Fonds consists mainly of diary excerpts and transcripts, 1912-1913, 1921-1954; also includes a guest book, 1924-1956, posters, ca.1942, publications relating the story of Belmore Browne Peak, 1992-1993, and photographs, ca.1930, ca.1955, 1991-1992. Diaries are mainly trip diaries pertaining to summ…
24 cm of textual records. -- 108 photographs : prints, copy negatives, transparencies
History / Biographical
Belmore Browne, d.1954, was a well-known artist who lived and worked at Banff and Seebe, Alberta, Canada and in the United States. Browne and Agnes Evelyn Sibley, 1882-1976, were married in 1913. In 1921, they bought property in Banff for a summer home and with their children, George, 1918-1958, and Evelyn, 1915-1994, travelled extensively throughout the 1920s and 1930s in pursuit of subjects for Belmore Browne's paintings. In 1946, the Brownes built a home near Seebe. Agnes Browne was a diarist for the family and much of her extensive writing centres around the career of Belmore Browne. Her daughter Evelyn consolidated the diaries in the 1980s. George Browne was also an artist.
Scope & Content
Fonds consists mainly of diary excerpts and transcripts, 1912-1913, 1921-1954; also includes a guest book, 1924-1956, posters, ca.1942, publications relating the story of Belmore Browne Peak, 1992-1993, and photographs, ca.1930, ca.1955, 1991-1992.
Diaries are mainly trip diaries pertaining to summer travels and family life in the Canadian Rockies, 1921-1933. Included are trips to Red Earth Creek, Skoki, Mystic Lake, Sawback Lake, Red Deer Valley, Hector Lake, Bow Lake, Kananaskis Valley, Cascade and Panther rivers, Elbow Pass, and other locations. Other diaries cover the years 1943 to 1954, years partly spent at Seebe until Belmore Browne's death. Diary copies and typescripts have been annotated by Evelyn Browne.
Posters on alpine and wilderness survival, ca.1942, were done by Belmore Browne for the American military's Arctic Training Program.
Photographs are mainly photographic copies of paintings by Belmore and George Browne produced by Peter A. Juley & Son, Photographers of Fine Arts, New York, ca.1955, 79 items. Other photographs pertain to Belmore Browne and the Browne family, their Banff home and painting activities, ca.1930; the site of Belmore Browne plaque on Browne Peak, rediscovered and photographed by Tony and Gillean Daffern in September 1991, and dedication of the Belmore Browne plaque, 1992.
Official correspondence pertaining to the naming of Belmore Browne Peak, 1989-1993, is available in document file.
Murray Hay is a self taught artist who left Regina at age 16 and began a career as a commercial artist.
Murray Hay was born in 1931 and passed away in 2015 at the age of 84 years. Murray Hay moved to Alberta in1963? In 1976 Sir Rodney Touche approached him and asked if he would paint a ski map. The first ski map Murray painted was one of Lake Louise, the second was of Ski Big Three and the third was Sunshine Mountain ski resort
Scope & Content
Fonds consists of four paintings on coreboard, posters, photographs, newspaper clippings and drawings
A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso s…
A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso several stickers. At top white with black printing “THIS PAINTING HAS BEEN DONATED TO THE PERMANENT COLLECTION OF THE WHYTE MUSEUM OF THE CANADIAN ROCKIES AT BANFF. IT IS A GIFT FROM THE ARTIST, ROBERT GUEST OF GRANDE CACHE. 2012.” Sticker middle right is yellow with black print, “ CAUTION! HELP AVOID FADING: Display original artwork out of direct sunlight or other strong light, and away from heat or moist conditions!” Bottom left label, white with black printing, “#4. Wildfires./2011” NEW OILPAINT SERIES - 8X10 “ PANELS AT GRANDE CACHE, BY R. GUEST.” Bottom left sticker, blue with black print, see artist bio.
Sub-series of hut registers from Abbot Hut produced by the Alpine Club of Canada between 1954 and 2017. Registers include entries from visitors to the huts which pertain to individuals' hiking and climbing trips; details of specific events which occurred while staying at the hut, wildlife sightings…
Abbot Pass Hut was built in 1922 and sits at an elevation of 2,926 meters. It is one of the highest structures in Canada. The hut was named after Philip Stanley Abbot who had died from a fall during the first known attempt to reach the summit of Mount Lefroy. The hut was a national historic site, but the hut was closed to visitors in 2018 due to the erosion of the slope beneath the hut. On June 30, 2022 Parks Canada officially removed Abbot Pass Hut, due to those environmental factors.
Scope & Content
Sub-series of hut registers from Abbot Hut produced by the Alpine Club of Canada between 1954 and 2017. Registers include entries from visitors to the huts which pertain to individuals' hiking and climbing trips; details of specific events which occurred while staying at the hut, wildlife sightings, custodial issues and updates, and related topics.
