A bull moose, left of centre, turned to the left with head up looks out, he is standing in tall grass on a slope which is most of foreground, some burned trees are standing among a few small evergreens, in the background is a snow covered mountain, the very top line of the painting is sky
A bull moose, left of centre, turned to the left with head up looks out, he is standing in tall grass on a slope which is most of foreground, some burned trees are standing among a few small evergreens, in the background is a snow covered mountain, the very top line of the painting is sky
A mountain landscape, the foreground is covered with rocks and varied green grasses, dark green evergreens in central area, centre left to right is a mountain range with some snow, the top third is blue sky with narrow white clouds.
A mountain landscape, the foreground is covered with rocks and varied green grasses, dark green evergreens in central area, centre left to right is a mountain range with some snow, the top third is blue sky with narrow white clouds.
A nocturnal setting of quasi-realistic rendering of Mount Rundle as seen from the Vermilion Lakes; the bottom half foreground is various shades of blue indicating the lake; a line of mountains runs from edge to edge with focus on Mount Rundle to the right; shades of light purple highlight the mo…
A nocturnal setting of quasi-realistic rendering of Mount Rundle as seen from the Vermilion Lakes; the bottom half foreground is various shades of blue indicating the lake; a line of mountains runs from edge to edge with focus on Mount Rundle to the right; shades of light purple highlight the mountains; Tunnel Mountain and to the left is very dark; top third is sky, light blue behind Mount Rundle with red/orange streaked cloud over it.
Undulating shapes in shades of brown form the mountainside full frame, green foliage in bottom left corner, from blc a grey road winds up hill. White of the glacier at top left and at bottom right. On back of painting: Road to the Ice Columbia Icefield oil on location August 4, 1993
Undulating shapes in shades of brown form the mountainside full frame, green foliage in bottom left corner, from blc a grey road winds up hill. White of the glacier at top left and at bottom right. On back of painting: Road to the Ice Columbia Icefield oil on location August 4, 1993
Three wooden panels in one frame. The left panel has light green slope from centre left to bottom right with three evergreen trees. Behind that a row of evergreen trees at centre left, dark background of mountain and sky. Middle panel light green foreground with three trees with shadows falling …
Three wooden panels in one frame. The left panel has light green slope from centre left to bottom right with three evergreen trees. Behind that a row of evergreen trees at centre left, dark background of mountain and sky. Middle panel light green foreground with three trees with shadows falling towards bottom, background is a red toned mountain and sky. Right panel light green slopes from top left to bottom right with three grey rocks in foreground. Evergreen trees along slope. Background is steep mountain slopes. Overall tone is dark.
Two men in two canoes pulled up on the left bank of a river which runs from lower right corner across to near the upper left corner where there are trees. The far bank goes up into the upper right corner. The sky is seen in the upper left area.
Two men in two canoes pulled up on the left bank of a river which runs from lower right corner across to near the upper left corner where there are trees. The far bank goes up into the upper right corner. The sky is seen in the upper left area.
Front: the entrance to a railway tunnel is on the left, and muontain and trees surround it. Above the entrance is written “1908” and then his writing for a colour scheme in the brc.Back: mountains and trees surround a valley running through the picture. Writing in the brc: “VICTORIA RIDGE OVER 10…
Front: the entrance to a railway tunnel is on the left, and muontain and trees surround it. Above the entrance is written “1908” and then his writing for a colour scheme in the brc.Back: mountains and trees surround a valley running through the picture. Writing in the brc: “VICTORIA RIDGE OVER 10,000feet, 33 BELOW zero, CONTINENTAL DIVIDE FEB 23”
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altere…
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altered, glazed with a traditional Celedone glaze, fired in reduction cone 9. Post firing sand blasting with silver amalgam added in lamination separations to conclude the work in keeping with historical ceramic traditions.
Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circle…
Across the Southern States to the Blue Pacific and Vancouver
Date
1925 – 1966
Medium
graphite on paper
Dimensions
14.5 x 21.0 cm
Description
Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circled.Side 2: Pencil drawing of a car driving through a landscape of rolling hills. Mountains are barely visible in the background. This illustration is in a rectangular box. Below this box is a rectangle that is divided into four.