Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse …
25 m of textual records. -- ca.46,000 photographs : prints, albums, postcards, cased photographs, transparencies, negatives. -- 178 sound recordings : audio tape reels, audio tape cassettes. -- 6 motion pictures (and film strips)
History / Biographical
Peter and Catharine Whyte were artists, photographers, outdoor enthusiasts, travelers, philanthropists and cultural workers at Banff, Alberta, Canada. Peter Whyte, 1905-1966, was born at Banff in 1905 to pioneer merchant Dave White and Annie (Curren) White. He was an accomplished skier and ski jumper and one of the region's first native-born painters with an intimate knowledge of the mountains and was an active photographer from ca.1920 until the 1950s. Peter Whyte studied art at the Otis Art Institute, Los Angeles, 1923-1924, and at the School of the Museum of Fine Arts at Boston, 1925, where he met Catharine Robb. Catharine Robb Whyte, 1906-1979, was born in 1906 at Concord, Massachusetts and grew up amongst the wealth and creativity of the Robb and Morse families. She studied at the School of the Museum of Fine Arts at Boston, 1925-1929.
Following their marriage in 1930, the Whytes pursued a life of painting, photography, hiking, skiing and travelling. Their log home and studio in Banff became a focal point for their artist friends, Stoney Indians and local pioneers. Catharine shared Pete's involvement in skiing and hiking organizations and together they managed Skoki Lodge from 1932-1934. In following years, the Whytes travelled extensively. During the Second World War, Peter served in the reserve army, with the Royal Canadian Air Force as a photographer and, briefly, as an official war artist. Catharine continued to paint and maintain their home and, when possible, accompanied Pete to his military postings. In civilian life, Pete resumed his art career, explored new photographic techniques and sculpted.
Throughout the 1950s and 1960s, the Whytes formulated plans for a foundation to preserve the art and history of the Canadian Rockies. Plans for a building to house an archives, public library and gallery were in preparation when Pete died in 1966. The Peter Whyte Foundation was named in his honour. Catharine immersed herself in the development of what is now the Whyte Museum of the Canadian Rockies, in the cultural community, painting, outdoor activity, travel and work with the Stoney First Nations. She became a more active photographer, recording her travels and outdoor pursuits. She served in an official capacity with numerous cultural and charitable organizations, was a patron to individuals studying art and music, and supported numerous causes relating to the Stoney First Nations. Catharine also supported causes related to multiculturalism, regional culture and recreation, and cancer research. Despite her modesty and often anonymous patronage of causes, Catharine was recognized with numerous awards and honours, including the Order of Canada in 1978. She died in Banff in 1979.
Scope & Content
Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse families, Series III: White and Curren families. Within Series I, there are four Sub-series: Series: A. Catharine Robb Whyte papers; B. Peter Whyte papers; C. Peter and Catharine Whyte papers accessioned after 2017; D. Peter and Catharine Whyte sound recordings.
Fonds is a commercial negative collection from more than 4000 professional jobs. Includes family, personal and school portraits, weddings, conventions and passport photographs; Banff School of Fine Arts classes, activities, productions, business and convention programs; photographs of government a…
Fonds includes primarily the private business records of Ron Duke, including the work of some predecessors. Images attributed to Bill Jamieson, working in the employ of George Noble, are V180 / II.A.i. through V180 / II.A.vi., and V180 / III.A.- 1 to 51.
Date Range
[ca.1900, ca.1930-ca.1975]
Physical Description
ca.40,000 photographs (ca.38,400 negatives, ca.800 prints, ca.800 transparencies). -- 1 photograph album. -- 3 cm of textual records
History / Biographical
Ronald Leslie Duke, 1912-1978, was a professional photographer at Banff, Alberta, Canada. Born in Calgary, Alberta, Duke was educated at Calgary, Banff and the University of Washington in Seattle, USA. After wartime service with the National Film Board of Canada, Ron Duke returned to Banff, where he worked in the photography business for the next thirty years. Here he formed a link in a business lineage of photographers, including George Noble, and was for a time an employee of Noble's corporate successors. After 1958, Duke worked closely with the Banff School of Fine Arts, photographing productions and providing documentary services. After sustaining considerable damage in a fire which destroyed Banff's Mount Royal Hotel in 1967, Ron Duke's business resumed and, in partnership with George Baracos, continued until retirement in 1975.
