Fonds consists of textual and visual records pertaining to Malcolm Geddes, as well as his immediate family: wife Jennie (Waters) Geddes, and children Alvin and Enid Geddes; and extended family members. Fonds includes records related to Malcolm's work as a poet and author (including original drafts …
Some views are by Malcolm Geddes; many were obtained through other sources
Date Range
[1896-2013]
Physical Description
444 photographs: 385 b&w and col. transparencies, 59 b&w prints -- 1 album (28 b&w prints) -- 11 cm of textual records
History / Biographical
Malcolm Daniel Geddes, 1866-1927, was a journalist, publisher and mountaineer at Calgary, Alberta, Canada. Geddes was one of the founders of the "Farmers and Ranch Review" in 1904, and served as vice-president and editor until his death. He joined the Alpine Club of Canada in 1917, was active in ACC summer camps and served as Honorary Secretary from 1924 to 1926. Geddes was killed in a mountaineering accident on Mount Lefroy in 1927.
Scope & Content
Fonds consists of textual and visual records pertaining to Malcolm Geddes, as well as his immediate family: wife Jennie (Waters) Geddes, and children Alvin and Enid Geddes; and extended family members. Fonds includes records related to Malcolm's work as a poet and author (including original drafts and publications), Malcolm's career in real estate, family letters, financial records, records of mountain ascents and hikes with the Alpine Club of Canada, family trees and genealogical research, and other related materials.
Notes
Fonds consists of three series:
Series I : Professional records
I / A : Published materials
I / B : Manuscripts and notes
I / C : Professional correspondence
Series II : Financial records
Series III : Personal and family records
III / A : Travel and mountain expeditions
III / B : Genealogy and research
III / C : Other personal and family records
Arrangement of fonds was redone by Processing Archivist Kate Skelton between December 2020 and March 2021 to accommodate unprocessed materials from accessions 7846, 2014.8306 and 2015.8558
Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse …
25 m of textual records. -- ca.46,000 photographs : prints, albums, postcards, cased photographs, transparencies, negatives. -- 178 sound recordings : audio tape reels, audio tape cassettes. -- 6 motion pictures (and film strips)
History / Biographical
Peter and Catharine Whyte were artists, photographers, outdoor enthusiasts, travelers, philanthropists and cultural workers at Banff, Alberta, Canada. Peter Whyte, 1905-1966, was born at Banff in 1905 to pioneer merchant Dave White and Annie (Curren) White. He was an accomplished skier and ski jumper and one of the region's first native-born painters with an intimate knowledge of the mountains and was an active photographer from ca.1920 until the 1950s. Peter Whyte studied art at the Otis Art Institute, Los Angeles, 1923-1924, and at the School of the Museum of Fine Arts at Boston, 1925, where he met Catharine Robb. Catharine Robb Whyte, 1906-1979, was born in 1906 at Concord, Massachusetts and grew up amongst the wealth and creativity of the Robb and Morse families. She studied at the School of the Museum of Fine Arts at Boston, 1925-1929.
Following their marriage in 1930, the Whytes pursued a life of painting, photography, hiking, skiing and travelling. Their log home and studio in Banff became a focal point for their artist friends, Stoney Indians and local pioneers. Catharine shared Pete's involvement in skiing and hiking organizations and together they managed Skoki Lodge from 1932-1934. In following years, the Whytes travelled extensively. During the Second World War, Peter served in the reserve army, with the Royal Canadian Air Force as a photographer and, briefly, as an official war artist. Catharine continued to paint and maintain their home and, when possible, accompanied Pete to his military postings. In civilian life, Pete resumed his art career, explored new photographic techniques and sculpted.
Throughout the 1950s and 1960s, the Whytes formulated plans for a foundation to preserve the art and history of the Canadian Rockies. Plans for a building to house an archives, public library and gallery were in preparation when Pete died in 1966. The Peter Whyte Foundation was named in his honour. Catharine immersed herself in the development of what is now the Whyte Museum of the Canadian Rockies, in the cultural community, painting, outdoor activity, travel and work with the Stoney First Nations. She became a more active photographer, recording her travels and outdoor pursuits. She served in an official capacity with numerous cultural and charitable organizations, was a patron to individuals studying art and music, and supported numerous causes relating to the Stoney First Nations. Catharine also supported causes related to multiculturalism, regional culture and recreation, and cancer research. Despite her modesty and often anonymous patronage of causes, Catharine was recognized with numerous awards and honours, including the Order of Canada in 1978. She died in Banff in 1979.