The sub-series is separated into individual hut registers, arranged by date:
M200 / IV / A / 1: Abbot Pass Hut register [1954 - 1960]
M200 / IV / A / 2: [Abbot Pass Hut Register 1954 - 1970]
M200 / IV / A / 3: [Abbot Pass Hut? loose register 1972 - 1974]
M200 / IV / A / 4: [Abbot] Pass Hut [register 1974 - 1978]
M200 / IV / A / 5: Abbot Hut [register 1979 - 1980]
M200 / IV / A / 6: [Abbot]'s Hut Registry [1980 - 1982]
M200 / IV / A / 7: [Abbot Pass Hut Register 1982 - 1983]
M200 / IV / A / 8: [Abbot Pass register 1983]
M200 / IV / A / 9: [Abbot Hut Register 1987]
M200 / IV / A / 10: Abbot's Hut Bible [register, 1988 - 1992]
M200 / IV / A / 11: Abbot Pass Hut 1992 - 93
M200 / IV / A / 12: "Abbot Pass Hut Log Book" Aug. 24, 1993 - July 20, 1995
M200 / IV / A / 13: Abbot Pass hut register Aug. 11, 1995 - July 30, 1996.
M200 / IV / A / 14: [Abbot Pass] hut register July 30, 1996 - May 4, 1997
M200 / IV / A / 15: "Abbot Pass Hut Register" June 26, 1997 - September 3, 1998
M200 / IV / A / 16: Abbot Pass Hut [1998- 2000]
M200 / IV / A / 17: Abbot Pass Sep 6, 2000 - July 26, 2002
M200 / IV / A / 18: Abbot Hut Register 2002 - 2003
M200 / IV / A / 19: Abbot Pass Aug 31, 2003 - Aug 20, 2005
M200 / IV / A / 20: Abbot Pass Register 2004 - 2007
M200 / IV / A / 21: Abbot Hut Register 2007 - 2009
M200 / IV / A / 22: [2011 Abbot Hut Register]
M200 / IV / A / 23: Abbot Hut Register [2012 - 2014]
M200 / IV / A / 24: Abbot Pass Hut Register [2014 - 2016]
M200 / IV / A / 25: Abbot Pass Hut Register, 2016 - 2017
M200 / IV / A / 26: [Abbot Pass Hut Register: 2017-2018]
The Alpine Club of Canada website:
https://www.alpineclubofcanada.ca/abbot-pass-hut/
The Government of Canada website:
https://parks.canada.ca/pn-np/bc/yoho/culture/abbot
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altere…
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altered, glazed with a traditional Celedone glaze, fired in reduction cone 9. Post firing sand blasting with silver amalgam added in lamination separations to conclude the work in keeping with historical ceramic traditions.
File pertains to 34 b&w prints of the Association of Canadian Mountain Guides training courses and members. Includes shots of potential members participating in training courses [usually on Tunnel Mountain] as well as posed group shots of ACMG members.
34 photographs : col. & b&w ; 25.5 x 20.5 cm or smaller
History / Biographical
See fonds level description
Scope & Content
File pertains to 34 b&w prints of the Association of Canadian Mountain Guides training courses and members. Includes shots of potential members participating in training courses [usually on Tunnel Mountain] as well as posed group shots of ACMG members.
Notes
Identities of people in PA - 27 from left to right [back row]: Rüdi Geitsch, Tim Auger, Peter Schlunegger, Bernie Schiesser, Hans Gmoser, [unidentified], Lloyd "Kiwi" Gallagher ; [front row]: [unidentified], [unidentified], Scott Flavelle, Clair Israelson, Dave Cochrane?, [unidentified], Phil Heim, Dan Griffith.
Identities of people in PA - 29, from left to right [back row]: Frank Stark, Rüdi Geitsch, Lloyd "Kiwi" Gallagher ; [front row]: Leo Gullmair, [unidentified], Hans Gmoser, [unidentified], Pierre Lentire?, Sepp Renner.
Identifications provided by Chic Scott
File consists of personal photographs of Aileen Harmon and numerous friends and family members. Photographs pertain to friends Ron and Evelyn Matthews; Aileen's 95th birthday party celebration; a party in 1994; Aileen with Charlie Lockwood; a group of Guatemalan school children from a school Aileen…
23 photographs : col. prints ; 21.5 x 28 cm or smaller
Scope & Content
File consists of personal photographs of Aileen Harmon and numerous friends and family members. Photographs pertain to friends Ron and Evelyn Matthews; Aileen's 95th birthday party celebration; a party in 1994; Aileen with Charlie Lockwood; a group of Guatemalan school children from a school Aileen donated to; Aileen with river guide Tom Moody; Bea Wilkinson and David Lestock [?]; Jim Fulton; Aileen's friend Georgia Engelhart; Fran Losie [?], Joyce Hendrickson and Aileen together; and other miscellaneous images.