Scope & Content
Fonds is a commercial negative collection from more than 4000 professional jobs. Includes family, personal and school portraits, weddings, conventions and passport photographs; Banff School of Fine Arts classes, activities, productions, business and convention programs; photographs of government and private construction, commercial and industrial projects, Banff National Park; Banff community life, including Banff Winter Carnival, sports and recreation, Banff High School, Banff activities, places and events; personal and occupational photographs arising from Duke's interest in aeronautics, work with the Canadian Army, World War II, and involvement in the oil industry, 1930s; scenic and landscape photographs. Most pertain to Banff National Park; also Vancouver, British Columbia; Seattle, United States; Turner Valley, Alberta and Prince Albert, Saskatchewan.
Textual records include job registers, 2 v.; samples of works orders, price lists, letters, equipment lists, invoices, receipts and technical information, mainly pertaining to business, some personal items; brochures, publications and postcards containing credited or attributed Ron Duke photographs.
Fonds consists of two or more series. Series I. Photography, 1893-1913, is processed. Series II. Textual records are processed and consist of six series. Photography series consists of twenty-four sub-series: A. to O. Travel 1893 to Travel 1907; P. to S. Travel 1909 to Travel 1913; T. Travel ge…
2924 photographs: 2632 negatives, 167 transparencies, 125 prints. -- 1 photograph album (50 prints). -- ca.2.7 m textual records
History / Biographical
The Vaux family of Philadelphia, Pennsylvania were photographers, mountaineers and scientists. Mary M. Vaux, 1860-1940, George Vaux Jr., 1863-1927, and William S. Vaux Jr., 1872-1908, were the children of George Vaux (VIII) of Philadelphia. They were all involved in photography in the early 1880s and were members of the Photographic Society of Philadelphia. All three were taking photographs when the family made its first trip west in 1885. The first Vaux family photographs of the Canadian mountain west were made in 1887 during a summer trip along the Canadian Pacific Railway to Glacier House in the Selkirk Mountains of British Columbia in 1887.
The family made frequent visits to the Selkirk and Rocky Mountains over the next two decades to study the Illecillewaet and other glaciers, photograph, paint and climb. George's and Mary's photographic work centred on the mountain landscape, while William's concentrated upon the movement and physical features of glaciers. Due to the size of their large format cameras, the two brothers took most of the photographs during these trips and Mary was responsible for all of the printing. William Vaux died in 1908 and George did not return to the Canadian mountains after 1911; however, Mary Vaux Walcott returned to the region virtually every summer for over forty years. A detailed discussion of their activities is contained in "Legacy In Ice: The Vaux Family and the Canadian Alps," Whyte Foundation, Banff, 1983
Scope & Content
Fonds consists of two or more series. Series I. Photography, 1893-1913, is processed. Series II. Textual records are processed and consist of six series.
Photography series consists of twenty-four sub-series: A. to O. Travel 1893 to Travel 1907; P. to S. Travel 1909 to Travel 1913; T. Travel general, 1894?-1912?; U. Prints, 1899-1907; V. Lantern slides, 1900-1909; W. Photograph album, before 1907; X. Textual records, 1893-1910; Y. Damaged Negatives; Z. Mary Schaffer Negatives. Photographic negatives, arranged chronologically, are prominent in the series. Images pertain to landscape studies and scenic views of the Selkirk and Rocky Mountains, especially the Glacier, Yoho and Lake Louise areas; glaciers in the Selkirk and Rocky Mountains, especially Illecillewaet, Asulkan, Yoho and Bow Glaciers; mountain scenes and panorama views in the Selkirks and Rockies; Canadian Pacific Railway in the Selkirks and CPR hotels; Glacier and Field, B.C. and Banff, Alberta and areas; climbing and other mountain activities; United States and Canadian views on trips to the mountains. Negatives include both glass (962 items) and film negatives (1740 items). Textual records are exposure records, original negative envelopes and publications.
