits; huts; events and other subjects. A significant portion pertain to Alpine Club camps (ca.225 prints, 8 negatives and 5 albums containing over 300 prints). Camps and expeditions documented include: Yoho Valley (1906) (1919); Paradise Valley (1907); Sherbrooke Lake (1911); Vermilion Pass (1912); Mount Robson (1913); Cathedral Mountain (1913); Upper Yoho Valley (1914); Ptarmigan Lake (1915); Healy Creek (1916); Lake of Hanging Glacier (1928); Coast Range (1952); Eremite Valley and others. Portraits include those of Charles Fay, Jean Habel, Frank R. Oastler, James F. Porter, H. E. Sampson, Charles D. Walcott and A. O. Wheeler. Includes series of British Columbia air photos of B.C. locations in the 1950s (AC 055 / 60-66). Contains many unidentified and undated items.
File consists of lantern slides depicting various pack trips organized and led by Caroline Hinman during the summers between 1913 and 1958.
The slides appear to be celluloid transparencies fixed between the panes of glass; lack of maker's marks on the transparencies indicates the images may have be…
34 photographs : b&w and col. slides : 10.2 x 8.2 cm
History / Biographical
See fonds level description.
Scope & Content
File consists of lantern slides depicting various pack trips organized and led by Caroline Hinman during the summers between 1913 and 1958.
The slides appear to be celluloid transparencies fixed between the panes of glass; lack of maker's marks on the transparencies indicates the images may have been developed onto a sheet and then individually cut out to form the slides.
File consists of lantern slides depicting various pack trips organized and led by Caroline Hinman during the summers between 1913 and 1958.
The slides appear to be celluloid transparencies fixed between the panes of glass; lack of maker's marks on the transparencies indicates the images may have be…
45 photographs : b&w and col. slides : 10.2 x 8.2 cm
History / Biographical
See fonds level description.
Scope & Content
File consists of lantern slides depicting various pack trips organized and led by Caroline Hinman during the summers between 1913 and 1958.
The slides appear to be celluloid transparencies fixed between the panes of glass; lack of maker's marks on the transparencies indicates the images may have been developed onto a sheet and then individually cut out to form the slides.
File consists of lantern slides depicting various pack trips organized and led by Caroline Hinman during the summers between 1913 and 1958.
The slides appear to be celluloid transparencies fixed between the panes of glass; lack of maker's marks on the transparencies indicates the images may have be…
49 photographs : b&w and col. slides : 10.2 x 8.2 cm
History / Biographical
See fonds level description.
Scope & Content
File consists of lantern slides depicting various pack trips organized and led by Caroline Hinman during the summers between 1913 and 1958.
The slides appear to be celluloid transparencies fixed between the panes of glass; lack of maker's marks on the transparencies indicates the images may have been developed onto a sheet and then individually cut out to form the slides.
File consists of lantern slides depicting various pack trips organized and led by Caroline Hinman during the summers between 1913 and 1958.
The slides appear to be celluloid transparencies fixed between the panes of glass; lack of maker's marks on the transparencies indicates the images may have be…
46 photographs : b&w and col. slides : 10.2 x 8.2 cm
History / Biographical
See fonds level description.
Scope & Content
File consists of lantern slides depicting various pack trips organized and led by Caroline Hinman during the summers between 1913 and 1958.
The slides appear to be celluloid transparencies fixed between the panes of glass; lack of maker's marks on the transparencies indicates the images may have been developed onto a sheet and then individually cut out to form the slides.