Fonds consists of three sous-fonds: M573 / V797 / S60.
M573 consists of three series, 26 cm of textual records, 1924-2005. Series I: Personal Papers, 19 cm, ca.1930-2005 (including notebooks and drafts of various talks that Jean delivered and records related to her participation in the Trail Rider…
26 cm of textual records.-- 109 photographs (42 prints, 67 lantern slides). -- 2 sound recordings.
History / Biographical
Jean Alexandra Hembroff was born in Winnipeg, Manitoba on April 5, 1908 to Walter B. Hembroff (d. 1945) and Sarah Jane Hembroff (d.1952). Jean was accepted to the MacPhail School of Music and Dramatic Art at the University of Minnesota, from which she graduated in 1927. She returned to Winnipeg to begin teaching courses in speech arts and drama. To establish herself, she first volunteered as the "story lady" at the Williams Avenue Public Library and quickly became known as an excellent speaker sought by many different organizations. She taught at St. Mary's Academy and the Evening Institute at the University of Manitoba, as well as offered private sessions. Many of her students used the skills they learned from Jean as they entered radio, television, politics, and business. Jean was also very active in organizing and adjucating Speech Arts festivals in Manitoba, often going to inaccessible places to give workshops. Her teaching, broadcasting, adjucating, coaching, and speaking career spanned more than 50 years.
Jean was hired by the Canadian Pacific Railway's promotions manager to give presentations and broadcast interviews across Canada and the United States. In 1937, Jean joined the Trail Riders of the Canadian Rockies and participated in their summer trail ride in the same year. For that year's issue of the Trail Rider's Bulletin Jean wrote an article - and became the first woman to ever do so. In 1938, during her lecture titled "Trail Riding in the Rockies" on January 18, 1938 at the Royal Alexandra Hotel, Jean met John David (Jack) MacDonald. Jack and Jean were married on June 18, 1938, and the couple had one son, Bruce Walter James MacDonald (August 28, 1946-August 25, 2016).
Jean participated in several trail rides with the Trail Riders of the Canadian Rockies and the Sky Line Trail, and produced articles reflecting her experiences. Jean loved to travel and visited places all around Canada and the United States, Borneo, Tangier, Montevideo, Stockholm, New Delhi, and Tonga. At the age of 102, Jean passed away on February 2, 2011 and is buried in Winnipeg.
Scope & Content
Fonds consists of three sous-fonds: M573 / V797 / S60.
M573 consists of three series, 26 cm of textual records, 1924-2005. Series I: Personal Papers, 19 cm, ca.1930-2005 (including notebooks and drafts of various talks that Jean delivered and records related to her participation in the Trail Riders of the Canadian Rockies and the Sky Line Hikers of the Canadian Rockies, particularly 1937-1939). Series II: Correspondence and Newspaper Clippings, 4 cm, 1924-2000 (including correspondence with John Murray Gibbon, former students, and attendees at various talks, as well as newspaper articles that Jean wrote about various subjects and articles of her achievements). Series III: Collected Materials and Ephemera, 3 cm, ca.1930-1950 (including a variety of collected poems and ephemera, as well as a copy of The Beaver Magazine from 1940, for which Jean wrote an article titled "On the Trail of Sir George").
V797 consists of two series, 24.5 cm of visual records, ca.1928-1939. Series I: Photograph Prints, 3 cm, ca.1928-1939 (includes personal photographs of Jean and her family and friends as well as photographs of Jean and Jack's visit to Lake Louise in 1939). Series II: Lantern Slides, 21.5 cm, ca.1937-1939 (Trail Riders of the Canadian Rockies official ride of 1937 to Mt. Assiniboine; Sky Line Hikers of the Canadian Rockies official ride of 1939 to Ptarmigan Valley and Skoki; collection of trail ride songs).
S60 consists of two sound recordings, 1 cm, 2004 and 2007 (Winnipeg at Christmas, narrated by Jean, broadcasted on the Canadian Broadcasting Corporation).
Fonds consists of two sous-fonds: M521 and V75.
