Colour: black on white. A cowering figure at centre is surrounded by three hands at the right (one hand becoming a face) and a large face and two black figures to the left and above.Au verso: THE FIRST STEP BEYOND
Colour: black on white. A cowering figure at centre is surrounded by three hands at the right (one hand becoming a face) and a large face and two black figures to the left and above.Au verso: THE FIRST STEP BEYOND
Colour: black on white. At viewer’s left and forefront, a man,is facing left and sitting on an oil drum. He is is wearing a cap, shirt, jeans and cowboy boots and is playing a guitar. Behind the man and toward viewer’s right is a telephone pole with a figure of a man hanging from a rope. In the bac…
Colour: black on white. At viewer’s left and forefront, a man,is facing left and sitting on an oil drum. He is is wearing a cap, shirt, jeans and cowboy boots and is playing a guitar. Behind the man and toward viewer’s right is a telephone pole with a figure of a man hanging from a rope. In the background are a gentle range of hills.Au verso printed in pencil “JUST PLAYING”, rhtc “115” encircled, blhc “20” encircled with “25” on top
Colour: black on white. In the centre is a seated black figure with white hair and one hand visble. To the viewer’s right stands an aged figure wearing a white cloak/blanket and leaning on a cane. In the distance towards the viewer’s lower left are eleven black bison and one white.Au verso: tlhc en…
Colour: black on white. In the centre is a seated black figure with white hair and one hand visble. To the viewer’s right stands an aged figure wearing a white cloak/blanket and leaning on a cane. In the distance towards the viewer’s lower left are eleven black bison and one white.Au verso: tlhc encircled “90” vestige of former drawing visible
One central large facial image (on top of which is an arm and smaller face) under which is a beak and eye of a bird, two hands and a third and final facial image below that in the shape of a C off centre to the viewer’s left bottom. Vestiges of former drawing showing through.Au verso: “CLOUDS” brhc…
One central large facial image (on top of which is an arm and smaller face) under which is a beak and eye of a bird, two hands and a third and final facial image below that in the shape of a C off centre to the viewer’s left bottom. Vestiges of former drawing showing through.Au verso: “CLOUDS” brhc encircled “35” topped by encircled “6”
General colour: black, blue, brown on grey paper. Mountains go into the distance from right to left diagonally upper to lower area. Sky is dark blue with flames of yellow on grey.
General colour: black, blue, brown on grey paper. Mountains go into the distance from right to left diagonally upper to lower area. Sky is dark blue with flames of yellow on grey.
General colour: pencil on white. Two points of land come in from left and right respectively with water in between and behind. The far shore starts quarter way up and becomes a mountain left of enter and right banks up each side. Sketchy clouds appear to be raining left and right.
General colour: pencil on white. Two points of land come in from left and right respectively with water in between and behind. The far shore starts quarter way up and becomes a mountain left of enter and right banks up each side. Sketchy clouds appear to be raining left and right.
A drawing (copy) of a dog sitting on the floor, back view with head turned to the left; he is sitting in front of a table with various things on top of it; drawn curtains in background, opened a little at the left, iron faceted window panes through which can be seen a tower with a flag. Hand writte…
A drawing (copy) of a dog sitting on the floor, back view with head turned to the left; he is sitting in front of a table with various things on top of it; drawn curtains in background, opened a little at the left, iron faceted window panes through which can be seen a tower with a flag. Hand written on the brown paper backing of the framed picture: Crayon Copy Mary Sharples 1880.
Fonds consists of materials pertaining to Ben Gadd's personal life and career as an environmental researcher, educator, interpretive guide, publisher, public speaker and author, ca.1956-2018. Fonds includes maps, research materials, publication notes/drafts, correspondence, contracts, photographs, …
ca. 7.9 metres of textual records -- ca. 274 maps -- 29 VHS tapes -- ca.15 discs with digital files -- 21 cassettes -- photographs -- oversized materials -- USB stick with 15 sldeshows
History / Biographical
Ben Gadd (1946-) is a retired naturalist, guide, geologist, instructor, freelance writer and award-winning author based in the Canadian Rockies.
Ben was born in Colorado Springs, Colorado in 1946. He met his wife, Cia (Langdon) Gadd at Colorado College in 1965, and the couple married four weeks later. Ben and Cia had two sons, Will and Toby. Ben and his family relocated to Jasper in the late 1960s. Ben later attended the University of Lethbridge and graduated with a Bachelor's degree in Earth Science in 1972.
