A mountain landscape sketch. Two peaks rise on the left, a rounded peak with tree coverage sits in the bottom right. Bottom left “5 Mile Banff July ‘72”, bottom right “Glyde.”
A mountain landscape sketch. Two peaks rise on the left, a rounded peak with tree coverage sits in the bottom right. Bottom left “5 Mile Banff July ‘72”, bottom right “Glyde.”
A seated nude (no furniture indicated) facing left, legs crossed, chin rests on her right hand, left arm lays across her right knee which is crossed over left. The model has long hair, face and one foot are indistinct. The drawing is done in a brown, red colour with light yellow highlights. Tit…
A seated nude (no furniture indicated) facing left, legs crossed, chin rests on her right hand, left arm lays across her right knee which is crossed over left. The model has long hair, face and one foot are indistinct. The drawing is done in a brown, red colour with light yellow highlights. Titled and signed on back as well.
Located in the center and filling most of the image area is an Inuit dancer. He stands with his side toward the viewer. His tunic is a yellow colour and he holds a drum stick in his right hand high above his head. He has medium length straight hair depicted in graphite and a colourful belt tied aro…
Located in the center and filling most of the image area is an Inuit dancer. He stands with his side toward the viewer. His tunic is a yellow colour and he holds a drum stick in his right hand high above his head. He has medium length straight hair depicted in graphite and a colourful belt tied around his waist. His tunic has fringes at the sides and bottom and he has a decorative strip around the top of his mukluk. He is holding a large round drum in his left hand.
The frame has been divided into three squares, from top left to right; - no. 1 12.5x9cm. has two pole shapes and wires running from it. - the no. 2, 9x10cm. is shaded shapes. - the third in the shape of a backwards L could be the front part of a ship with the anchor winch shown and a large block an…
The frame has been divided into three squares, from top left to right; - no. 1 12.5x9cm. has two pole shapes and wires running from it. - the no. 2, 9x10cm. is shaded shapes. - the third in the shape of a backwards L could be the front part of a ship with the anchor winch shown and a large block and tackle on cable above. Marks; the cardboard has been cracked through the vertical middle.“Collings spent the first 40 years of his life in South Devon, only a few miles from the coast. Harbour views, often with boats, dominate his early work. This studious sketch, with the paper divided into three sections to accommodate mast, reflection, and winch details, was probably made when the artist was about 20.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
A green blue river winds from the centre bottom to upper right, brown and white islands with some trees on some islands. Surrounding the river, completely covering the picture trees are indicated in varying patterns.
A green blue river winds from the centre bottom to upper right, brown and white islands with some trees on some islands. Surrounding the river, completely covering the picture trees are indicated in varying patterns.
A mountain peak, with snow, is centre right, an irregular shape of blue green behind the peak, almost edge to edge. The rest of the picture is textured indicating clouds.
A mountain peak, with snow, is centre right, an irregular shape of blue green behind the peak, almost edge to edge. The rest of the picture is textured indicating clouds.
A realistic rendering of a mounted cowboy in full riding dress on a fully equipped western horse. Cast in solid bronze from the lost wax process. Part of the display Charlie Beil - Man of Versatility which was one part of four of the display Charlie Beil - A Western Sculptor.
A realistic rendering of a mounted cowboy in full riding dress on a fully equipped western horse. Cast in solid bronze from the lost wax process. Part of the display Charlie Beil - Man of Versatility which was one part of four of the display Charlie Beil - A Western Sculptor.
A life-like representation of C.A. Beil at 80 years of age. The texture of the bronze is quite rough, indicating the characteristics of the plasticine mould.
A life-like representation of C.A. Beil at 80 years of age. The texture of the bronze is quite rough, indicating the characteristics of the plasticine mould.
A realistic rendering of a mountain goat; he is standing on a large rock on the base which comprises 8.0 of the height of the sculpture. Inscribed on the back of the base: Studio West Cochrane Alberta 2/27.
A realistic rendering of a mountain goat; he is standing on a large rock on the base which comprises 8.0 of the height of the sculpture. Inscribed on the back of the base: Studio West Cochrane Alberta 2/27.
A realistic rendering of a standing horse; haltered with rope hanging down to between his front legs; packed, diamond hitch; on right rump: “JF” combined and “barX6”; on right shoulder “circle over bar”
A realistic rendering of a standing horse; haltered with rope hanging down to between his front legs; packed, diamond hitch; on right rump: “JF” combined and “barX6”; on right shoulder “circle over bar”
A pencil sketch of the head of F.O. Pat Brewster. The face is detailed and shaded, the shirt and tie lightly sketched in. A 3/4 left profile. Signed James Agrell Smith 25-5-78. On back of picture in Pat Brewster's handwriting: Forrest Oliver 'Pat' Brewster Sept. 19, 1896 to -
A pencil sketch of the head of F.O. Pat Brewster. The face is detailed and shaded, the shirt and tie lightly sketched in. A 3/4 left profile. Signed James Agrell Smith 25-5-78. On back of picture in Pat Brewster's handwriting: Forrest Oliver 'Pat' Brewster Sept. 19, 1896 to -
Top half of the picture is sky, white clouds dominate. Mountains dominate lower half. Light brown and light greens, foreground indicates rocks with snow.
Top half of the picture is sky, white clouds dominate. Mountains dominate lower half. Light brown and light greens, foreground indicates rocks with snow.
Bronze pack horse fully rigged, has a brand of left shoulder H; he stands on a solid base of bronze on which is etched T.R.C.R. 30 years and beside that 50; the assemblage is of various woods with a flat board as background and driftwood and bark as base and landscape; a rectangular piece of driftw…
Bronze pack horse fully rigged, has a brand of left shoulder H; he stands on a solid base of bronze on which is etched T.R.C.R. 30 years and beside that 50; the assemblage is of various woods with a flat board as background and driftwood and bark as base and landscape; a rectangular piece of driftwood is attached at the top with wire; a brass plate of this piece reads: In honour of Ray Bagley whose homespun philosophy enriched the lives of all who called him friend. Remembered by the Trail Riders of the Canadian Rockies; another brass plate is on the board: Time and stress will make or break Keep smiling though through tears. For it matters not the years you live But how you live the years Ray Bagley. Bronze by Malcolm MacKenzie. Assemblage by Bunny Robinson, Calgary.
Black silhouettes of parka clad person throwing a harpoon into the stomach of a seal. The picture is very animated and quite detailed, the writing is in pencil.Text reads “10/50 / ᑕᐃᓱᒪᓂᐊᓗᒍ ᐊᒍᑎ ᓯᑯᑯ ᐸᒍᐸᑐᕕᓂ ᐅᓗᓕᒪᑲᓴ ᓇᐅᓕᒍᓇᓯᒐᓱᐊᓱᓂ ᓯᑯᑯ / ᑎᕕ ᐃᑐ 1974”
Black silhouettes of parka clad person throwing a harpoon into the stomach of a seal. The picture is very animated and quite detailed, the writing is in pencil.Text reads “10/50 / ᑕᐃᓱᒪᓂᐊᓗᒍ ᐊᒍᑎ ᓯᑯᑯ ᐸᒍᐸᑐᕕᓂ ᐅᓗᓕᒪᑲᓴ ᓇᐅᓕᒍᓇᓯᒐᓱᐊᓱᓂ ᓯᑯᑯ / ᑎᕕ ᐃᑐ 1974”
The bottom seventh is horizontal lines running from edge to edge, black lines on brown. Bottom edge 7.5 from right is a red brown tumb shape. Three tall spires, each with a red brown circular shape near top, woodgrain-like lines inside spires. An overall texture rest of picture.
The bottom seventh is horizontal lines running from edge to edge, black lines on brown. Bottom edge 7.5 from right is a red brown tumb shape. Three tall spires, each with a red brown circular shape near top, woodgrain-like lines inside spires. An overall texture rest of picture.