Textual series consists of six series: I. Trip Series, II. Correspondence Series, III. Publications Series, IV. George Vaux: Legal and Finance Management Series, V. Photographic Related Material, VI. Other Series (O.S.). Textual records pertain to glacier study, including research papers, maps and publications; William S. Vaux Jr. papers re travels, engineering and architecture, other; George Vaux Jr. writing and other papers; Mary Vaux correspondence and papers re writing and presentations; and other records, 1877, 1912-1913. Textual records also include family travel papers, 1881-1911; George Vaux, Jr. "Glacier" files; correspondence between George Vaux and the Schäffers, 1899-1926; papers of Dr. Charles Schäffer, Mary Schäffer and Schäffer estate, 1855-1927.
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: arrangement outline
series description
file description for Series I
electronic finding aid for Series I
selected modern reference prints
digital images in Images database and in Alberta InSight database
Related Material
Related by provenance to the Vaux family collection of photographs held by the Library Company of Philadelphia and the Vaux collection of correspondence, documents and graphics held by Special Collections of Haverford College Library, Haverford, Pennsylvania
Sous-fonds consists of personal papers, correspondence, financial, legal and other papers of members of the Robb and Morse families, including those of Catherine Sedgwick Newbury Robb, Patrick Robb, Marion Robb, Robb / Newbury / Bagley family, Russell Robb Sr., Edith Morse Robb, Russell Robb Jr., E…
ca.2 m of textual records (and 7 oversize items). -- ca.3560 photographs (2700 negatives, ca.850 prints, 14 albums of ca.2465 prints).
History / Biographical
The Robb and Morse families of Iowa and Massachusetts, U.S.A. were the maternal and fraternal relatives of Catharine Robb Whyte.
Scope & Content
Sous-fonds consists of personal papers, correspondence, financial, legal and other papers of members of the Robb and Morse families, including those of Catherine Sedgwick Newbury Robb, Patrick Robb, Marion Robb, Robb / Newbury / Bagley family, Russell Robb Sr., Edith Morse Robb, Russell Robb Jr., Edward Sylvester Morse, John Gavit and Julie Morse; and photographs pertaining to Robb and Morse family members, homes, activities and travels. Mainly includes negatives, prints and albums produced by Russell Robb Sr. and Russell Robb Jr., father and brother of Catharine Robb Whyte; also, collected family photographs concerning Robb and Morse family members and travels.
Access to photographs requires permission in advance from the Head Archivist.
Finding Aid
Series-level outline is available. Inventory is available in computer database form; select M36INV.
Related Material
Consitutes Sous-fonds II of the Peter and Catharine Whyte fonds.
Title Source
Title based on contents of sous-fonds.
Content Details
Forms part of Sous-fonds II of the Peter and Catharine Whyte fonds.
This section of the collection is primarily composed of the photographs of Catharine Robb Whyte's parents Russell and Edith Morse Robb and her paternal grandfather Edward Sylvester Morse. The photographs focus on the Morse-Robb family homes in Concord, Massasschussets, and activities in the New England region. E.S. Morse was a scholar and active traveller who began taking photographs well before the turn of the century. Catharine's father, who was befriended by Morse, also took up photography around 1900, and with the birth of his child, Russell Jr. in 1902, he became a very prolific and competent family photographer. The earliest photographs of Russell Jr. were taken on a 1 1/2 x 2 inch negative format, but by 1904, he had graduated to a much larger 3 1/2 x 6 inch sheet film camera. Individual albums of each of the Robb children were produced, carefully utilizing the large format photographs taken between ca.1904 and 1912. Since she appears in many photographs and Russell is seldom depicted, Edith Morse Robb in not believed to have taken an active part in the early family photography.