Between 1976 and 1980, Ben taught classes at Mount Royal College and the Southern Alberta Institute of Technology; he later taught additional classes at Grant MacEwan College and Lakeland College. From 1981, Ben also worked as a seasonal naturalist/guide for Parks Canada. Ben left Parks Canada in 1985 to start an independent naturalist guiding business with Cia based in Jasper and other parts of the Canadian Rockies, which the couple continued to operate for over two decades.
Ben published his best-known work, "Handbook of the Canadian Rockies", through his publishing company Corax Press in 1986. The second edition of "Handbook of the Canadian Rockies" received multiple awards after its release in 1995. Ben's fiction book, "Raven's End" won the title of Best Canadian Rockies Book at the Banff Mountain Film and Book Festival in 2001 and became a Canadian bestseller. Overall, Ben has authored or co-authored 11 books and received nearly one dozen awards for his achievements as a writer, researcher and guide.
Ben continued to lead guided hikes and school programs until his retirement in 2016.
Scope & Content
Fonds consists of materials pertaining to Ben Gadd's personal life and career as an environmental researcher, educator, interpretive guide, publisher, public speaker and author, ca.1956-2018. Fonds includes maps, research materials, publication notes/drafts, correspondence, contracts, photographs, video and sound recordings, and other related material. Materials donated in 2024 include one USB stick containing
Notes
Ben Gadd fonds arrangement:
Series I : Personal records
- Subseries A : Travel guides and maps
- Subseries B : Education and early writings
- Subseries C : Personal interest files
- Subseries D : Other personal and collected
Series II : Research and publication records
- Subseries A : Handbook of the Canadian Rockies
- Subseries B : Other publications
Series III : Professional records
- Subseries A : Parks Canada Records
- Subseries B : Interpretive guiding
- Subseries C : Teaching records
- Subseries D : Other contracts and projects
Series IV : Legal and financial records
- Subseries A : Legal records
- Subseries B : Financial records
File consists of drawings produced by Will Gadd as a child, ca.1968-1972; and caricatures and other drawings, possibly by Ben Gadd, from the same time period.
File consists of drawings produced by Will Gadd as a child, ca.1968-1972; and caricatures and other drawings, possibly by Ben Gadd, from the same time period.
Material Details
Illustrations consist of different media, including graphite pencils, pens, pencil crayons, markers and paint.
Fonds consists of textual records, postcards, drawings and one photograph album pertaining to Mary (Molly) Wright Adams (1868-1909); transcripts of Molly's original letters which were compiled by Molly's sister, Catharine Elkin (nee Adams) between ca.1939 and 1941; and transcriptions of letters sen…
Some materials produced by Catharine (Adams) Elkin
Date Range
[ca.1844 - 1909]
[ca.1939 - 1944]
1980 - 1981
2014
Physical Description
21 cm of textual records -- 16 postcards -- 3 drawings -- 1 photograph album : 107 b&w photographs
History / Biographical
Mary Wright (Molly) Adams was born on 15 October 1868. in Ridgefield Connecticut. She was the third of five children born to Cornelia Ann Cook (1830-1902) and Daniel Lucius Adams (1814 - 1899) She died in Kobe, Japan on 23 January 1909 and was buried there.
Scope & Content
Fonds consists of textual records, postcards, drawings and one photograph album pertaining to Mary (Molly) Wright Adams (1868-1909); transcripts of Molly's original letters which were compiled by Molly's sister, Catharine Elkin (nee Adams) between ca.1939 and 1941; and transcriptions of letters sent between Molly's extended family members [including members of the Adams, Cook and Wright families], ca.1844 and 1866.
Textual records primarily consist of correspondence sent between Molly Adams and various friends and family members [ca.1891-1909].
Notes
Fonds consists of two series:
Series I : Correspondence [contains two sub-series: I / A : Molly Wright Adams ; I / B : Extended family]
Series II : Personal and collected records
File consists of two illustrations by A. Roberge [possibly Albert Roberge of Banff/Edmonton, 1933-2012]. One illustration depicts two mountain goats standing by a steep rock face; other illustration is titled "The Rapids" and depicts a coureur de bois travelling through a river in a Hudson's Bay Co…
File consists of two illustrations by A. Roberge [possibly Albert Roberge of Banff/Edmonton, 1933-2012]. One illustration depicts two mountain goats standing by a steep rock face; other illustration is titled "The Rapids" and depicts a coureur de bois travelling through a river in a Hudson's Bay Company canoe.
