Portrait of Chief John Hunter, facing toward the right of the image. His hair is black and in two braids. Wisps of hair are loose and blowing in the wind. His face is wrinked, particularly around his mouth. His coat is white and he is wearing orange and green scarves. In the bottom right corne…
Portrait of Chief John Hunter, facing toward the right of the image. His hair is black and in two braids. Wisps of hair are loose and blowing in the wind. His face is wrinked, particularly around his mouth. His coat is white and he is wearing orange and green scarves. In the bottom right corner, trees are visible. Above them are loosely drawn mountains. The sky is green (light and dark) and mauve.
Pastel portrait of a First Nations man who is facing toward the left of the piece. The man is resting his face on his hand and he is visible from only the neck up. On his head he is wearing a red kerchief. His hair is in two braids, the one on the left of his head is only slightly visible, the o…
Pastel portrait of a First Nations man who is facing toward the left of the piece. The man is resting his face on his hand and he is visible from only the neck up. On his head he is wearing a red kerchief. His hair is in two braids, the one on the left of his head is only slightly visible, the one on the right is completely visible. He is wearing a blue scarf or tie around his neck. Identified by Rod Green at Masters Gallery as Sacred Owl.