Photographs attributable to Russell Robb Jr. begin to appear ca.1916 and continue on through his college years at Harvard University. Subject matter centres on his sister Catharine and her friends, his own friends, activities at Harvard, and sailing trips with friends along the New England coast. Most of these photographs were produced by a roll film camera which exposed a 3 x 4 inch negative. Since he lived at the Robb home following graduation from Harvard, Russell Robb Jr. photographs continue on through the late 1920s.
Series consists of the following series: A. Dave White Sr. papers, 1887- 1942; B. Annie White papers, 1875-1955; C. Dave (Jack) White papers, 1911- 1955; D. Clifford White notebook, ca.1915; E. John D. Curren papers, 1886- 1940; F. White-Curren family photographs, 1885-1953. Papers consist of pers…
ca. 2 m of textual records (and 36 oversize items). -- ca.3100 photographs (ca.1800 negatives, ca.1300 prints, 5 albums of ca.400 prints).
History / Biographical
The White and Curren families of Banff, Alberta were the maternal and fraternal relatives of Peter Whyte. Dave McIntosh White, 1864- 1940, Peter Whyte's father, came to the Canadian Rockies in 1885 with the Canadian Pacific Railway. In 1894 he opened a general merchandise business, the Park Store, in Banff. The success of this business resulted in expansions in 1908-1909 and in 1912-1913. For a short time, Whyte operated a similiar business in Bankhead. White was a long-time friend of the Stoney Nakoda, Annie (Curren) White, 1879-1955, emigrated to Canada from Scotland with her father, John Donaldson Curren, and a brother in 1886. They settled in Anthracite, east of Banff, where J. D. Curren operated a small coal mining business. Annie Curren married Dave White in 1901. Their children, all born in Banff, were Clifford, 1902-1964, Lila, 1903-1961, Peter, 1905-1966, and Dave Jr. (Jackie), 1908-1961. Clifford and Jack worked for the family business, Dave White and Sons.
Scope & Content
Series consists of the following series: A. Dave White Sr. papers, 1887- 1942; B. Annie White papers, 1875-1955; C. Dave (Jack) White papers, 1911- 1955; D. Clifford White notebook, ca.1915; E. John D. Curren papers, 1886- 1940; F. White-Curren family photographs, 1885-1953. Papers consist of personal, legal and financial papers; and records of Dave White, General Merchant, Dave White and Sons and White and Bayne Store. Pertains to Stoney Nakoda First Nations, Banff Indian Days, Highland gatherings, buildings, churches, skiing, coal and coal mines and Lake Minnewanka. Photographs consist largely of negatives and prints produced by various members of the White family, including Dave, Annie, Clifford and Jack White, pertaining to the White family members, travels, activities; the Banff-Lake Louise area; Banff events, places and people; winter sports; social events and friends, 1910- 1953, and glass negatives by J. D. Curren pertaining to Curren and White families and activities, Mount Assiniboine pack trip and Bow Valley scenes; ca.1885-1905. Also includes collected prints of family and friends, family businesses and buildings and winter sports, and albums pertaining to White and Curren families, 1885-1919 and Clifford White photographs, 1917-1921.
Access to photographs requires permission in advance from the Head Archivist.
Finding Aid
Series-level outline available. Electronic database available. Photographs are described at the sub-series level only (printed inventory provides more detail than the computer inventory).
Related Material
Consitutes Sous-fonds III of the Peter and Catharine Whyte fonds.
Title Source
Title based on contents of file
Content Details
Forms part of Sous-fonds III of the Peter and Catharine Whyte fonds.