File consists of 5 colour advertising posters, 2 calendar pages, and one hand-drawn illustration. Content pertains to 'The Banff Chairlift on Mt. Norquay'; a Laurie Signs Ltd. ad with a Nicholas Morant image and metal hanger (formerly a page from a calendar, date unknown); a 'Bourne Bros.' calendar…
File consists of 5 colour advertising posters, 2 calendar pages, and one hand-drawn illustration. Content pertains to 'The Banff Chairlift on Mt. Norquay'; a Laurie Signs Ltd. ad with a Nicholas Morant image and metal hanger (formerly a page from a calendar, date unknown); a 'Bourne Bros.' calendar dated '1913', featuring a large image of a woman named 'Berenice' on a metal hanger; 4 red and white Royal York Hotel advertising posters with cardboard attachments on back to stand upright; and an illustration addressed to Nicholas Morant (unknown artist), drawn in pencil, depicting a character covered in porcupine quills (?) with an easel, painting the message 'dere Marantz thanks 4 the encouragement'.
Notes
4 Royal York Hotel posters formerly stored in individual brown paper packaging with cardboard supports inside, labelled 'Royal York Hotel Poster' on the front of each in black marker. Original packaging has been removed for conservation reasons.
Storage Range
In file box M300 / II / C / 6 / 1 to M300 / II / C / 6 / 8 & M300 / II / C / 6 / 70 to 72
File consists of 5 textual items, various authors. Content pertains to a copy of 'The Last of the Buffalo' given to Nicholas Morant in 1940 by Norman Luxton; an Illustrated booklet hand-drawn by Cyril Harris for Nicholas and Ivy Morant; a copy of 'Paintings from the Wild' by Clarence Pillenius; a 1…
File consists of 5 textual items, various authors. Content pertains to a copy of 'The Last of the Buffalo' given to Nicholas Morant in 1940 by Norman Luxton; an Illustrated booklet hand-drawn by Cyril Harris for Nicholas and Ivy Morant; a copy of 'Paintings from the Wild' by Clarence Pillenius; a 1946 journal publication containing a poem written by Mollie Morant; and a copy of 'Weathered Wood' by F.O. 'Pat' Brewster, signed.
Storage Range
In file box M300 / III / D / 5 / 1 to M300 / III / D / 5 / 11
File consists of 2 printed paper copies of older hand-illustrated works. Pertains to a copied 1947 blueprint of Connaught Tunnel depicting burn damage on tracks from an accident that year; and a copied hand-drawn map of Deutchman Cave from 1902, with annotations bottom right (copied from the origin…
File consists of 2 printed paper copies of older hand-illustrated works. Pertains to a copied 1947 blueprint of Connaught Tunnel depicting burn damage on tracks from an accident that year; and a copied hand-drawn map of Deutchman Cave from 1902, with annotations bottom right (copied from the original).
Notes
Items were stored together in a poster tube labelled:
"Canadian Pacific
Blueprints - CPR Passenger Train in Connaught Tunnel
- Nakimu Caves at Glacier"
File consists of one scrapbook, mostly empty, containing ca. 48 newspaper clippings, a pamphlet re: the Banff Elementary School Spring Concert in May 1969, and a signed original sketch by Peter Whyte. Content pertains to the openings of the Whyte Museum Archives and the Harvie Theatre in Banff, Pet…
4 cm of textual records (1 scrapbook : 18 pages ; 30 x 37 cm)
Scope & Content
File consists of one scrapbook, mostly empty, containing ca. 48 newspaper clippings, a pamphlet re: the Banff Elementary School Spring Concert in May 1969, and a signed original sketch by Peter Whyte. Content pertains to the openings of the Whyte Museum Archives and the Harvie Theatre in Banff, Peter and Catharine Whyte, Senator Donald Cameron and Margaret Greenham.
Fonds consists of four series: I. Personal, II. Professional, III. Activities, IV. Brewster family. I. Personal series, 1905-1982, 18 cm of textual records, 160 photographs, 2 sound recordings. Includes correspondence, interview and recorded conversation, address/notebook, artwork, other textua…
ca.80 cm of textual material. -- ca.900 photographs : prints, postcards, transparencies, negatives, copy negatives. -- 1 photograph album (50 prints). -- 3 sound recordings : audio tape cassettes
History / Biographical
Forrest Oliver "Pat" Brewster, 1896-1982, was a trail guide, outfitter and businessman in Banff, Alberta, Canada. Pat was a native and life-long resident of Banff. As a boy, he was an active Boy Scout and, by age seventeen, was a big game guide. After serving in World War I, Brewster established the first permanent camp at Lake O'Hara for the Canadian Pacific Railway. In 1926, he took over the Brewster Transport Company outfitting business from his brothers, Bill and Jim. In the 1930s, he became involved in skiing explorations in the Assiniboine, Skoki and Sunshine areas. Pat Brewster was active in community affairs and, in his later years, was an avid historian of the region. He published three books of reminiscences between 1975 and 1982.
