File consists of 85 b&w prints and 1 colour print, various sizes. Content pertains to CPR, construction sites, horses and ranching, wildlife/landscapes, Indigenous art, and images from scenes in several provinces across Canada (BC, AB, NB, NS, QC) created for use in Canadian Pacific travel promotio…
Produced by Nicholas Morant and Ivy 'Willie' Morant
Date Range
[ca. 1935 - ca. 1940]
[ca. 1950 - ca. 1960]
[ca. 1980 - 1986]
Physical Description
86 Photographs: prints; b&w and colour
Scope & Content
File consists of 85 b&w prints and 1 colour print, various sizes. Content pertains to CPR, construction sites, horses and ranching, wildlife/landscapes, Indigenous art, and images from scenes in several provinces across Canada (BC, AB, NB, NS, QC) created for use in Canadian Pacific travel promotions. Also contains three portrait images of Stoney Nakoda chiefs including John Hunter and Jacob Two-Young-Man, and two images of an older Nicholas Morant (at least one taken by Ivy 'Willie' Morant, depicting Nicholas Morant in train tunnel holding camera equipment). Many images in this file are stamped on the reverse side as property of Miller Services Ltd.
Storage Range
In file box V500 / II / C / 5 / PA - 326 to V500 / II / C / 5 / PA - 648
File consists of 5 photographs pertaining to the Calgary Stampede. Photographs depict Norman Luxton and other individuals involved in the coordination of the Calgary Stampede, including Fred Graham, Chief David Bearspaw, members of the Hunter and Burns families, Col. Walker, Guy Weadick and others.
Items LUX/I/D3c/PA-1 and 2 attributed to photographer F. Gully
Date Range
[ca.1920-1930]
1944
Physical Description
5 photographs : b&w prints ; 25 x 20 cm or smaller
Scope & Content
File consists of 5 photographs pertaining to the Calgary Stampede. Photographs depict Norman Luxton and other individuals involved in the coordination of the Calgary Stampede, including Fred Graham, Chief David Bearspaw, members of the Hunter and Burns families, Col. Walker, Guy Weadick and others.
Notes
Most individuals in photographs are not named, and items [aside from first in file] are not dated
File consists of 21 photographs pertaining to events at the Calgary Exhibition and Stampede held in 1943, 1949 and 1954. Photographs dated 1949 depict unidentified Indigenous people on horseback [preparing for a Stampede event?], and other photographs in file pertain to the judging of teepee compet…
Photographs LUX/I/D3c/PA-6 to 10 produced by photographer F. Gully.
Date Range
1943
1949
1954
Physical Description
21 photographs : b&w ; 17.5 x 12 cm or smaller
Scope & Content
File consists of 21 photographs pertaining to events at the Calgary Exhibition and Stampede held in 1943, 1949 and 1954. Photographs dated 1949 depict unidentified Indigenous people on horseback [preparing for a Stampede event?], and other photographs in file pertain to the judging of teepee competitions in [including images of 1943 winner John Burns and his family].
Item consists of a photograph print of a couple sitting side by side inside a tepee. The man is identified as George Hunter by Catharine Robb Whyte, possibly in consultation with Eliza Hunter, on the back of the photo.
Item consists of a photograph print of a couple sitting side by side inside a tepee. The man is identified as George Hunter by Catharine Robb Whyte, possibly in consultation with Eliza Hunter, on the back of the photo.
*Image was part of the Recognizing Relations project, an archives initiative undertaken in 2014 to identify Stoney people in photographs held in the Whyte Museum Archives. Title from annotation on the back of the print written by Catharine Robb Whyte.
Information provided by Stoney Nakoda Elders during the Recognizing Relations project, an archives initiative undertaken in 2014 to identify Indigenous people in photographs held in the Whyte Museum Archives and Special Collections.
Stoney Nakoda Elders provided naming and other culturally relevant information during interviews held for Recognizing Relations, an archives initiative active from 2014-2023.
The goal of this initiative was to name local Indigenous peoples in photographs held in the WMCR archives as well as encouraging access for Indigenous communities to these images.
Stoney Nakoda Elders provided naming and other culturally relevant information during interviews held for Recognizing Relations, an archives initiative active from 2014-2023.
The goal of this initiative was to name local Indigenous peoples in photographs held in the WMCR archives as well as encouraging access for Indigenous communities to these images.
