A colour photograph, a woman with a red shirt and wearing a hat sits on a white horse lower left in picture, the foreground and to centre is rocky with a small lake and grass, a mountain range in background wit h Mount Assiniboine being dominant, a light blue sky with some clouds
A colour photograph, a woman with a red shirt and wearing a hat sits on a white horse lower left in picture, the foreground and to centre is rocky with a small lake and grass, a mountain range in background wit h Mount Assiniboine being dominant, a light blue sky with some clouds
A mountain landscape, the foreground is covered with rocks and varied green grasses, dark green evergreens in central area, centre left to right is a mountain range with some snow, the top third is blue sky with narrow white clouds.
A mountain landscape, the foreground is covered with rocks and varied green grasses, dark green evergreens in central area, centre left to right is a mountain range with some snow, the top third is blue sky with narrow white clouds.
A nocturnal setting of quasi-realistic rendering of Mount Rundle as seen from the Vermilion Lakes; the bottom half foreground is various shades of blue indicating the lake; a line of mountains runs from edge to edge with focus on Mount Rundle to the right; shades of light purple highlight the mo…
A nocturnal setting of quasi-realistic rendering of Mount Rundle as seen from the Vermilion Lakes; the bottom half foreground is various shades of blue indicating the lake; a line of mountains runs from edge to edge with focus on Mount Rundle to the right; shades of light purple highlight the mountains; Tunnel Mountain and to the left is very dark; top third is sky, light blue behind Mount Rundle with red/orange streaked cloud over it.
Undulating shapes in shades of brown form the mountainside full frame, green foliage in bottom left corner, from blc a grey road winds up hill. White of the glacier at top left and at bottom right. On back of painting: Road to the Ice Columbia Icefield oil on location August 4, 1993
Undulating shapes in shades of brown form the mountainside full frame, green foliage in bottom left corner, from blc a grey road winds up hill. White of the glacier at top left and at bottom right. On back of painting: Road to the Ice Columbia Icefield oil on location August 4, 1993
Three wooden panels in one frame. The left panel has light green slope from centre left to bottom right with three evergreen trees. Behind that a row of evergreen trees at centre left, dark background of mountain and sky. Middle panel light green foreground with three trees with shadows falling …
Three wooden panels in one frame. The left panel has light green slope from centre left to bottom right with three evergreen trees. Behind that a row of evergreen trees at centre left, dark background of mountain and sky. Middle panel light green foreground with three trees with shadows falling towards bottom, background is a red toned mountain and sky. Right panel light green slopes from top left to bottom right with three grey rocks in foreground. Evergreen trees along slope. Background is steep mountain slopes. Overall tone is dark.
A black and white photographic positive, a mountain pass , snow and ice covered, meanders from the bottom left of the picture to centre top, the mountains rise steeply from both sides of the pass and fill the picture almost to the top, a hut is at the top of the pass, the sky is cloudy
A black and white photographic positive, a mountain pass , snow and ice covered, meanders from the bottom left of the picture to centre top, the mountains rise steeply from both sides of the pass and fill the picture almost to the top, a hut is at the top of the pass, the sky is cloudy
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the m…
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the mountain peak. The rocks are various shades of very dark blue, lighter blue and brown. To the viewer’s left the snow is tinged in various shades of pink as the morning light strikes it and the view to the right is still in the blue shades of shadow. The artist’s signature in white is in this area. The middle of the painting is the pink glow of the sun on snow with some shaded snow and rocks still showing to the viewer’s right. The top-half is a snow-covered Mt. Assiniboine with brown rock bands; viewer’s right in the sun’s light and viewer’s left in the shade. Beyond the mountain are hills and valleys of pink, blue and green. The sky is a very deep shade of purple and blue.
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altere…
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altered, glazed with a traditional Celedone glaze, fired in reduction cone 9. Post firing sand blasting with silver amalgam added in lamination separations to conclude the work in keeping with historical ceramic traditions.
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.