An oil sketch of a mountain landscape. The primary colours used are yellow, orange and purple. The top of the image presents a purple sky, intersected vertically by brushstrokes of yellow. The painting is dominated by a mountain range rendered in a variety of colours. The bottom section of the imag…
An oil sketch of a mountain landscape. The primary colours used are yellow, orange and purple. The top of the image presents a purple sky, intersected vertically by brushstrokes of yellow. The painting is dominated by a mountain range rendered in a variety of colours. The bottom section of the image has several lines in blues and greens that may represent structures at the foot of the mountains. The artist’s signature is in the brhc in purple paint. Au verso, written in black ink in the tlhc, “45/G-2”.
An oil sketch of a mountain landscape. The primary colours are orange, yellow, purple and pink. The foreground is orange, with a large mass on the right side that extends up into the centre right. The mountains are rendered in purple and pink, with the sky yellow. The artist’s signature is in the b…
An oil sketch of a mountain landscape. The primary colours are orange, yellow, purple and pink. The foreground is orange, with a large mass on the right side that extends up into the centre right. The mountains are rendered in purple and pink, with the sky yellow. The artist’s signature is in the brhc in blue paint. Au verso, written in black ink in the tlhc, “50/I-3”.
An oil sketch of a mountain landscape. The primary colours used are orange, red, yellow and brown. The sky at the top of the work is orange, with green clouds. The mountains are primarily red and yellow, with purple undertones. There are four vertical lines at the blhc which resemble trees, and the…
An oil sketch of a mountain landscape. The primary colours used are orange, red, yellow and brown. The sky at the top of the work is orange, with green clouds. The mountains are primarily red and yellow, with purple undertones. There are four vertical lines at the blhc which resemble trees, and the brhc is brown. The artist’s signature is in the brhc in blue paint. Au verso, written in black ink in the tlhc, “50/H-3”.