M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including cor…
154 cm of textual records. -- 1304 photographs (1190 prints, 95 negatives, 19 transparencies). -- 6 photograph albums.
History / Biographical
The Wardle family was comprised of husband and wife, James Morey Wardle (June 26,1888 - May 18,1971) and Maud Leette (Roney) Wardle (May 24,1889 - December 1,1969), and their one child, Dorothy Hope Wardle (May 23,1919 - July 20,2003).
James Wardle, born in Chiliwack, British Columbia, was a civil engineer and public servant. He was the Superintendent of Banff National Park from 1918-1921, Chief Engineer for Parks Canada from 1921-1935, and Deputy Minister of the Interior from 1935-1936. He is primarily known as a highway design engineer, particularly for building the Banff-Windermere, Banff-Lake Louise, and Banff-Jasper highways. He was a councillor for the Municipality of Rockcliffe Park in Ontario and he was the President of the Trail Riders of the Canadian Rockies in Banff from 1925-1929. Mount Wardle in Vermillion was named after him in 1921. James married Leette on November 4, 1913, with whom he had one child, Dorothy.
Born in Calgary, Alberta, Dorothy (also known as Dot and Dorie) grew up in Banff, Alberta and Ottawa, Ontario, due to her father's position with the federal government. She was educated at the Mountain School in Banff and at the Elmwood School in Ottawa. All three family members were graduates of Queen's University in Kingston, Ontario. James graduated in 1912 with a Bachelor of Science in Engineering, Leette graduated with a Bachelor's degree, and in 1942, Dorothy also earned a Bachelor's degree. Dorothy was prominent in student life and active in athletics. In 1941, Dorothy became the first woman elected as President of the Alma Mater Society and during her academic career, Dorothy was a member of the Levana Intercollegiate Debative, University Centenary Committee, and Queen’s War Aid Commission.
Dorothy spent her career as a freelance writer however, upon graduation she served as the first Secretary-In-Charge of Records at Carleton College (now Carleton University) from 1942-1944 in Ottawa and in the mid-1950s worked as a secretary for the Glenbow Foundation in Calgary. Dorothy pursued a lifelong interest in traveling, art, and antiques. Although she was fiercely proud and protective of Banff and the Park, and remained a volunteer and patron of the Whyte Museum of the Canadian Rockies, Dorothy eventually settled in Sidney, British Columbia and shared an apartment with Sheila Iris Ritchie, with whom Dorothy travelled extensively. After her death in 2003, Dorothy, "Dorie," was laid to rest alongside her parents in the Old Banff Cemetery.
Scope & Content
Fonds consists of two sous-fonds: M521 and V75.
M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including correspondence with Carl Rungius and Mrs. Helen Brett, and Christmas and other greeting cards from Peter and Catharine Whyte). Series III: Queen's University, 7.5 cm, 1911-1980 (including graduation certificates for each family member and records pertaining to Dorothy's participation on the Alma Mater Society). Series IV: Travel, 44.5 cm, ca.1950-1988 (includes hand-written notebooks meticulously detailing their travels).
V75 consists of two series, 79.5 cm, ca. 1912-2001. Series I: Wardle Family, ca. 1912-1971, 6 albums, 31 cm of photograph prints and negatives (including family trips, trail rides in the Canadian Rocky Mountains, and family gatherings). Series II: Dorothy Wardle, 1972-2001, 34 cm of photograph prints, negatives, and transparencies (including Dorothy's travels in Alberta and British Columbia, overseas, and various outings with friends).
File consists of 8 colour lantern slides, some captioned. File subjects include an unidentified mountain scene, Mount Assiniboine, horse in unientified mountain scene, man posed in campsite in unidentified location, Lake Louise and Victoria Glacier, Hector Lake and Bow Peak, unidentified man in cam…
Additive Colour Screen Plates, first theorized by James Clerk Maxwell in 1861, were the first forms of colour photography. Maxwell’s original process involved printing the same black and white image through different coloured screens onto transparencies and then projecting them overlapped in order to create a single full-colour image. In 1868 Louis Ducos du Hauron expanded on this method by placing a screen made up of microscopic coloured stripes in front of a light-sensitive emulsion before exposing it to light. During exposure, the colours in the screen attached to the developing picture so when viewed back through the screen in a projector the image appeared fully in colour. Neither of these methods were commercially popular during the 19th century since black and white processes were cheaper and more widely available.