Item consists of a photograph print of John Hunter (Îhre Wapta) (Dry River Rocks) in regalia on horseback with a long wooden pole topped with feathers held in his right hand, possibly taken during Banff Indian Days, year unknown.
Item consists of a photograph print of John Hunter (Îhre Wapta) (Dry River Rocks) in regalia on horseback with a long wooden pole topped with feathers held in his right hand, possibly taken during Banff Indian Days, year unknown.
*Image was part of the Recognizing Relations project, an archives initiative undertaken in 2014 to identify Stoney people in photographs held in the Whyte Museum Archives.
Item consists of a print photograph of George McLean (Tatâga Mânî) (Walking Buffalo), Judas Hunter and John Hunter (Îhre Wapta) (Dry River Rocks) dressed in regalia at Banff Indian Days.
Item consists of a print photograph of George McLean (Tatâga Mânî) (Walking Buffalo), Judas Hunter and John Hunter (Îhre Wapta) (Dry River Rocks) dressed in regalia at Banff Indian Days.
Information provided by Stoney Nakoda Elders during the Recognizing Relations project, an archives initiative undertaken in 2014 to identify Indigenous people in photographs held in the Whyte Museum Archives and Special Collections.
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Peter Ear, unknown, winter carnival queen, possibly Tom Kaquitts (Sûga Wakâ) (Dog God) and John Hunter (Îrhe Wapta), Stoney Nakoda at Banff Winter Carnival
Stoney Nakoda Elders provided naming and other culturally relevant information during interviews held for Recognizing Relations, an archives initiative active from 2014-2023.
The goal of this initiative was to name local Indigenous peoples in photographs held in the WMCR archives as well as encouraging access for Indigenous communities to these images.
Information provided by Stoney Nakoda Elders during the Recognizing Relations project, an archives initiative undertaken in 2014 to identify Indigenous people in photographs held in the Whyte Museum Archives and Special Collections.
File consists of portraits depicting Stoney Nakoda families and individuals [some not identified] from the early and mid-1900s. Named individuals in photographs include members of the Hunter, Twoyoungmen, Crawler, McLean and Rollinmud families. Includes several early portraits by Byron Harmon [1906…
Some photographs produced by Byron Harmon; Items LUX/I/E6/PA-484 to 489 produced by Ernest Kehr; Item LUX/I/E6/PA-501 attributed to Nicholas Morant; Items LUX/I/E6/PA-522 and 523 produced by Buell Photography
Date Range
[ca.1884-1886]
1885
[ca.1890]
1902-1903
1906
[ca.1910-1920]
[ca.1930-1940]
1953
1958
Physical Description
58 photographs : b&w prints ; 21 x 25.5 cm or smaller
Scope & Content
File consists of portraits depicting Stoney Nakoda families and individuals [some not identified] from the early and mid-1900s. Named individuals in photographs include members of the Hunter, Twoyoungmen, Crawler, McLean and Rollinmud families. Includes several early portraits by Byron Harmon [1906]; 6 photograph prints on matboard depicting John Hunter and Job Stevens “staging a battle” [1903]; and two early photograph prints depicting Blackfoot Chief Crowfoot [1885] and Cree Chief Poundmaker. [ca.1884-1886].
Notes
Some names spelled incorrectly in original annotations on photographs, including name "Job Stephen[sic]" [Stevens]
File consists of 3 hand-tinted photographs [LUX/I/E6/PA-338 to 340] and 40 b&w photographs. Content pertains to an Indigenous [Sundance?] ceremony [ca.1940s]; an “Indian Nativity Play” performed in Victoria, British Columbia; and portraits and group photographs of various Stoney Nakoda and Blackfoo…
Photographs LUX/I/E6/PA-343 to 345 produced by Harry Pollard
Date Range
[ca.1900-1910]
[ca.1914-1920]
[ca.1930-1950]
Physical Description
43 photographs : b&w prints ; 19 x 24 cm or smaller
Scope & Content
File consists of 3 hand-tinted photographs [LUX/I/E6/PA-338 to 340] and 40 b&w photographs. Content pertains to an Indigenous [Sundance?] ceremony [ca.1940s]; an “Indian Nativity Play” performed in Victoria, British Columbia; and portraits and group photographs of various Stoney Nakoda and Blackfoot tribe members.
