Fonds consists of textual records and photographs by and about Aileen Harmon, as well as collected items. Textual records include: letter from Harmon to the Director of Alberta's provincial parks re addition of Yamnuska area to Bow Valley Provincial Park, 1973; brief, from Harvie Heights and Bow Va…
26.5 cm of textual records. -- 33 photographs (26 prints : b&w and col. ; 20.5 x 30 cm or smaller -- 6 negatives : b&w nitrate negatives ; 12.5 x 10 cm -- 1 transparency : col. slide ; 35 mm)
History / Biographical
Aileen Harmon (1912 - 2015), daughter of Byron Harmon, worked as a government naturalist at Banff, Alberta, Canada and was involved in local natural history groups and activities. Aileen was a founding member, alongside Bruce Gordon, of the Bow Valley Naturalists, and was also on the Board of The Canadian Wildlife Federation and The Society of Alberta Naturalists. Aileen moved to Mill Bay on Vancouver Island, B.C. in 1981 following the end of a lengthy career with Parks Canada. During her retirement years, Aileen travelled extensively, reaching all seven continents. She also authored an autobiographical book, titled "Tales of My Mountain Life", in 2004. Aileen passed away on January 9, 2015 at the age of 102.
Scope & Content
Fonds consists of textual records and photographs by and about Aileen Harmon, as well as collected items. Textual records include: letter from Harmon to the Director of Alberta's provincial parks re addition of Yamnuska area to Bow Valley Provincial Park, 1973; brief, from Harvie Heights and Bow Valley subdivision residents to public hearings on land use and resource development in the eastern slopes, 1973; letter re James Hector, 1979; notes on career, 2003; notes on Catharine Whyte for CBC recording, 2004; Christmas cards and collected articles, ca.1960. Photographs, made by and collected by Aileen Harmon, pertain to Aileen Harmon and friends, skiing, Skoki area, Mount Yamnuska, Banff Indian Days. Includes photographs by Byron Harmon.
Added content from accession 2016.8596 : ca. 25 cm of textual records including personal correspondence, guest book, original writing and notes by Aileen Harmon, personal travel journals from a 1931 packing trip and 1933 ski trip to Skoki, drafts of autobiographical book "Tales of My Mountain Life", articles pertaining to or written by Aileen Harmon, Christmas cards, and letters of condolence to Carole Harmon following Aileen's passing. Also 26 print photographs, 6 negative photographs from a 1937 hiking trip, and one transparency.
Fonds consists of one series :
Series I - Personal records
Fonds consists of George McLean papers and photographs. Textual records include personal and business correspondence and financial papers, etc., 1909-1955 (pre-dominant 1909-1927) pertaining to ranching and reserve matters; Indian Association of Alberta minutes and bulletins, 1944-1953; newsclippi…
18 cm of textual records. -- 92 photographs : prints
History / Biographical
George McLean (Tatâga Mânî), 1871-1967, also known as Walking Buffalo, was a Stoney Chief and Moral Rearmament representative at Morley, Alberta, Canada. McLean was educated at Morley and Red Deer, Alberta, Canada and Winnipeg, Manitoba. He received his English name when "adopted" by Rev. John MacLean, who supported his education. A successful rancher, McLean was Chief of the Bearspaw Band, Stoney First Nation, from 1920 until 1935. In 1958, he became deeply involved in the Moral Rearmament Movement and made public appearance tours in England, Europe, New Zealand and Africa.
Scope & Content
Fonds consists of George McLean papers and photographs. Textual records include personal and business correspondence and financial papers, etc., 1909-1955 (pre-dominant 1909-1927) pertaining to ranching and reserve matters; Indian Association of Alberta minutes and bulletins, 1944-1953; newsclippings, scrapbooks, etc., 1960-1967, mainly concerning Moral Rearmament movement; and miscellaneous material, n.d., 1955, 1960. Photographs, 1924-1966, pertain to George McLean, family and friends; events and activities; Stoney First Nation; and Moral Rearmament tours, 1959-1962.
Fonds consists of a broad-ranging commercial negative collection. Includes four series. I. Scenic and documentary views, 2839 items; includes film and glass negatives in sizes up to 8 X 10 inches. Pertains to Banff and area buildings, facilities, activities, events, such as Banff Winter Carnival a…
George Noble, 1879-1965, was a professional photographer at Banff, Alberta, Canada. Noble was born in Woolwich, England where he apprenticed as a photographer. He came to Banff in 1909 to operate a photographic business for his uncles, George and Bill Fear, who owned a curio business. In 1919, Noble bought the photographic business and, in 1932, acquired the remainder of the Fear Brothers business. He built a new studio and shop, which offered portraiture, photo- finishing and framing services and sold photographic supplies, camera equipment and English china. In addition to portraiture, George Noble and employees, such as photographer Bill Jamieson, produced a wide range of documentary, scenic and commercial views. Noble's shop offered black and white and hand-coloured prints of local events and Rocky Mountain views. George Noble was an active member of the community, serving on both the Banff School Board and the Banff Board of Trade for many years. Upon his retirement in 1957, his business was acquired by a group of investors which included Bill Jamieson, lab-technician and photographer for the Noble business from 1936 to 1957
Scope & Content
Fonds consists of a broad-ranging commercial negative collection. Includes four series.