In 1907 the Lumiere brothers introduced the Autochrome process to wide commercial success. The Autochrome process involved a mix of tiny potato starch grains dyed green, orange-red, and blue-purple that were mixed thoroughly and applied to a glass slide coated in a sticky varnish that held the grains in an evenly-distributed layer. The grains were laminated into the varnish to make them smaller and more transparent, and then the whole thing was sealed with another layer of waterproof varnish. The entire process could be done by machines, which made the slides cheap to produce, easily available to the public and opened up the process to amateur photographers. Photographs developed on Autochrome plates created soft images with relatively natural colour rendering, making them popular with artists and photojournalists.
Autochrome plates (which came to refer to all colour screen plates regardless of manufacturer) created one-of-a-kind positive images and required long exposure times. Once an image was complete, it had to be quickly covered with either a strong coating of varnish or another slide of glass and then sealed along the edges with binding tape. Because silver is an element of the sticky base varnish that holds the dyed grains, if moisture was allowed to access the image the layers of varnish could ripple or tear away from the glass, or the dye could bleed or fade. The silver base is highly sensative to oxygen and if improperly sealed images could begin to "mirror," a process in which the exposed parts of the slide become uniform and shiny, obscuring the image.
Because of the random distribution of dyed colour grains throughout the image and the lines created by laminating those grains into the base varnish, Autochrome transparencies are often mistaken for hand-painted coloured slides. Autochrome can be identified by looking closely for small dots of colour in all parts of the image, rather than the solid blots of colour found on hand-painted slides.
Scope & Content
File consists of 8 colour lantern slides, some captioned. File subjects include an unidentified mountain scene, Mount Assiniboine, horse in unientified mountain scene, man posed in campsite in unidentified location, Lake Louise and Victoria Glacier, Hector Lake and Bow Peak, unidentified man in camp.
File consists of 109 black and white and colour photograph prints, 23.5 x 17 cm or smaller. File documents various unidentified family members and friends, travels and outings, special events (e.g. weddings, graduations), holidays (e.g. Easter), official portraits (including a National Film Board o…
109 photographs : b&w and col. ; 23.5 x 17 cm or smaller
Scope & Content
File consists of 109 black and white and colour photograph prints, 23.5 x 17 cm or smaller. File documents various unidentified family members and friends, travels and outings, special events (e.g. weddings, graduations), holidays (e.g. Easter), official portraits (including a National Film Board of Canada portrait of James Wardle), and sports and leisure (e.g. canoeing, golf). File also includes photographs of Carl Rungius (on his birthday in 1954), Betty Ormond in Peru (with a message addressed to "Dorrie" written on the back of the print), graduation photograph of James Wardle from Queen's (c.1912), and travel photographs from the United States in 1948 (New York, Washington, Philadelphia, and Atlantic City) and Amsterdam, Netherlands (1952). Notable places the photographs depict include Banff (including Banff Train Station), the Great Divide, St. Lawrence River (the Wardle family had a cottage here), Sunshine trail, Mt. Athabasca, Columbia Icefields, Lake O'Hara, Montreal, Lake Louise, Moraine Lake, Paris (France), Ghost River, Ottawa, Peru, Lake Minnewanka, Elk Island, and Maligne Lake.
Notes
Most (but not all) photographs are annotated on the back identifying who is in the photograph, when it was taken, and where.
