A drawing (copy) of a dog sitting on the floor, back view with head turned to the left; he is sitting in front of a table with various things on top of it; drawn curtains in background, opened a little at the left, iron faceted window panes through which can be seen a tower with a flag. Hand writte…
A drawing (copy) of a dog sitting on the floor, back view with head turned to the left; he is sitting in front of a table with various things on top of it; drawn curtains in background, opened a little at the left, iron faceted window panes through which can be seen a tower with a flag. Hand written on the brown paper backing of the framed picture: Crayon Copy Mary Sharples 1880.
Colour: black on white; a wounded bison with three arrows in his side and blood coming out of his mouth, kneels in the center of the picture;to the left and right are large leafless trees; a huge sun sits halfway on the horizon of rolling hills; in the background to the right, six figures with stic…
Colour: black on white; a wounded bison with three arrows in his side and blood coming out of his mouth, kneels in the center of the picture;to the left and right are large leafless trees; a huge sun sits halfway on the horizon of rolling hills; in the background to the right, six figures with sticks run up from behind a tree; to the left, in the background are two bears.
Sub-series consists of Correspondence between George Vaux Sr. and Mary Morris Vaux. Includes letters, telegrams, newspaper clippings, postcards, itineraries and The Alpine Club of Canada Rules and Regulations.
1 scrapbook album belonging to Mary Vaux given to her from her Grandmother. 1877. Album c…
Sub-series consists of Correspondence between George Vaux Sr. and Mary Morris Vaux. Includes letters, telegrams, newspaper clippings, postcards, itineraries and The Alpine Club of Canada Rules and Regulations.
1 scrapbook album belonging to Mary Vaux given to her from her Grandmother. 1877. Album contains painted tissue papers; visuals of flowers and people doing various activities.
1 album: Scrapbook album; contains 24 handpainted images on 12 pages within scrapbook. Album has been digitized.
Dog has pipe and walking stick and plaid cap and topcoat, hare has purple bonnet and purse. Signed and dated A. Rackham 1912 brc, signed on mat The Dog & the Hare, Aesop's Fables p.145.
Dog has pipe and walking stick and plaid cap and topcoat, hare has purple bonnet and purse. Signed and dated A. Rackham 1912 brc, signed on mat The Dog & the Hare, Aesop's Fables p.145.
One cock and three hens in landscape. Beige, blue, black, red colour washes dominant. Signed blc A. Rackham 1912. Pencilled note to engraver at bottom of picture says 6 high with an arrow indicating up. Written on discard backing board said Aesop's Fables-1912 The Cock and the Jewel p. 121
One cock and three hens in landscape. Beige, blue, black, red colour washes dominant. Signed blc A. Rackham 1912. Pencilled note to engraver at bottom of picture says 6 high with an arrow indicating up. Written on discard backing board said Aesop's Fables-1912 The Cock and the Jewel p. 121
Pencil sketch of a mountain which dominates centre background, middle to foreground slope indicating a gradual rise. Drawn on light sketchbook paper, top edge serated, br and bl edges rounded
Pencil sketch of a mountain which dominates centre background, middle to foreground slope indicating a gradual rise. Drawn on light sketchbook paper, top edge serated, br and bl edges rounded
Pencil sketch of a mountain. The mountain is centered with ridges at angles. Mountain appears to be snow covered. Foreground is a plain ridge. Drawn on light sketchbook paper, fragile condition.
Pencil sketch of a mountain. The mountain is centered with ridges at angles. Mountain appears to be snow covered. Foreground is a plain ridge. Drawn on light sketchbook paper, fragile condition.
File consists of one signed copy of a portrait of an unidentified Indigenous man by artist W. Langdon Kihn. Portrait was gifted to Norman Luxton by Kihn in 1922.
1 drawing : portrait, pencil and ink ; 29 x 37.5 cm
History / Biographical
Wilfred Langdon Kihn (1898-1957) was an American artist born in Brooklyn, New York. Kihn was best known for his illustrated portraits of American and Canadian Indigenous people, including members of the Blackfoot, Navajo, Pueblo and Tsimshian communities. The individuals in Kihn's portraits were most often depicted wearing traditional and ceremonial clothing rather than their typical clothes.
Kihn's art career began in 1919 when he travelled to Montana and created some of his earliest portraits while visiting the Blackfeet Reservation. Throughout the 1920s, Kihn travelled extensively in Canada and the United States, creating portraits of individuals from a diverse range of Indigenous communities. Many of these portraits were put on display as part of a travelling exhibition organized by the Brooklyn Museum. In 1935, Kihn was commissioned by National Geographic to produce Indigenous portraits for publications; this ultimately led to a two-decade career with National Geographic.
Scope & Content
File consists of one signed copy of a portrait of an unidentified Indigenous man by artist W. Langdon Kihn. Portrait was gifted to Norman Luxton by Kihn in 1922.