Photographs in this section begin with the early family portraits of David McIntosh White taken in New Brunswick and those of Annie Curren White taken in Scotland. The earliest negatives attributable to David and Annie White date ca.1908, or approximately the time they moved to their new home between Lynx Street and Bow Avenue. Most of the negatives from the first two decades of family photography are sized 8.3 x 11 cms., with the exception of what appears to be occasional experimentation with other formats, such as vest pocket and 4 x 5 Graflex, and images generated by other family members, such as J.D. Curren and the White children. This body of photography was undoubtedly initiated through the acquisition of a roll film camera on or about 1908.
Judging from subject arrangement and other evidence, including shadow images of the photographer, most White family photography is attributable to Annie Curren White. There are several photographs from the collection showing her holding a camera or photographing family members, while no such photographs exist of Dave White. There can be little doubt, however, that Dave White participated in the photographic process, particularly in the period from 1910 to 1917, when there are numerous photographs of Annie and the children.
On family motor trips, which began around 1917 and lasted until ca.1923, Dave and Annie's son Clifford appears to have shared photographic responsibilities. From this period on, Clifford and Annie, either one or the other, are the only family members who do not appear in group photographs. From this it is assumed that Dave White played a very minor roll as family photographer after 1918.
Photographs attributable to Peter Whyte begin to appear around 1920, but most of his photography appears to be more personal than of a family record variety. None of the photographs in the early part of the collection have been attributed to Lila or Jack (Dave Jr.) White.
After 1923, the point when the White children were grown and beginning to move away from home, Annie White becomes the primary family photographer. In the late 1920s she appears to have experimented with a Graflex camera for a time, but by 1930 had returned to a smaller format roll film camera. She continued to take numerous family photographs, usually group poses of her children and grandchildren, after Dave White's death in 1940 until shortly before her own passing in 1955.
Also included in this section of the collection are a number of personal photographs generated by Clifford and Jackie (Dave Jr.) White. Around 1918, Clifford appears to have acquired his own camera which produced a 3 x 5 inch negative, and from that period until ca.1923, he produced many images of activities shared with friends and brothers, including a number of photographs of early ski tours and ski jumping in the Banff area. One album bears Clifford's initials on nearly all photographs, and these images match with many of the 3 x 5 inch negatives found elsewhere in the collection. Photographs attributed to Jackie (Dave Jr.) date from the late 1940s and early 1950s and may have entered the collection prior to the death of Annie White.
Much of the dating of this collection from 1908 to 1920 was done by estimating the ages of various White children. Beyond that, the usual techniques were utilized, i.e. identification and dates noted on prints by family members, the depiction of specific historical events, changes in physical and cultural features, model dating of automobiles, reading of license plates, etc.
Sub-series pertains to 84 b&w and colour prints depicting assorted activities and events around Banff National Park. Includes pack trips, skiing, backcountry huts [Abbot Pass Hut and Bow Hut], community events, shops, a Canada Day Parade, the Canadian Centennial in 1967, a Royal visit in 1959, chur…
84 photographs : b&w and col. ; 25.1 x 20.1 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to 84 b&w and colour prints depicting assorted activities and events around Banff National Park. Includes pack trips, skiing, backcountry huts [Abbot Pass Hut and Bow Hut], community events, shops, a Canada Day Parade, the Canadian Centennial in 1967, a Royal visit in 1959, churches, school programs, the 1967 Mount Royal Hotel fire, Banff Indian Days, high altitude mountaineering, conferences, boating on the Bow River, and rodeos.
Sub-series pertains to ca. 436 black & white negatives and b&w and colour prints pertaining to various activities and events, including hosptial tours, Banff Elementary School activities, study groups, Banff Indian Days parade and grounds, winter activities, ski jumping, banquets, conferences, wedd…
Sub-series pertains to 19 black and white negatives and includes mainly group shots of participants. 1957 is missing.