Notes
Most individuals depicted in photographs are not identified
Date ranges provided are estimates by Processing Archivist based on context and format of photographs in file
Enos Hunter’s name spelled incorrectly on back of one photograph [“Enod”] - spelling has been corrected in Name Access field but not on original photograph
***Disclosure for individuals who which to access materials in this file : photographs LUX/I/E6/PA-341 and 342 depict racially insensitive material - individuals wearing dark face makeup to resemble Indigenous people. The content of these items reflects the time period in which they were produced, and may be offensive to contemporary audiences.
File consists of portraits of various Stoney Nakoda people (including members of the Bearspaw, Hunter and Wildman families), as well as Joshua Wetsit of the Assiniboine Sioux First Nation in Montana. Some photographs are accompanied by handwritten notes with information pertaining to the photograph…
Photographs produced by Mitchell Studio (Baltimore, Maryland); Harry Pollard; Byron Harmon; Nicholas Morant; and Ernest Kehr. Some photographs not attributed
Date Range
[1905-1915]
1915
[1920-1940]
1929
1939
1950
1957
Physical Description
34 photographs : b&w prints ; 20 x 25 cm or smaller
Scope & Content
File consists of portraits of various Stoney Nakoda people (including members of the Bearspaw, Hunter and Wildman families), as well as Joshua Wetsit of the Assiniboine Sioux First Nation in Montana. Some photographs are accompanied by handwritten notes with information pertaining to the photographs.
File consists of 13 photograph prints and 26 commercial postcards [produced by Byron Harmon]. Prints pertain to the McDougall Church in Morley, a Sundance ceremony [n.d.], and an [Indigenous?] crafts store with a small teepee outside. Postcards depict various Stoney Nakoda people including Chief Si…
39 photographs : b&w prints and postcards ; 8.5 x 14 cm or smaller
Scope & Content
File consists of 13 photograph prints and 26 commercial postcards [produced by Byron Harmon]. Prints pertain to the McDougall Church in Morley, a Sundance ceremony [n.d.], and an [Indigenous?] crafts store with a small teepee outside. Postcards depict various Stoney Nakoda people including Chief Sitting Eagle [John Hunter], Leah Rider Hunter, Enos Hunter and Hector Crawler; some individuals in images not identified.
Notes
File contains duplicates of some postcards by Byron Harmon
Date ranges provided are estimates by Processing Archivist
Item consists of group portrait of individuals on horseback. John Hunter (Îhre Wapta) (Dry River Rocks) far left and George McLean (Tatâga Mânî) (Walking Buffalo) fifth to the left.
Item consists of group portrait of individuals on horseback. John Hunter (Îhre Wapta) (Dry River Rocks) far left and George McLean (Tatâga Mânî) (Walking Buffalo) fifth to the left.
Information provided by Stoney Nakoda Elders during the Recognizing Relations project, an archives initiative undertaken in 2014 to identify Indigenous people in photographs held in the Whyte Museum Archives and Special Collections.
File consists of photographs pertaining to a 1944 Tobacco Dance event at Beaver Lodge Camp near Gleichen, Alberta; a 1943 Sundance ceremony; an unidentified young Indigenous woman and Indigenous man [possibly Chief Sitting Bull?] standing by the Bow River; distant photographs of a moose in shallow …
File consists of photographs pertaining to a 1944 Tobacco Dance event at Beaver Lodge Camp near Gleichen, Alberta; a 1943 Sundance ceremony; an unidentified young Indigenous woman and Indigenous man [possibly Chief Sitting Bull?] standing by the Bow River; distant photographs of a moose in shallow water; teepees [context unknown]; aerial views of Morley[?] or Gleichen[?]; and various unidentified Indigenous people, standing and on horseback.
Notes
Photographs LUX/I/E6/PA-107 to 120 are annotated on back sides with additional information/context pertaining to specific images.
Item consists of a print photograph of a group including top (L-R) could be Lily Wesley, unknown, Judah Wesley, unknown. Bottom (L-R) Johnny Powderface, John Hunter (Îhre Wapta) (Dry River Rocks) and Leah (Rider) Hunter (Pasi).
Item consists of a print photograph of a group including top (L-R) could be Lily Wesley, unknown, Judah Wesley, unknown. Bottom (L-R) Johnny Powderface, John Hunter (Îhre Wapta) (Dry River Rocks) and Leah (Rider) Hunter (Pasi).
Information provided by Stoney Nakoda Elders during the Recognizing Relations project, an archives initiative undertaken in 2014 to identify Indigenous people in photographs held in the Whyte Museum Archives and Special Collections.
Identification taken from misc. Elder meeting notes.