This exhibition celebrates the strength and contemporaneity of Pootoogook’s work but also uncovers how it has influenced her peers. Alongside works by Pootoogook, this exhibition will include works of art by Shuvinai Ashoona, Itee Pootoogook, Jutai Toonoo, Ohotaq Mikkigak and Siassie Kenneally, showing how Annie Pootoogook made it possible to begin a different conversation that celebrates Inuit art in new ways in Canada and the world. Bringing these artists’ works and words together in the Cutting Ice exhibition, will celebrate Annie Pootoogook as an important creative catalyst in contemporary art. (Taken from McMichael: Canadian Art Collection)
Contents
Director's foreword / Ian A.C. Dejardin -- West Baffin Eskimo Co-operative President's foreword / Pingwartok Ottokie -- West Baffin Eskimo Co-operative: a short history / Nancy Campbell, in consultation with West Baffin Eskimo Cooperative -- Dear Annie... / Nancy Campbel.
ISBN
9781773100692
Accession Number
2019.46
Call Number
06.1 C14a
Collection
Archives Library
URL Notes
The URL pertains to the site in which the information for the abstract was drawn from
Pertains to a publication showcasing artistic pieces from a variety of Inuit artists in Canada. The publication provides images of Inuit carvings, as well as other various forms of artistic expression. While the publication seeks to tell the story of the art, it is lacking Inuit voices and thus carries an innate bias.
Notes
design and layout by James A. Houston ; photographs by Bert Beaver and the National Film Board
Pertains to the art and inspiration of Canadian artist, James Houston. Houston was an acclaimed designer, educator, filmmaker, children’s author and artist prior to his passing in 2005. He helped to encourage the recognition of Inuit art, as well as introduced printmaking to the Inuit community. The publication covers the journey to printmaking, and the ways he helped encourage a new form of creative expression in various Inuit communities.
Notes
English and French text on same pages in 2 columns.
Accession Number
3069 a
Call Number
06.1 H81e
Collection
Archives Library
URL Notes
URL provides more information on the Houston families collaborative efforts with Inuit Peoples.
Library - Book (including soft-cover and pamphlets)
Published Date
2018
Author
Royal Canadian Geographic Society
Publisher
Ottawa, Ont. : Royal Canadian Geographical Society : National Centre for Truth and Reconciliation : Assembly of First Naitons : Inuit Tapiriit Kanatami : Me´tis National Council : Indspire
Ottawa, Ont. : Royal Canadian Geographical Society : National Centre for Truth and Reconciliation : Assembly of First Naitons : Inuit Tapiriit Kanatami : Me´tis National Council : Indspire
Published Date
2018
Physical Description
4 volumes : illustrations (chiefly color), color maps ; 32 cm
"In this atlas, you will find outstanding reference maps of Indigenous Canada, as well as a section devoted to Truth and Reconciliation, including detailed pages on many aspects of the topic with contemporary and historical photography, maps and more. There's also a glossary of common Indigenous terms."--page [4] of cover volume 1.
Oval base and igloo are woven in grass. The igloo is round shaped with an arched door. Top of igloo and door opening have brown skin strips patterns. The figures are fully dressed with fibre parka, fur pants and skin boots. The parents have crochet burgandy coloured hats, skin mitts. The faces…
Oval base and igloo are woven in grass. The igloo is round shaped with an arched door. Top of igloo and door opening have brown skin strips patterns. The figures are fully dressed with fibre parka, fur pants and skin boots. The parents have crochet burgandy coloured hats, skin mitts. The faces are made of skin, with shaped noses and stitched features. The baby is bound in cotton. The mother, with her baby in her arms, is lying inside the igloo while the man is outside looking in at them. Outside of the igloo is a two coloured fur dog, pointed ears, and stitched features. A small woven basket with fur inside is in front of the dog. A pair of skin, fur and fibre muklaks lay outside.
To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery Director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912, when the foundation was laid to support a diverse and far-reaching mission that could embrace both historical and contemporary artmaking on national and international levels. By the time director Dr. Ferdinand Eckhardt arrived at the gallery in 1953, and discovered Inuit stone carving at the Hudson's Bay Company department store located across the street from the WAG, the idea of assembling a collection to celebrate this Indigenous art form moved closer to reality. This account of the development of the Inuit Art Centre includes different historical and contemporary perspectives and voices through a compilation of texts and images. In addition to the key essay by the book's author Stephen Borys, several writers from across the country have shared their stories about the gallery, the Inuit art collection, and the building project. In addition to the essays and the architectural renderings of the Inuit Art Centre by Michael Maltzan, the book also includes: a selection of Arctic photographs taken by Hazel Mouzon Borys and Iwan Baan, a series of construction images by Winnipeg Free Press photographers Mike Sudoma and Mike Deal, and finished building photographs by Jacqueline Young. -- Provided by publisher.
Contents
Message from the title sponsor / Ernest Cholakis -- Foreword / Natan Obed -- Message from the Chair / Ernest Cholakis -- Acknowledgements / Stephen Borys -- Qaumajuq: a name for the Inuit Art Centre / Julia LaFreniere -- Introduction / Stephen Borys -- A journey north / Stephen Borys -- Midnight sunlight / Iwan Baan -- Reflections on a curatorial journey / Darlene Coward Wight -- Origins / Abraham Anghik Ruben -- Multiple visions, magnificent reality / Patricia Bovey -- A vault into visibility : personal reflections / Richard Yaffe -- Museum encounters of another kind : indigenous methodologies of collaboration lead the charge / Julie Nagam -- Selecting an architect for the Inuit Art Centre / George Baird -- Characteristics and context / Michael Malitzan -- Biindigin Biwaasaeyaah and Qaumajuq : conversations and collaborations towards a new Winnipeg Art Gallery / Heather Igloliorte and Julie Nagam -- Winnipeg : a new cultural capital for Inuit art / Pat Feheley -- Moments of kindness and reconciliation : a new understanding for Inuit culture / Barry Appleton -- Building photography -- Contributors.
Round woven basket of lyme ? grass, flat fitted lid has a stone handle. The handle is 5.0 high, has four faces carved on the sides, 3 are smiling. A round flat knob on top. Ten spear shaped open designs around side of bowl. One design has no handle .
Round woven basket of lyme ? grass, flat fitted lid has a stone handle. The handle is 5.0 high, has four faces carved on the sides, 3 are smiling. A round flat knob on top. Ten spear shaped open designs around side of bowl. One design has no handle .
lidded basket with bear's head handle; lyme grass covered coils; flat bottom, straight sides; seven V-shaped designs of brown stripes spaced evenly around sides; lipped lid, slightly domed; grey green stone, carved polar bear's head; ears, eyes, nose defined, mouth open; 4 holes drilled at base to attach stone head to basket lid.
lidded basket with stone beaver handle; lyme grass covered continuous uniform coil; 3 checkboard diamond designs of 9 dark squares; fitted lid with lip; carved grey stone beaver 1.8x4.7x1.7; hole drilled through belly to fasten to lid; incised round eyes and mouth.
lidded basket with stone beaver handle; lyme grass covered continuous uniform coil; 3 checkboard diamond designs of 9 dark squares; fitted lid with lip; carved grey stone beaver 1.8x4.7x1.7; hole drilled through belly to fasten to lid; incised round eyes and mouth.