017 - Advanced Management Group [1960]
129 - Advanced Management BSFA [1961]
244 - Advanced Management BSFA - 1962 Mar. 12
325 - Advanced Management Group BSFA - 1963 Mar. 8
429 - B…
Sub-series pertains to 101 b&w & colour prints depicting the Banff School of Fine Arts. Includes shots of active shows, production activities, campus buildings, a Scottish Dance competition, and large group portraits.
101 photographs : b&w and col. ; 25.4 x 20.5 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to 101 b&w & colour prints depicting the Banff School of Fine Arts. Includes shots of active shows, production activities, campus buildings, a Scottish Dance competition, and large group portraits.
Series includes: A. Banff School of Fine Arts, 1951-1956, 1958-1962, ca.2800 negatives and 46 prints. Includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, art works. B. Banff School of Advanced Management, ca.1958-ca.196…
II. Banff School of Fine Arts and Banff School of Advanced Management
Reference Code
V180 / II
Responsibility
Photographs in sub-series II.A. made prior to 1958 are attributed to Bill Jamieson, in the employ of George Noble. --
Physical Description
ca.2800 photographs : negatives, prints
Scope & Content
Series includes: A. Banff School of Fine Arts, 1951-1956, 1958-1962, ca.2800 negatives and 46 prints. Includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, art works. B. Banff School of Advanced Management, ca.1958-ca.1969, ca.60 negatives; consists mainly of group shots of participants
Sub-series pertains to 121 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 05 : Dr. Vinci's Singing Class
NA - 06 to 09 : Art Stre…
164 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to 121 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 05 : Dr. Vinci's Singing Class
NA - 06 to 09 : Art Street Exhibit
NA - 10 to 11 : Exterior - Art School
NA - 12 to 13 : [Figure Study Class]
NA - 14 to 26 : [Class group, building exterior]
NA - 27 to 44 : [Choir]
NA - 45 to 75 : [Music and acting classes, group shot]
NA - 76 to 96 : [Performance preparation, group shots, Russian? class orals]
NA - 97 to 113 : [Ballet class]
NA - 114 to 144 : [Performance dress rehersal, group shots, function]
NA - 149 to 159 : [Artwork]
NA - 160 to 164 : [BSFA sign, artwork]
Sub-series pertains to approx. 225 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Art School
NA - 26 to 50 : [Various classe…
ca. 225 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to approx. 225 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Art School
NA - 26 to 50 : [Various classes, group shots]
NA - 51 to 75 : [Ballet and music classes]
NA - 76 to 100 : [En plein air painting class, group shots, stage set-up]
NA - 101 to 125 : [Stage performance, group shots]
NA - 126 to 150 : [Figure study class, group shots, performance rehersal]
NA - 151 to 175 : [Outdoor art show, group shots, performance rehersal]
NA - 176 to 200 : [Painting class, ballet rehersal, costume fitting]
NA - 201 to 224 : [Music performance, costume fitting, award ceremony]
NA - 225 to 234 : [Peter Pan rehersal]
Misc. Art School Buildings
Sub-series pertains to approx. 164 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Art School
NA - 26 to 50 : [Ballet and wea…
ca. 164 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to approx. 164 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Art School
NA - 26 to 50 : [Ballet and weaving classes, unknown class, group shots]
NA - 51 to 75 : [Painting, Russian, choir, en plein air painting classes]
NA - 76 to 100 : [Ballet and painting classes]
NA - 101 to 125 : [Various classes, group shots]
NA - 126 to 150 : [Various classes, group shots, ballet performance reherals]
NA - 151 to 164 & spec. : [Graduation? ceremony, performance rehersal, room interiors]
Misc. Art School
Sub-series pertains to approx. 126 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Art School
NA - 26 to 50 : Art School
NA -…
ca. 126 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to approx. 126 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Art School
NA - 26 to 50 : Art School
NA - 51 to 75 : Art School
NA - 76 to 100 : Art School
NA - 101 to 125 : Art School
NA - 126 : Art School
Sub-series pertains to approx. 155 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Art School Negs.