Scope & Content
Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse families, Series III: White and Curren families. Within Series I, there are four Sub-series: Series: A. Catharine Robb Whyte papers; B. Peter Whyte papers; C. Peter and Catharine Whyte papers accessioned after 2017; D. Peter and Catharine Whyte sound recordings.
Records in this series consist of three sub-series: C.1. William Luxton family papers and photographs; C.2. McDougall and Ross families papers, correspondence, and photographs; C.3. Other extended family records. Sub-series C.1. consists of four sub-sub-series: William Luxton; Sarah Luxton; Geor…
0.28 m textual records ; ca.147 photographs : b&w prints; 15 x 21 cm or smaller
Scope & Content
Records in this series consist of three sub-series: C.1. William Luxton family papers and photographs; C.2. McDougall and Ross families papers, correspondence, and photographs; C.3. Other extended family records. Sub-series C.1. consists of four sub-sub-series: William Luxton; Sarah Luxton; George Luxton; Louis Luxton. Sub-series C.2. consists of two sub-sub-series: McDougall family; Ross family.
File consists of templates, text samples, printed images and final copies of Christmas and holiday cards created for Norman, Georgina and Eleanor Luxton. Includes 9 b&w photographs (n.d., no title) of an unnamed individual dogsledding near the Banff Springs Hotel, as well as images of unidentified …
Date Range
[1901-1920]
[1930-1940]
Reference Code
LUX / III / A1 / 24 and LUX / III / A1 / NA - 1 to 3
2.5 cm of textual records -- 12 photographs (9 prints : b&w ; 15.5 x 20 cm or smaller -- 3 negatives : b&w negatives ; 18.5 x 13.5 cm)
Scope & Content
File consists of templates, text samples, printed images and final copies of Christmas and holiday cards created for Norman, Georgina and Eleanor Luxton. Includes 9 b&w photographs (n.d., no title) of an unnamed individual dogsledding near the Banff Springs Hotel, as well as images of unidentified Indigenous people [possibly Stoney Nakoda], skiing, and winter views of Banff and the surrounding area. File also includes three b&w negative photographs depicting holiday greeting card designs for Norman and Georgina Luxton, and Eleanor Luxton.
Notes
Negative photographs are duplicates of some paper printed images included in file LUX / III / A1 / 24.
Negatives have been stored in separate file folder from prints an textual records, in a negative envelope; items are currently stored together in same box to maintain context, but negatives may be moved to downstairs storage in the future
Photographs are primarily printed on paper or matboard (with exception of three glossy prints). Textual and photograph items in this file have been stored together to maintain original context and due to good physical condition.
File consists of 47 photographs which were collected by Eleanor Luxton as research material for the book Tilikum: Luxton's Pacific Crossing. Images pertain to Norman Luxton's 1901 voyage aboard the Tilikum dugout canoe, including views of the Tilikum on public display. File also includes two letter…
47 photographs : b&w and col. prints ; 25 x 20 cm or smaller
Scope & Content
File consists of 47 photographs which were collected by Eleanor Luxton as research material for the book Tilikum: Luxton's Pacific Crossing. Images pertain to Norman Luxton's 1901 voyage aboard the Tilikum dugout canoe, including views of the Tilikum on public display. File also includes two letters: one sent to Norman Luxton in 1926 by James Hall[?] pertaining to the voyage, and one to Eleanor Luxton from J.W.D. Symons at the Maritime Museum of British Columbia pertaining to the use of the museum's images in her book.
Sub-series consists of textual and visual materials pertaining to the history of Southern Alberta. Includes personal accounts, day books and diaries, genealogical research, records of livestock and other trade, and portrait and group photographs depicting early settlers of Southern Alberta. Materia…
29 cm of textual records -- 29 photographs (28 b&w prints, 1 tintype) ; 20 x 25 cm or smaller
Scope & Content
Sub-series consists of textual and visual materials pertaining to the history of Southern Alberta. Includes personal accounts, day books and diaries, genealogical research, records of livestock and other trade, and portrait and group photographs depicting early settlers of Southern Alberta. Materials in sub-series believed to have been collected by Eleanor Luxton, possibly on behalf of the Southern Alberta Pioneers' and Old Timers' Association or as part of Eleanor's personal research.