Notes
Portrait is signed in the bottom left corner: "To "Norm" Luxton From his friend W. Langdon Kihn. 1922"
2 cm + 1 v. textual records.. -- 1 photograph : print.
History / Biographical
Olive McDonnell Allan (1896-1978) took a wildflower painting and collecting trip in 1924 to Banff from Edmonton. McDonnell Allan attended the Lamerton School in Alberta until 1901. After this she was tutored at home, until the family’s move to Victoria, BC. Olive and her brother lived with relatives north of Alix, Alberta until they joined their sister and parents in Victoria. In Victoria Olive attended St. Anne's Academy. Prior to her marriage Olive attended business college in Calgary, and took courses at the University of Alberta. At this time she worked as the Assistant Librarian at the University of Alberta Extension Department. While she was living in Edmonton, Olive met James Rennie Nicol Allan while she was visiting her relatives in the Alix, Alberta area. They were married August 23, 1923. Olive played violin in the Symphony Orchestra in Edmonton, and sold her violin to pay for a nurse to attend the birth of her daughter Eve. Olive and James had two children, James McDonnell Allan and Eve Elizabeth Blanche Keates (nee Allan). Olive returned to the Banff/Lake Louise area in 1948 when her daughter, Eve, was working there. Olive belonged to the Alix (Alberta) Horticulture Club, and throughout her life she was an avid gardener, and won many awards.
Scope & Content
Fonds consists of 1 pressed flower album, 3 wildflower sketches, 1 pamplet by E. S. Dowding, 1 three page trip calendar, 1 photograph.
A very brightly coloured pastel drawing. The portrait of the man dominates almost the entire picture. A dark blue background behind his head, the face is drawin in good detail, black braids to the front. A red undershirt, yellow vest with white/red/purple diamond designs over shoulders. A necklace …
A very brightly coloured pastel drawing. The portrait of the man dominates almost the entire picture. A dark blue background behind his head, the face is drawin in good detail, black braids to the front. A red undershirt, yellow vest with white/red/purple diamond designs over shoulders. A necklace of black-tipped weasel tails and long, black horse tails. He is wearing a brown (buckskin ?) shirt. On the back of the heavy card backing: Shorty White-Grass A-PO-TO-YE-SEE Blackfeet Tribe of Browning Mont. in blue; in black: #54.
Pencil sketch of foothills with mountain range in background. A river indicated in foreground flows from left bottom corner to right, brc is river bank. Light and heavy pencil lines with shading, indicating trees and hills. Colour notes throughout. Drawing made on light sketchbook paper, serra…
Pencil sketch of foothills with mountain range in background. A river indicated in foreground flows from left bottom corner to right, brc is river bank. Light and heavy pencil lines with shading, indicating trees and hills. Colour notes throughout. Drawing made on light sketchbook paper, serrated top edge, rounded corners bl and br.
General colour: pencil on white. Line drawing of nuts. Some lines in the lower half are jagged to indicate trees. In the lower right are larger marks to indicate trees. In the upper left corner, the underside of clouds are outlined.
General colour: pencil on white. Line drawing of nuts. Some lines in the lower half are jagged to indicate trees. In the lower right are larger marks to indicate trees. In the upper left corner, the underside of clouds are outlined.
General colour: white, black, orange. The man's white fur hat fills upper third of the drawing. His eyes look out. He wears an orange tie. There is some purple colour on his left lapel. The title is in orange in the lower left corner. In the lower right corner, the words are in black.
General colour: white, black, orange. The man's white fur hat fills upper third of the drawing. His eyes look out. He wears an orange tie. There is some purple colour on his left lapel. The title is in orange in the lower left corner. In the lower right corner, the words are in black.
The mountains dominate the picture, of blue/purple tones. Left foreground is a small lake with reflections of the mountains, immediate right foreground has yellow/brown tones, treed shoreline. Little sky showing, cloudy. Credit both The Banff Centre and Mrs. J. I. Brewster in any exhibition publica…
The mountains dominate the picture, of blue/purple tones. Left foreground is a small lake with reflections of the mountains, immediate right foreground has yellow/brown tones, treed shoreline. Little sky showing, cloudy. Credit both The Banff Centre and Mrs. J. I. Brewster in any exhibition publication of the collection, either in whole or in part. Banff Centre catalogue numbers: 81 0334 A; 20687.
A head and shoulders portrait of a First Nations Chief in full headdress. He is turned slightly to the right, his right hand is raised in salute. Written in the lower right corner is “To my fine old friend Col. Moore Anis-ta-ma-ka Pal. Banff, Sept. 7 1927.”
A head and shoulders portrait of a First Nations Chief in full headdress. He is turned slightly to the right, his right hand is raised in salute. Written in the lower right corner is “To my fine old friend Col. Moore Anis-ta-ma-ka Pal. Banff, Sept. 7 1927.”