NA - 26 to 50 : [Various …
ca. 155 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to approx. 155 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Art School Negs.
NA - 26 to 50 : [Various classes, Madame Butterfly]
NA - 51 to 75 : [Ceramics, ballet, textile, en plein air painting classes, group shots]
NA - 76 to 100 : [Unidentified outdoor ceremony, performance rehersal]
NA - 101 to 125 : [Various performance rehersals]
NA - 126 to 155 : [Performance rehersal, various classes]
Sub-series pertains to approx. 125 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Banff School of Fine Arts
NA - 26 to 50 : …
ca. 125 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to approx. 125 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
NA - 01 to 25 : Banff School of Fine Arts
NA - 26 to 50 : Banff School of Fine Arts
NA - 51 to 75 : Banff School of Fine Arts
NA - 76 to 100 : Banff School of Fine Arts
NA - 101 to 125 : Banff School of Fine Arts
Sub-series pertains to 26 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
1115 - Ballet
1118 - Dr. Vinci Group B.S.F.A.
1120 - Opera Class BS…
26 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to 26 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
1115 - Ballet
1118 - Dr. Vinci Group B.S.F.A.
1120 - Opera Class BSFA
1126 - BSFA Opera Pics.
1123 - Publicity Pics. Ballet & Drama BSFA
1126 - Opera Dress Class
1127 - Ceramics Class
1128 - BSFA
1129 - BSFA
1130 - Choir Group Shot
1131 - Ballet Production
1131 - Painting
1132 - Opera Production
1133 - Opera
1134 - Weaving Class
1135 - Cadets Group
1136 - BSFA
1137 - Art Class
1139 - Ballet
1140 - BSFA Construction
1141 - Piano Group BSFA
1142 - Painting
1143 - Pictures of Theatres
1144 - Drama Cast BSFA
1145 - BSFA
Notes
Original numbering kept
Some files may have more than one negative.
Sub-series pertains to 59 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
982 - B.S.F.A. Mr. stegeman's Art Class
983 - Opera Class
984 - Mis…
52 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to 59 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
982 - B.S.F.A. Mr. stegeman's Art Class
983 - Opera Class
984 - Miss Middleton's Art Class
985 - Opera Action Group
986 - Drama Teachers Group
988 - Music Teachers Group
989 - Drama Group
990 - Townsend Art Class
991 - Music Theory Class
993 - Opera Publicity Pics. BSFA
994 - Art CLass - Nude - BSFA
995 - Junior Art Class BSFA
996 - Ceramics Class BSFA
997 - Ballet Teachers Class BSFA
998 - Weaving Group BSFA
999 - Scholarship Nite BSFA
9100 - Oral French Group BSFA
9101 - Mr. MacDonald Art Class BSFA
9103 - Ballet Publicity Pics. BSFA
9104 - Concert Pics.
9105 - Winner Cover Contest NSFA
9106 - Editorial Staff BSFA
9107 - Students Council BSFA
9108 - Mrs. Stedmans Art Class BSFA
9109 - Weaving Class BSFA
9110 - Roubakine Piano Class BSFA
9111 - Painting Copies BSFA
9112 - Publicity Merchant of Venice BSFA
9113 - "Rita" BSFA
9114 - Performance Pics of Drama Groupe
9115 - Ceramics Class, BSFA
9116 - Stegman's Art Class
[no number] - BSFA
9117 - Choral Group BSFA
9118 - Ballet Class BSFA
9119 - Madame Butterfly Dress Rehersal
9120 - Ballet
9121 - Ballet
9122 - Ballet
9123 - Ballet
9124 - Ballet
9126 - Russian Language Class BSFA
9127 - Childrens Drama Class BSFA
9129 - Music Staff
9130 - Matron Staff BSFA
9131 - Office Staff
9132 - Office and Matron Staff
9133 - Speech Class
9136 - Andrew MacMillan directing Madame Butterfly
9137 - Ballet
9138 - Ballet Dress Rehersal [rehearsal]
9139 - Oral French Session
Notes
Original numbering kept
Some files may have more than one negative.
