General colour: pencil on white. Two men in suits sitting at a table. The one in front faces right and is writing. The one behind faces more out and is reading. He wears glasses. Behind them in the upper left corner are book shelves. In the upper right corner is a lamp.
General colour: pencil on white. Two men in suits sitting at a table. The one in front faces right and is writing. The one behind faces more out and is reading. He wears glasses. Behind them in the upper left corner are book shelves. In the upper right corner is a lamp.
A couple, man with hat and a woman is sitting at a table on which are glasses. The table is centre bottom, half round. The couple is in conversation, other people in the background.
A couple, man with hat and a woman is sitting at a table on which are glasses. The table is centre bottom, half round. The couple is in conversation, other people in the background.
The right side of the picture is dominated by on man sitting at a table with hat and coat, with a glass to his lips. A table is to centre left, glass on it, other men in background.
The right side of the picture is dominated by on man sitting at a table with hat and coat, with a glass to his lips. A table is to centre left, glass on it, other men in background.
Mine site with many buildings of various shapes is centre and foreground. Mountain range in background The Three Sisters. Between the mountains and the site is a row of trees.
Mine site with many buildings of various shapes is centre and foreground. Mountain range in background The Three Sisters. Between the mountains and the site is a row of trees.
General colour: charcoal on white. Looking down at a man in a coat and hat sitting on a bench with a safety lamp on the floor between his legs. Behind him on the left is his lunch box. His hat shadows his face which looks down right.
General colour: charcoal on white. Looking down at a man in a coat and hat sitting on a bench with a safety lamp on the floor between his legs. Behind him on the left is his lunch box. His hat shadows his face which looks down right.
General colour: black on white. Looking down at the mine. Coal carts run up from the bottom to the buildings center. Mountains and trees can be seen in the upper quarter.
General colour: black on white. Looking down at the mine. Coal carts run up from the bottom to the buildings center. Mountains and trees can be seen in the upper quarter.
Two men seated at a table, are in animated conversation. Both men are wearing hats and hip length coats. The drawing is slightly centre left. Written on the back in ink dispute (KDP's hand)
Two men seated at a table, are in animated conversation. Both men are wearing hats and hip length coats. The drawing is slightly centre left. Written on the back in ink dispute (KDP's hand)
General colour: pencil on white. Head and torso of an Inuk child in a parka, looking left, arms in front. A rough sketch of the head is in the upper right corner.
General colour: pencil on white. Head and torso of an Inuk child in a parka, looking left, arms in front. A rough sketch of the head is in the upper right corner.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The upper section of the mountain range extends from the trhc to the bottom centre and is empty within the outline. The bottom section of the image is darkly shaded. The artist’s signature is in the brhc. Au v…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The upper section of the mountain range extends from the trhc to the bottom centre and is empty within the outline. The bottom section of the image is darkly shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/K-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain peak is in the top centre, below which the lower peak on the left is shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/H-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain peak is in the top centre, below which the lower peak on the left is shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/H-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky is lightly shaded in the tlhc, and the upper section of the image is composed of the mountain range, below which in the right centre extending to the left bottom is heavy shading. The artist’s signatur…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky is lightly shaded in the tlhc, and the upper section of the image is composed of the mountain range, below which in the right centre extending to the left bottom is heavy shading. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/J-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The bottom of the image is deeply shaded and the top mountains are outlined. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/L-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The bottom of the image is deeply shaded and the top mountains are outlined. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/L-5”.
A pencil sketch on paper with intact sketchbook binding holes at the top. The top of the image is shaded diagonally. The remainder of the image is rendered in rough lines, with the suggestion of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/V-6”.
A pencil sketch on paper with intact sketchbook binding holes at the top. The top of the image is shaded diagonally. The remainder of the image is rendered in rough lines, with the suggestion of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/V-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, 46/X-6“”.