Notes
Numerous photographs annotated on the back with names and/or dates.
The third volume in the First Nations Language Readers series--meant for language learners and language users--this collection presents eight Blackfoot stories told by Lena Russell, a fluent speaker of Blackfoot from the Kainai (Blood) reserve in southern Alberta. In contract with other Algonquian languages, such as Cree and Saulteaux (Ojibwe), Blackfoot is not usually written in syllabics, so these stories are presented in the Blackfoot language using the Roman alphabet, together with the English translation. The spelling system is based on the conventions of the International Phonetic Alphabet, and should be transparent for native speakers of Blackfoot as well as for linguists. The Reader includes a Blackfoot-to-English glossary containing all the nouns, verbs, adjuncts, etc. , found in the texts, as well as stress or pitch accents over the vowel or vowels which bear the accent. (from University of Regina Press website)
Contents
1. Omohto´'totama'piihpi aahkssawa´ tsto'si Niitsi´'powahsini Why the Blackfoot language is important to preserve -- 2. Aatsi´moi'hkaani Prayer -- 3. Ni´nna Aka´o´hkitopiiwa #1 My Father, Rides-Many-Horses #1 -- 4. Ni´nna Aka´o´hkitopiiwa #2 My Father, Rides-Many-Horses #2 -- 5. Ami´i´ ohki´ni ki ama´a´ya na´i´i´pisstsiitapiima A finger bone and a rag doll -- 6. Ksi´ssta'pssiwa A Spirit -- 7. Isstoyi´i´si Cold Weather -- 8. O´mahksisttsi´i´ksiinaiksi Rattlesnakes -- Blackfoot -- English Glossary.
A thin green stem extends upwards from the bottom centre. Three red sketchy blooms extend from the bloom at the top. At the bottom there are three red stamps.
A thin green stem extends upwards from the bottom centre. Three red sketchy blooms extend from the bloom at the top. At the bottom there are three red stamps.
A thin green stem extends upwards from the bottom centre. Three red sketchy blooms extend from the bloom at the top. At the bottom there are three red stamps.
A thin green stem extends upwards from the bottom centre. Three red sketchy blooms extend from the bloom at the top. At the bottom there are three red stamps.
An ice floe fans out from top right, across centre, to left foreground. The mountain is in various colours with yellow dominant. Cloudy sky tlc and top.
An ice floe fans out from top right, across centre, to left foreground. The mountain is in various colours with yellow dominant. Cloudy sky tlc and top.
A large mountain rises up at left, a glacier spills down its face into the centre of the painting. Thin conifer trees are in the foreground. The sky is dark blue.
A large mountain rises up at left, a glacier spills down its face into the centre of the painting. Thin conifer trees are in the foreground. The sky is dark blue.
At the bl a male elk is challenging another male elk. The second elk is higher up on the side of a mountain in a grass area. Further off in the distance six female elk watch. The grass that the elk are standing on is a yellow green color and the rock in the background behind the elk is a red brown…
At the bl a male elk is challenging another male elk. The second elk is higher up on the side of a mountain in a grass area. Further off in the distance six female elk watch. The grass that the elk are standing on is a yellow green color and the rock in the background behind the elk is a red brown hue. The two male elk are facing each other and both have a full set of horns. The mountains in the far distance are a grey blue color.
Three unidentified individuals walking in a field holding aprons over their heads in the wind. Photograph was taken at the Little Bow Hutterite Colony in Southern, Alberta.
Three unidentified individuals walking in a field holding aprons over their heads in the wind. Photograph was taken at the Little Bow Hutterite Colony in Southern, Alberta.
Landscape painting of glacial area. Background has a blue sky that is filled with tall glacial formations. Right at the centre of the middle ground are silhouettes of two people rendered in black. Off to the the right side of the foreground is a weather station. The colour palette is made up of blu…
Landscape painting of glacial area. Background has a blue sky that is filled with tall glacial formations. Right at the centre of the middle ground are silhouettes of two people rendered in black. Off to the the right side of the foreground is a weather station. The colour palette is made up of blue, purples, orange, black, brown, green, and white.
The glacier is centred top, flowing down to the foreground, flanked on both sides by the mountain in colours of brown, yellow, grey, green. The light blue sky is cloudy.
The glacier is centred top, flowing down to the foreground, flanked on both sides by the mountain in colours of brown, yellow, grey, green. The light blue sky is cloudy.