Includes photographs are by expedition members, including Hogo Hohener and Mary Fallis. Also includes views by Photo Importing Agencies Ltd. re presentations on behalf of expedition.
ca.125 photographs (22 prints, 4 negatives, 1 album of 84 prints)
Scope & Content
Includes photographs are by expedition members, including Hogo Hohener and Mary Fallis. Also includes views by Photo Importing Agencies Ltd. re presentations on behalf of expedition.
File consists of one print photograph and two duplicate transparency slides depicting the headstone of Norman and Georgina Luxton (and later Eleanor Luxton), 1966.
1 photograph : col. print ; 12.5 x 9 cm -- 2 col. transparency slides, 35 mm
Scope & Content
File consists of one print photograph and two duplicate transparency slides depicting the headstone of Norman and Georgina Luxton (and later Eleanor Luxton), 1966.
A two-colour print of light and dark blue, a street scene, 2 church spires to the left, a large block building, and smaller buildings in front of that, a flowering bush at extreme right, mottled sky.
A two-colour print of light and dark blue, a street scene, 2 church spires to the left, a large block building, and smaller buildings in front of that, a flowering bush at extreme right, mottled sky.
Pigeon Mountain Ski Resort was built on the west-facing slope of Pigeon Mountain near Dead Man's Flats and operated off and on until 1983 when it closed permanently.
Scope & Content
File pertains to 3 b&w prints depicting the Pigeon Moutain Ski Resort lodge and ski lift base, possibly for promotional purposes.
Notes
File came from box XVI, separate from alphabetised boxes
File pertains to 30 b&w prints of the Lake Louise Ski Resort. Includes aerial views of the ski hill, plans for lifts and runs, the Temple Lodge area, ski lifts, and views from the Resort towards Lake Louise and Victoria Glacier.
File pertains to 30 b&w prints of the Lake Louise Ski Resort. Includes aerial views of the ski hill, plans for lifts and runs, the Temple Lodge area, ski lifts, and views from the Resort towards Lake Louise and Victoria Glacier.
File pertains to 14 boards with b&w negative contact sheets adhered to them depicting Glacier National Park, BC and surrounding environs. Includes ski areas, filming projects [possibly promotional], construction of highway avalanche tunnels, backcountry skiing, and an opening ceremony [possibly for…
File pertains to 14 boards with b&w negative contact sheets adhered to them depicting Glacier National Park, BC and surrounding environs. Includes ski areas, filming projects [possibly promotional], construction of highway avalanche tunnels, backcountry skiing, and an opening ceremony [possibly for the completion of the Trans-Canada Highway]. Boards originally housed in a black 3-ring binder with "Glacier BC 1962, Bruno Engler" written on fabric tape adhered to the front cover and along the spine.
Notes
File came from box XVI, separate from alphabetised boxes
General colour: green, yellow. A single bird faces left in the cenwer of the composition. A small red and black seal (insignia) is in the upper right corner.
General colour: green, yellow. A single bird faces left in the cenwer of the composition. A small red and black seal (insignia) is in the upper right corner.
General colour: blue and black on white. A blue figure fills the lower two thirds of the picture. He looks up, aims an arrow at the four black birds flying to the right of the top.
General colour: blue and black on white. A blue figure fills the lower two thirds of the picture. He looks up, aims an arrow at the four black birds flying to the right of the top.
General colour: black and blue on white. Left of center is a short column of blue blocks. Right of center is another chunk of blue blocks. Sitting on top of these blocks is a long black sled (left) and a small black seal (right).
General colour: black and blue on white. Left of center is a short column of blue blocks. Right of center is another chunk of blue blocks. Sitting on top of these blocks is a long black sled (left) and a small black seal (right).
General colour: black on white. Three hunters in kayaks line up one above the other on the right side facing left. Three walrus with harpoons stuck in them are stacked one above the next on the left side. At the bottom to the left is a bear.
General colour: black on white. Three hunters in kayaks line up one above the other on the right side facing left. Three walrus with harpoons stuck in them are stacked one above the next on the left side. At the bottom to the left is a bear.
File consists of one photograph album compiled by Molly Wright Adams containing ca.107 photographs. Images pertain to Molly's travels in the American and Canadian Rocky Mountains in 1904.