Sub-series pertains to 61 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
0501 - BSFA Art Short Course Group
0502 - Dr. Vinci B.S.F.A
0503 - …
61 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to 61 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
0501 - BSFA Art Short Course Group
0502 - Dr. Vinci B.S.F.A
0503 - BSFA Art Display Janet Middleton
0504 - John Arab Opera BSFA
0505 - McMillan Opera BSFA
0506 - Joe Mackel Opera BSFA
0507 - James Craig Opera BSFA
0508 - Fisher (lady) Opera BSFA
0509 - BSFA Group
0510 - BSFA Group
0511 - BSFA Group
0512 - BSFA Group
0513 - BSFA Group
0514 - BSFA Group
0515 - BSFA Group
0516 - BSFA Group
0517 - BSFA Group
0518 - BSFA Group
0519 - BSFA Group
0520 - BSFA Group
0521 - BSFA Group
0522 - BSFA Group
0523 - BSFA Group
0524 - BSFA Group
0525 - BSFA Group
0526 - BSFA Group
0527 - BSFA Group
0528 - BSFA Group
0529 - BSFA Group
0530 - BSFA Group
0531 - BSFA Group
0532 - BSFA Group
0533 - BSFA Group
0534 - BSFA Group
0535 - BSFA Group
0536 - BSFA Group
0537 - BSFA Group
0538 - BSFA Group
0539 - BSFA Group
0540 - Iden Payne BSFA Portrait
0541 - Ballet (on steps) BSFA
0542 - Drama Pub. Groups BSFA
0543 - Ballet Shots BSFA
0544 - Scholarship Night BSFA
0545 - Studio Production Shots with Indians – BSFA
0546 - Ballet Shots BSFA
0547 - Children’s Ballet BSFA group
0548 - Russian Clas BSFA
0549 - Workshop Production BSFA
0550 - Students Council BSFA
0551 - Children’s Drama BSFA group
0552 - Music Staff BSFA group
0553 - Photo Class group
0554 - Choral Singing
0555 - BSFA
0556 - Ballet Production BSFA
0557 - Opera Production Die Fledermus
0558 - Miscellaneous Pics BSFA
0559 - 12th Night BSFA
[ ] - Misc - BSFA
[ ] - Art Teachers BSFA
Notes
Original numbering kept
Some files may have more than one negative.
Sub-series pertains to 16 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
1111 - Nelson BSFA
1112 - Piercey BSFA
1500 - Miss Middleton's Art …
16 photographs : b&w negatives ; 12.1 x 9.9 cm or smaller
History / Biographical
See fonds level description
Scope & Content
Sub-series pertains to 16 black and white negatives and includes classes in session, class and instructor group portraits, stage productions, buildings and grounds, exhibitions, events, and art works. Not all images are identified.
1111 - Nelson BSFA
1112 - Piercey BSFA
1500 - Miss Middleton's Art Class BSFA
1501 - Opera Group BSFA
1502 - Writing Class BSFA
1503 - French Class
1504 - String Group Clayton Hare
1505 - Roubakine Piano Class
[ ] - BSFA Patio, Bedroom Lounge
[ ] - Roubakine Recital BSFA
[ ] - BSFA Bedroom
[ ] - BSFA Sundeck
[ ] - BSFA
[ ] - Ballet Rehersal [rehearsal] Shots
[ ] - Carol Folfe BSFA
[ ] - BSFA Dining table
Notes
Original numbering kept
Some files may have more than one negative.