Scope & Content
Fonds consists of four series: I. Personal, II. Professional, III. Activities, IV. Brewster family.
I. Personal series, 1905-1982, 18 cm of textual records, 160 photographs, 2 sound recordings. Includes correspondence, interview and recorded conversation, address/notebook, artwork, other textual records, photographs.
II. Professional series, 1892-1982, 47.5 cm of textual records, 266 photographs, 1 sound recording. Includes papers pertaining to various Brewster family and other businesses, writing papers and sound recording, and photographs pertaining to guiding and outfitting, tourism promotion and other.
III. Activities series, 1841-1983, 6.5 cm of textual records, 262 photographs. Pertains to genealogical research, other activities and collected material.
IV. Brewster family series, 1841-1981, 2.5 cm of textual records, 132 photographs. Pertains to Brewster family, Jack Brewster, John Brewster, Pearl Brewster Moore and the Moore family.
Fonds includes miscellaneous reports, programmes, ephemera and photographic copies of documents, artifacts and art works concerning Rundle Memorial United Church and Robert T. Rundle, Methodist Missionary, Edmonton, 1840-1848, for whom the church is named. Some items are by John Travis.
Rundle Memorial United Church is located in Banff, Alberta, Canada. John Travis was Minister, ca.1965.
Scope & Content
Fonds includes miscellaneous reports, programmes, ephemera and photographic copies of documents, artifacts and art works concerning Rundle Memorial United Church and Robert T. Rundle, Methodist Missionary, Edmonton, 1840-1848, for whom the church is named. Some items are by John Travis.
Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse …
25 m of textual records. -- ca.46,000 photographs : prints, albums, postcards, cased photographs, transparencies, negatives. -- 178 sound recordings : audio tape reels, audio tape cassettes. -- 6 motion pictures (and film strips)
History / Biographical
Peter and Catharine Whyte were artists, photographers, outdoor enthusiasts, travelers, philanthropists and cultural workers at Banff, Alberta, Canada. Peter Whyte, 1905-1966, was born at Banff in 1905 to pioneer merchant Dave White and Annie (Curren) White. He was an accomplished skier and ski jumper and one of the region's first native-born painters with an intimate knowledge of the mountains and was an active photographer from ca.1920 until the 1950s. Peter Whyte studied art at the Otis Art Institute, Los Angeles, 1923-1924, and at the School of the Museum of Fine Arts at Boston, 1925, where he met Catharine Robb. Catharine Robb Whyte, 1906-1979, was born in 1906 at Concord, Massachusetts and grew up amongst the wealth and creativity of the Robb and Morse families. She studied at the School of the Museum of Fine Arts at Boston, 1925-1929.
Following their marriage in 1930, the Whytes pursued a life of painting, photography, hiking, skiing and travelling. Their log home and studio in Banff became a focal point for their artist friends, Stoney Indians and local pioneers. Catharine shared Pete's involvement in skiing and hiking organizations and together they managed Skoki Lodge from 1932-1934. In following years, the Whytes travelled extensively. During the Second World War, Peter served in the reserve army, with the Royal Canadian Air Force as a photographer and, briefly, as an official war artist. Catharine continued to paint and maintain their home and, when possible, accompanied Pete to his military postings. In civilian life, Pete resumed his art career, explored new photographic techniques and sculpted.
Throughout the 1950s and 1960s, the Whytes formulated plans for a foundation to preserve the art and history of the Canadian Rockies. Plans for a building to house an archives, public library and gallery were in preparation when Pete died in 1966. The Peter Whyte Foundation was named in his honour. Catharine immersed herself in the development of what is now the Whyte Museum of the Canadian Rockies, in the cultural community, painting, outdoor activity, travel and work with the Stoney First Nations. She became a more active photographer, recording her travels and outdoor pursuits. She served in an official capacity with numerous cultural and charitable organizations, was a patron to individuals studying art and music, and supported numerous causes relating to the Stoney First Nations. Catharine also supported causes related to multiculturalism, regional culture and recreation, and cancer research. Despite her modesty and often anonymous patronage of causes, Catharine was recognized with numerous awards and honours, including the Order of Canada in 1978. She died in Banff in 1979.
Scope & Content
Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse families, Series III: White and Curren families. Within Series I, there are four Sub-series: Series: A. Catharine Robb Whyte papers; B. Peter Whyte papers; C. Peter and Catharine Whyte papers accessioned after 2017; D. Peter and Catharine Whyte sound recordings.