File consists of one photograph album compiled by Molly Wright Adams containing ca.107 photographs. Images pertain to Molly's travels in the American and Canadian Rocky Mountains in 1904.
Fonds includes Percy Stocken papers, 1894-1941, and Stocken family photographs, pre-1900. Textual records include legal and financial papers pertaining to Banff and Calgary property, 1924, 1927; scrapbook and other papers re family, literary, religious and personal matters, 1894-1955. Some materi…
5 cm of textual records. -- 40 photographs : prints
History / Biographical
Percy Edward Stocken, 1866-1955, and Eliza J. C. Stocken, 1865-1952, lived in Banff, Alberta, Canada. Percy Stocken was the brother of Canon H. W. G. Stocken.
Scope & Content
Fonds includes Percy Stocken papers, 1894-1941, and Stocken family photographs, pre-1900. Textual records include legal and financial papers pertaining to Banff and Calgary property, 1924, 1927; scrapbook and other papers re family, literary, religious and personal matters, 1894-1955. Some material concerns Canon H. W. G. Stocken. Photographs are early portraits and family photographs, most unidentified, ca.1870?
Fonds consists of textual, visual and sound materials pertaining to Norman Luxton, Eleanor Luxton and their family members and friends (including Georgina Luxton, Norman's parents and siblings, and members of the Ross, Graham and McDougall families). Includes correspondence, personal and profession…
ca.32.1 m of textual records (29.3 m textual records, 47 scrapbooks) -- ca.7290 photographs (ca.5300 b&w and col. prints, ca.1915 negatives, 75 transparencies, 2 tintypes) -- 17 albums -- ca.74 cm sound recordings (29 CDs, 45 audio cassettes, 17 R120 DAT tapes, 1 VHS, 8 voicewriter discs)
History / Biographical
The Norman Luxton family was a prominent family in Banff, Alberta, Canada from 1904 until 1962. Daughter Eleanor Luxton maintained the family's position in the town until her death in 1995.
Publisher and businessman Norman K. Luxton, 1876-1962, was the son of Winnipeg Free Press co-founder William Luxton. After working for the Winnipeg Free Press, Norman Luxton travelled, then joined the Calgary Herald for eight years. In 1901, he journeyed 10,000 miles on the Pacific in the dug-out canoe Tilikum. After becoming ill, Luxton abandoned the trip in Fiji and came to Banff to recuperate. The around-the-world trip was subsequently completed by his sailing partner, Capt. John Voss.
Luxton bought Banff's Crag and Canyon newspaper in 1902 and remained as publisher until 1951. Also in 1902, he established the Sign of the Goat Curio store which specialized in Stoney Indian handicrafts and taxidermy specimens. Other significant Luxton businesses were the King Edward Hotel and Livery, Luxton Bros. insurance (with brother Louis Luxton) and the Lux Block, which included a hotel, the Lux Theatre and retail stores.
In 1904, Norman Luxton married Georgina (Georgie) Elizabeth McDougall, 1870-1965, of the pioneer missionary McDougall family of Morley, Alberta. In addition to her McDougall connections, Georgie Luxton was related by marriage to Senator George Ross. Norman and Georgie Luxton had one child, Eleanor Georgina, born in Banff in 1908.
The Luxtons were important Banff "boosters" with involvement in numerous local organizations and events. Norman Luxton managed the Banff Indian Days from 1909 to 1950, was a founder of Banff Winter Carnival and was involved with native events at the Calgary Stampede for 25 years. In 1953, Norman established a museum to house his native artifacts. The Luxton Museum was built in co-operation with Eric Harvie of the Glenbow Foundation of Calgary. After Luxton's death, the museum continued to be managed by the Glenbow until 1992.
Eleanor Luxton, 1908-1995, was a writer, historian, researcher, engineer, teacher and business woman. After graduating from high school in Banff in 1926, she attended the University of Alberta from 1926 until 1939, receiving degrees in history (BA '30, MA'33), a Diploma in Education (1931) and subsequent education, biology and natural history courses during the summers.
Between 1937 and 1956, Eleanor received further degrees and certificates from studies at Garbutt Business College (Calgary), St. Stephen's College (Edmonton), Ottawa Technical High School, Havergal Ladies College (Ontario), St. George Williams College (Montreal), McGill University (Montreal) and the Banff School of Fine Arts. Subjects studied included office practices, shorthand, machine draughting, English, civil engineering (BSc '46), German, broadcast writing, management, commerce, accounting and commercial law.