File consists of photographs pertaining to businesses, tourist attractions and natural views in and around Banff. Includes images of backcountry camps in Banff National Park; the Bow River Boat House; Beaver Lodge and Bampton Cottage [both located on Beaver Street in Banff]; fires at Breton Hall Ho…
50 photographs ; b&w prints ; 25 x 20.5 cm or smaller
Scope & Content
File consists of photographs pertaining to businesses, tourist attractions and natural views in and around Banff. Includes images of backcountry camps in Banff National Park; the Bow River Boat House; Beaver Lodge and Bampton Cottage [both located on Beaver Street in Banff]; fires at Breton Hall Hotel and Banff Springs Hotel; the Park Museum and Information Bureau; early views of Banff Springs Hotel [1904]; Vermillion River Bungalow Camp and the Lake Louise Chalet; Paddy J. Nolan’s home [built by Norman Luxton]; a postcard print titled “Starved Bachelors Retreat Banff Alberta"; swimming at the Cave and Basin[?] and Banff Upper Hot Springs; the Crag and Canyon office [ca.1905]; Skoki Lodge; and the office of photographers Wilson and Fear [1896-1898].
Notes
Photographs LUX/I/D6c/PA-181 and 182 [depicting Wilson and Fear storefront] are copies of the same image but annotated with different dates [ca.1896 and ca.1898]. Based on context and dating of related images in Whyte Museum archives, actual image date may be closer to [ca.1894].
Material Details
LUX/I/D6c/PA-173 has three red sun-shaped stickers attached to back left corner, red ribbon attached to back right corner
File consists of photograph prints depicting members of the Banff Gun Club, including Norman Luxton. Photographs pertain to local hunting excursions including the Lake Louise area and canyon views; interior views of the Banff Gun Club building including a fireplace built by Norman Luxton [1924]; tr…
File consists of photograph prints depicting members of the Banff Gun Club, including Norman Luxton. Photographs pertain to local hunting excursions including the Lake Louise area and canyon views; interior views of the Banff Gun Club building including a fireplace built by Norman Luxton [1924]; trap shooting at a gun range in Banff; and Norman Luxton posing with pet dogs [including “Barney”], and with other Gun Club members [including L.C. Brown, W. Miller, J. Sturdy, L.C. Braken, and “McKenzie”]. Most individuals in photographs are not named.
Notes
File contains multiple duplicates
Items LUX/I/D3d/PA-1 to 17 developed by company Byron Harmon Photography; original storage envelope kept in file with prints
File consists of 34 photographs pertaining to businesses and other properties in and around Banff. Photographs depict individuals swimming at the Cave and Basin; a boathouse near the Bow River; several hotels, including Banff Springs Hotel, Chateau Lake Louise and the Mount Royal Hotel; Fairholme R…
34 photographs : b&w prints ; 25 x 20 cm or smaller
Scope & Content
File consists of 34 photographs pertaining to businesses and other properties in and around Banff. Photographs depict individuals swimming at the Cave and Basin; a boathouse near the Bow River; several hotels, including Banff Springs Hotel, Chateau Lake Louise and the Mount Royal Hotel; Fairholme Ranch; and other related views.
14 photographs : b&w and col. slides ; 10.2 x 8.2 cm
History / Biographical
The Canadian Pacific Railway (CPR) was officially formed in Februray, 1881, to construct a railroad that would link the eastern provinces with British Columbia, a key component of the Canadian Confederation of 1867. Headed by William C. Van Horne as General Manager, the railroad arrived in the Canadian Rockies in 1883 and a siding was established just east of present-day Banff. When railroad workers discovered a natural hot spring on the south side of the Bow River, Van Horne ordered the construction of a hotel that would house visitors brought in by train to visit the springs. Construction of the Banff Springs Hotel finished in 1888 and joined a handful of CPR hotels throughout the Rocky and Selkirk Mountain ranges. The popularity of the hot springs and surrounding area led to the formation of a national park and to the town of Banff.
After construction of the railway had completed, the CPR continued to survey and document the Rocky Mountains alongside federal agencies like the Department of the Interior and private outfitters. Utilizing coloured lantern slides the CPR was able to showcase the mountains as both tourist and settlement destinations. Magic lantern shows of these slides could be used for administrative purposes by the company to showcase land holdings and investments or in public shows as advertisements of the new railway.
Scope & Content
Series consists of 14 lantern slides [ca.1900-ca.1925]. Slides are views along the Canadian Pacific Railway.