Same as PhW.04.04. One of a seven print portfolio The Canadian Scene, assembled 1928. Portfolio #273. A three quarter back view of a young boy, blond hair. He is standing on sand looking slightly to the left. The sand colour fades into a pale blue sky. Printed on Goyu paper from six cherry-wood blo…
Same as PhW.04.04. One of a seven print portfolio The Canadian Scene, assembled 1928. Portfolio #273. A three quarter back view of a young boy, blond hair. He is standing on sand looking slightly to the left. The sand colour fades into a pale blue sky. Printed on Goyu paper from six cherry-wood blocks.
The distinctive shape of Peyto Lake lies white in the foreground. The surrounding mountains are various shades of black and grey. The top right corner is white indicating sky.
The distinctive shape of Peyto Lake lies white in the foreground. The surrounding mountains are various shades of black and grey. The top right corner is white indicating sky.
Brown mountain peaks dominate the lower half of the picture. The rest is light blue texture with a mountain range faintly evident across the picture near top.
Brown mountain peaks dominate the lower half of the picture. The rest is light blue texture with a mountain range faintly evident across the picture near top.
Top half of the picture is sky, white clouds dominate. Mountains dominate lower half. Light brown and light greens, foreground indicates rocks with snow.
Top half of the picture is sky, white clouds dominate. Mountains dominate lower half. Light brown and light greens, foreground indicates rocks with snow.
Landscape of Mount Rundle from the first Vermilion Lake. Dominant mauve, green colours. Signed W.J. Phillips brc. Was mailed in off-white A Happy Christmas card from the Phillips, print was glued at its top edge to inside of card. This print is #242 in R. Boulet Catalogue.
Landscape of Mount Rundle from the first Vermilion Lake. Dominant mauve, green colours. Signed W.J. Phillips brc. Was mailed in off-white A Happy Christmas card from the Phillips, print was glued at its top edge to inside of card. This print is #242 in R. Boulet Catalogue.
Colour: brown and blue. Two totems one behind and beside the other, fill the right half. At the lower left corner is a beach with a boat pulled up. The water beyond is green and blue with a far shoreline appearing half way up. There is a house, a point of land and trees behind on the shore. Sky is …
Colour: brown and blue. Two totems one behind and beside the other, fill the right half. At the lower left corner is a beach with a boat pulled up. The water beyond is green and blue with a far shoreline appearing half way up. There is a house, a point of land and trees behind on the shore. Sky is clouded near the horizon and blue beyond.
Same as PhW.04.10. One of a seven part portfolio The Canadian Scene assembled in 1928, Portfolio #273. A stump with long bare branches is in bottom left of picture, some green foliage behind it. A lake in bottom half of picture, hills and trees on far side of the lake form the horizon. A grey sky c…
Same as PhW.04.10. One of a seven part portfolio The Canadian Scene assembled in 1928, Portfolio #273. A stump with long bare branches is in bottom left of picture, some green foliage behind it. A lake in bottom half of picture, hills and trees on far side of the lake form the horizon. A grey sky covers the top two thirds of the picture, a yellow sunset is evident on horizon right. Printed on Goyu paper from eight cherry-wood blocks.