A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
(a) actor costumed with flowing mane, peonies on his hat and in his hand, wearing blue robes (b) 37.1 x 25.0/35.7 x 24.5 actor with long flowing white mane, also with peonies on his hat and in hand, wearing red robes (c)37.1 x 25.0/36.0 x 24.5 actor with flowing mane, purple robes, with large peoni…
(a) actor costumed with flowing mane, peonies on his hat and in his hand, wearing blue robes (b) 37.1 x 25.0/35.7 x 24.5 actor with long flowing white mane, also with peonies on his hat and in hand, wearing red robes (c)37.1 x 25.0/36.0 x 24.5 actor with flowing mane, purple robes, with large peonies in the background. All actors hats have bells around the brim.
This triptych features 16 women viewing flowers and fish from 2 boats and a dock. The first panel has 5 women all looking down towards the water. They are standing on a dock. In the tlc a tree is in blossom these blossoms stretch all the way into the third panel. A long boat intersects the 1st…
This triptych features 16 women viewing flowers and fish from 2 boats and a dock. The first panel has 5 women all looking down towards the water. They are standing on a dock. In the tlc a tree is in blossom these blossoms stretch all the way into the third panel. A long boat intersects the 1st, second and third panels. in this long decorative boat are 7 woman. One woman in the second panel is standing to row. The rest are seated and mostly looking into the water. A third boat floats under a bridge in the third panel. A woman stands at the head of the boat rowing. In the brc of the third panel are many flowers from which the second boat emerges. A group of Red Carp is visible in bottom of the centre panel.
A road runs up through the right side of the work. A small section of trees sit in the centre, and a house sits on the upper left. The image is dominated by green tones.
A road runs up through the right side of the work. A small section of trees sit in the centre, and a house sits on the upper left. The image is dominated by green tones.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Scene of grassy field leading to the distance with the red roof of some houses seen.“This very yellow landscape appears to have been an early experiment, lacking Collings’ finesse and resulting in ‘rubbed’ paper in the left portion of the sky.” -- “Charles John Collings, 1848-1931” Catalogue Rai…
Scene of grassy field leading to the distance with the red roof of some houses seen.“This very yellow landscape appears to have been an early experiment, lacking Collings’ finesse and resulting in ‘rubbed’ paper in the left portion of the sky.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
Profile portrait of the bust of a woman with her head gazing downwards.“The woman’s head is bowed as though she is preoccupied with something in front of her; perhaps it is the artist’s wife, Mellora, playing the piano. The woman’s eyes and mouth, and tendrils of hair at the nape are treated sensit…
Profile portrait of the bust of a woman with her head gazing downwards.“The woman’s head is bowed as though she is preoccupied with something in front of her; perhaps it is the artist’s wife, Mellora, playing the piano. The woman’s eyes and mouth, and tendrils of hair at the nape are treated sensitively while flowers in the background underscore her femininity.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath