Located in the center and filling most of the image area is an Inuit dancer. He stands with his back toward the viewer. His tunic is a yellow colour and he holds a drum stick in his right hand. He has medium length straight hair depicted in graphite and a colourful belt tied around his waist. His t…
Located in the center and filling most of the image area is an Inuit dancer. He stands with his back toward the viewer. His tunic is a yellow colour and he holds a drum stick in his right hand. He has medium length straight hair depicted in graphite and a colourful belt tied around his waist. His tunic has fringes at the sides and bottom and he has a decorative strip around the top of his mukluk.
General colour: brown on white. A horse saddled and carrying a rifle, saddle bags, and another case. Stands facing left. His ears are perked. Around the edges are notes by the artist regarding colouration.
General colour: brown on white. A horse saddled and carrying a rifle, saddle bags, and another case. Stands facing left. His ears are perked. Around the edges are notes by the artist regarding colouration.
Drawn lightly are two bison running toward each other ready to bang heads. Under foot you can see the suggestion of ground represented by a few lines. One bison is running from the upper left corner and the other is running from the center right.
Drawn lightly are two bison running toward each other ready to bang heads. Under foot you can see the suggestion of ground represented by a few lines. One bison is running from the upper left corner and the other is running from the center right.
Colour: black on white. The horse plunges to the left. The rider leans to viewer’s right, the coup stick in his hand coming down to touch the head of another man who is bent over. In the background are silhouettes, to the left is a figure holding onto a horse and rider; both figures have arms rais…
Colour: black on white. The horse plunges to the left. The rider leans to viewer’s right, the coup stick in his hand coming down to touch the head of another man who is bent over. In the background are silhouettes, to the left is a figure holding onto a horse and rider; both figures have arms raised and between the rider and figure to the right is a silhouette of another horse and rider.Au verso in pencil “COUP” the word “SOLD” in a rectangle, to the right of that “Archives of the Cdn” and above that the number “60” encircled and then an “X” to cross it out
Two figures, a man and a woman, are seated on grass, both are facing to the left, the woman is covered by a cloak with only her head showing, the man is behind her also facing to the left, lying down resting on his elbows, the grass is bottomn quarter of picture and finely detailed, a clear backgro…
Two figures, a man and a woman, are seated on grass, both are facing to the left, the woman is covered by a cloak with only her head showing, the man is behind her also facing to the left, lying down resting on his elbows, the grass is bottomn quarter of picture and finely detailed, a clear background behind the figures.
Colour: black on white, the head of a woman, facing slightly to viewer’s right. The left side of the face is visible the right side is in total darkness. Her neck hides in the shadows also though her shoulders are white. Only the outline indicates their shape.Au verso: HALF FACE IN THE DARK
Colour: black on white, the head of a woman, facing slightly to viewer’s right. The left side of the face is visible the right side is in total darkness. Her neck hides in the shadows also though her shoulders are white. Only the outline indicates their shape.Au verso: HALF FACE IN THE DARK
A realistic rendering of a head and shoulder portrait of Jim Brewster; a three-quarter view; he has on a light brown hat, blue jacket, white shirt, red tie; streaks of colour in background.
A realistic rendering of a head and shoulder portrait of Jim Brewster; a three-quarter view; he has on a light brown hat, blue jacket, white shirt, red tie; streaks of colour in background.
Head and shoulders portrait of John Brewster as an elderly man. The head is drawn in good detail, full faced, shirt and tie evident, shoulders sketched in lightly. The face is round, hair over ears, otherwise bald, brown eyes, mustache, and amicable look.
Head and shoulders portrait of John Brewster as an elderly man. The head is drawn in good detail, full faced, shirt and tie evident, shoulders sketched in lightly. The face is round, hair over ears, otherwise bald, brown eyes, mustache, and amicable look.
Colour: black on white. Central to the picture are six men entangled in an attempt to retrieve a ball from one of them. Two men have head bands only five lacrosse sticks are evident. In the background to the left are five more players - to the right are three players and in the centre one is holdi…
Colour: black on white. Central to the picture are six men entangled in an attempt to retrieve a ball from one of them. Two men have head bands only five lacrosse sticks are evident. In the background to the left are five more players - to the right are three players and in the centre one is holding his lacrosse net over his head.Au verso “LACROSSE GAME” trhc K.64 below encircled “112” brhc encircled “40” topped by encircled “3” vestiges of earlier drawing.
General colour: red, yellow, blue, black on white - equal portions. A single figure showing a force looking right, above that a fish looking left and above that a bird, wings spread, and legs coming down, looking right. Symbolic meanings - mother and child on her back, fish with eggs and an eagle -…
General colour: red, yellow, blue, black on white - equal portions. A single figure showing a force looking right, above that a fish looking left and above that a bird, wings spread, and legs coming down, looking right. Symbolic meanings - mother and child on her back, fish with eggs and an eagle - all powerful symbols.
A mink is sitting by a waters edge. The water is not drawn but suggested by the grass and the ground that has been drawn in around the mink. The mink is the darkest image within the drawing.
A mink is sitting by a waters edge. The water is not drawn but suggested by the grass and the ground that has been drawn in around the mink. The mink is the darkest image within the drawing.
Standing facing the viewer this moose stands with its legs strong and spaced wide. The moose looks as if it was just frightened and is ready to take off in a different direction.
Standing facing the viewer this moose stands with its legs strong and spaced wide. The moose looks as if it was just frightened and is ready to take off in a different direction.
Standing with its back to the viewer this calf looks to the left toward it's mother that is in the upper left corner of the image. Around the feet of the calf some grass is drawn in. Around the feet and body of the older moose in the distance there is grass and the suggestion of some trees and grou…
Standing with its back to the viewer this calf looks to the left toward it's mother that is in the upper left corner of the image. Around the feet of the calf some grass is drawn in. Around the feet and body of the older moose in the distance there is grass and the suggestion of some trees and ground.