Eleanor Luxton's extensive education overlapped and preceded a long and varied professional career. Her teaching career extended from high school teacher in Alberta (Banff and Sexsmith), 1933-1940, to university lecturer in Montreal in the 1950s. During the 1940s, she worked in locomotive design for the CPR in Montreal. Beginning in 1956 and continuing until 1965, when she returned to Banff to care for her mother, Eleanor worked throughout southern Alberta as a field researcher for Calgary's Glenbow Foundation. From 1965 until her death in 1995, Eleanor remained in Banff in her family home and pursued an active career in writing and research.
Scope & Content
Fonds consists of textual, visual and sound materials pertaining to Norman Luxton, Eleanor Luxton and their family members and friends (including Georgina Luxton, Norman's parents and siblings, and members of the Ross, Graham and McDougall families). Includes correspondence, personal and professional records, financial documents, organization and volunteer records, business and property records, scrapbooks and albums, research materials, candid and professional portraits, various collected materials, and other related content.
Notes
Fonds consists of three sous-fonds:
I. Norman Luxton sous-fonds, [ca.1880]-1962, ca. 7.5 m. of textual records and photographs in four series: A. Correspondence, B. Business, financial and legal, C. Personal, D. Personal and professional, E. Collected materials.
II. Eleanor Luxton sous-fonds, [ca.1890]-1995, ca. 15 m. of textual records, sound recordings and photographs in six series: A. Correspondence, B. Professional, C. Personal, D. Business, financial and legal, E. Travel and events, F. Collected materials.
III. Luxton family sous-fonds, 1836-1972, ca.6.5 m. of textual records and photographs in four series: A. Norman Luxton family series, [ca.1900-ca.1970]; B. Georgina Luxton series, [ca.1890]-1967; C. Related family series, [ca.1890]-1972; D. Other material series, 1836-1970; E. Luxton family home records [1996].
Fonds consists of visual and texual material pertaining to the Canadian Pacific Railway and its holdings. Visual material conists of two series. Series I: lantern slides, Series II: prints. Textual material consists of two series. Series I: organizational records, Series II: the 1942 film "Canadian…
69 b&w lantern slides, 5 cm of textual records, ca. 309 prints : b&w ; 27.9 x 20.3 cm or smaller
Scope & Content
Fonds consists of visual and texual material pertaining to the Canadian Pacific Railway and its holdings. Visual material conists of two series. Series I: lantern slides, Series II: prints. Textual material consists of two series. Series I: organizational records, Series II: the 1942 film "Canadian Pacific" screenplay and associated documents.
Visual material includes black and white lantern slides and black and white prints depicting various scenes pertaining to travelling on the Canadian Pacific Railway and depict dining rooms, scnes involving trains and mountains, farming scenes and fields, people in train cars, various cities and towns, figures in natural landscapes, horses and horseback riding, mountains, waterfalls, skiing, ships, CP hotels, and other grand buildings [across Canada] such as Notre Dame Cathedral in Montreal.
Textual material includes paper reports [some compiled by Canadian Pacific Hotels Architectural Engineer Ed Steel] detailing various construction and/or renovation projects for hotels, lodges, tea houses, bugalow camps, huts, and backcountry lodges throughout the Canadian Rockies as well as records pertaining to CP hotels in the Canadian Rockies, and the screenplay for "Canadian Pacific."
Notes
Slides were stored in rectangular wood box with leather handle on top, and metal handle at one end. White label that says “Lyon & Turnbull 432 04 February 2009” on lid of the box. Old, peeling, and stained label on top under handle, illegible. Faded, peeling labels on front, some words legible: “from the Canadian Pacific…” 2 stained and water damaged labels detached from box appear to be English shipping labels.“10” stamped in black on both ends of box. Stamped in black on rear of box: “Canadian Pacific Rly Co. 62 to 65 Charing Cross, London, S.W. 1. “3” engraved on upper rim of box. Box is divided into 3 sections with removable wood separators, small pieces of felt line 2 sections of the box.
Prints and some textual records absorbed from old records V121 and M48.
Lantern slides donated to the Whyte Museum by Dr. William and Mrs. Wynn Bensen. The slides were purchased by the Bensens from Lyon and Turnbull in Scotland.