I. Scenic and documentary views, 2839 items; includes film and glass negatives in sizes up to 8 X 10 inches. Pertains to Banff and area buildings, facilities, activities, events, such as Banff Winter Carnival and Banff Indian Days; Indigenous; scenic views of Banff and area and other Rocky Mountains locations.
II. Commercial views, 765 items; includes buildings, businesses, facilities, sports events, organizations, conventions, group portraits, displays and presentations.
III. Mixed views, 242 items; includes scenic, documentary and commercial views similar to material in previous series. Also includes some views know to have been produced by Fred Armbrister, a professional photographer who operated out of Lake Louise, Alberta, ca.1930.
IV. Portraits, ca.4600. This series contains four groups: A. 1920s-1950s, most unidentified; B. 1930s and 1940s, arranged alphabetically, many unidentified; C. 1950s, arranged alphabetically, most identified, many with proofs (prints); D. 1950s, arranged chronologically by job number.
V. Other, ca.50 items. Includes 36 colour stereo transparencies, ca.1955, re Administration Building and gardens, Banff-Jasper Highway scenics, mountain sheep, autumn colour, Banff Avenue, George Noble and staff. Also includes small number of commercial prints produced by Noble, including several large hand-painted views.
Fonds is accompanied by business record books, 1950-1958, 2 v. (M533)
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: arrangement outline
file description and index
electronic finding aid
selected modern reference prints
Related Material
Related commercial photographs made by Bill Jamieson in the employ of George Noble are located in the Ron Duke fonds (V180 / II.A.i. - V180 / II.A.vi.; V180 / III.A.)
Portrait camera and electric 3D viewer reside in Heritage collections, Whyte Museum
Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse …
25 m of textual records. -- ca.46,000 photographs : prints, albums, postcards, cased photographs, transparencies, negatives. -- 178 sound recordings : audio tape reels, audio tape cassettes. -- 6 motion pictures (and film strips)
History / Biographical
Peter and Catharine Whyte were artists, photographers, outdoor enthusiasts, travelers, philanthropists and cultural workers at Banff, Alberta, Canada. Peter Whyte, 1905-1966, was born at Banff in 1905 to pioneer merchant Dave White and Annie (Curren) White. He was an accomplished skier and ski jumper and one of the region's first native-born painters with an intimate knowledge of the mountains and was an active photographer from ca.1920 until the 1950s. Peter Whyte studied art at the Otis Art Institute, Los Angeles, 1923-1924, and at the School of the Museum of Fine Arts at Boston, 1925, where he met Catharine Robb. Catharine Robb Whyte, 1906-1979, was born in 1906 at Concord, Massachusetts and grew up amongst the wealth and creativity of the Robb and Morse families. She studied at the School of the Museum of Fine Arts at Boston, 1925-1929.
Following their marriage in 1930, the Whytes pursued a life of painting, photography, hiking, skiing and travelling. Their log home and studio in Banff became a focal point for their artist friends, Stoney Indians and local pioneers. Catharine shared Pete's involvement in skiing and hiking organizations and together they managed Skoki Lodge from 1932-1934. In following years, the Whytes travelled extensively. During the Second World War, Peter served in the reserve army, with the Royal Canadian Air Force as a photographer and, briefly, as an official war artist. Catharine continued to paint and maintain their home and, when possible, accompanied Pete to his military postings. In civilian life, Pete resumed his art career, explored new photographic techniques and sculpted.
Throughout the 1950s and 1960s, the Whytes formulated plans for a foundation to preserve the art and history of the Canadian Rockies. Plans for a building to house an archives, public library and gallery were in preparation when Pete died in 1966. The Peter Whyte Foundation was named in his honour. Catharine immersed herself in the development of what is now the Whyte Museum of the Canadian Rockies, in the cultural community, painting, outdoor activity, travel and work with the Stoney First Nations. She became a more active photographer, recording her travels and outdoor pursuits. She served in an official capacity with numerous cultural and charitable organizations, was a patron to individuals studying art and music, and supported numerous causes relating to the Stoney First Nations. Catharine also supported causes related to multiculturalism, regional culture and recreation, and cancer research. Despite her modesty and often anonymous patronage of causes, Catharine was recognized with numerous awards and honours, including the Order of Canada in 1978. She died in Banff in 1979.
Scope & Content
Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse families, Series III: White and Curren families. Within Series I, there are four Sub-series: Series: A. Catharine Robb Whyte papers; B. Peter Whyte papers; C. Peter and Catharine Whyte papers accessioned after 2017; D. Peter and Catharine Whyte sound recordings.