Photograph taken at Columbia Icefield in Alberta, Canada. In this image, a woman in a red jacket holds a camera, behind her are four large transit vehicles for Columbia Icefield. Mountains can be seen in the background.
Photograph taken at Columbia Icefield in Alberta, Canada. In this image, a woman in a red jacket holds a camera, behind her are four large transit vehicles for Columbia Icefield. Mountains can be seen in the background.
File consists of 9 CDs containing digital copies of photographs, and related notes, which Chic Scott used in the creation of the book Deep Powder and Steep Rock. Content pertains to Hans Gmoser's personal life, mountain expeditions and ski trips, and other related subjects.
9 recording discs with digital files -- 1 cm of textual records
Scope & Content
File consists of 9 CDs containing digital copies of photographs, and related notes, which Chic Scott used in the creation of the book Deep Powder and Steep Rock. Content pertains to Hans Gmoser's personal life, mountain expeditions and ski trips, and other related subjects.
Notes
Textual and digital materials have been stored together to maintain original context
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is rendered in line with minimal shading in the upper half of the piece. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/L-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is rendered in line with minimal shading in the upper half of the piece. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/L-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The majority of the image is rendered in simple line, with the central two sections of the mountain shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/M-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The majority of the image is rendered in simple line, with the central two sections of the mountain shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/M-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top centre of the image is filled with a lightly shaded cloud, below which are a series of dark triangles that run horizontally across the centre. The artist’s signature is in the brhc. Au verso, written i…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top centre of the image is filled with a lightly shaded cloud, below which are a series of dark triangles that run horizontally across the centre. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/N-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The work is heavily shaded at the top right and centre. The bottom left is lightly shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/O-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The work is heavily shaded at the top right and centre. The bottom left is lightly shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/O-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. A mountain range is presented across the centre of the work, with the bottom fourth of the image blank and the top fourth lightly shaded. The artist’s signature is in the brhc. Au verso, written in pencil in t…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. A mountain range is presented across the centre of the work, with the bottom fourth of the image blank and the top fourth lightly shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/P-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The foreground is filled with a close up view of a mountain peak, which is heavily shaded at the base and white at the peak. The background consists of a mountain range. The artist’s signature is in the brhc. …
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The foreground is filled with a close up view of a mountain peak, which is heavily shaded at the base and white at the peak. The background consists of a mountain range. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/Q-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain peak is in the top right, and is shaded with the darkest shading in the bottom left. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/A-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain peak is in the top right, and is shaded with the darkest shading in the bottom left. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/A-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. There is heavy shading below the mountain on the left and there are light clouds on the top right. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/S-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. There is heavy shading below the mountain on the left and there are light clouds on the top right. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/S-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The bottom left is heavily shaded, and there are light lines of clouds in the sky above the mountain in centre. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/T-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The bottom left is heavily shaded, and there are light lines of clouds in the sky above the mountain in centre. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/T-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is heavily shaded from the bottom left to the centre, and several mountain peaks sit in the upper section. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/U-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is heavily shaded from the bottom left to the centre, and several mountain peaks sit in the upper section. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/U-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shadedin the sky above and on the left side. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/V-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shadedin the sky above and on the left side. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/V-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shaded. The sky above is white, with lightly shaded clouds directly in the centre. The artist’s signature is in the brhc. Au verso, written in pencil …
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shaded. The sky above is white, with lightly shaded clouds directly in the centre. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/W-3”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shaded in the sky. The majority of the lower part of the image is white. The artist’s signature is in the brhc. Au verso, written in pencil in the tlh…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shaded in the sky. The majority of the lower part of the image is white. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “50/X-3”.
File consists of photographs depicting Ben Gadd reading from his book, Raven's End, to primary school students in Chilliwack, B.C. in 2005; Ben reading an excerpt of Raven's End and celebrating the first printing of the book in 2001; and four photographs of paintings by artist Ursula Reynolds which…
11 photographs : col. prints ; 15 x 10 cm or smaller
Scope & Content
File consists of photographs depicting Ben Gadd reading from his book, Raven's End, to primary school students in Chilliwack, B.C. in 2005; Ben reading an excerpt of Raven's End and celebrating the first printing of the book in 2001; and four photographs of paintings by artist Ursula Reynolds which were inspired by Raven's End. Images of paintings were gifted to Ben in 2001, accompanied by an invitation to an annual painting sale at Ursula's studio.
V810/II/B/PA-1 and 2: Ben Gadd reading Raven's End to Richard Quiring's elementary school students in CHilliwack, BC, April 2005
V810/II/B/PA-3 to 7: Ben and friends at an event celebrating the first printing of Raven's End at the Maligne Canyon Hostel in Jasper, February 8, 2001
V810/II/B/PA-8 to 11: images of paintings by Ursula Reynolds of Cochrane, AB, which were inspired from Raven's End
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The upper half of the piece is darkly shaded in vertical lines, and a dark mountain is on the left. The lower half of the image is primarily white, with pencil shapes in the lower centre. The artist’s signatur…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The upper half of the piece is darkly shaded in vertical lines, and a dark mountain is on the left. The lower half of the image is primarily white, with pencil shapes in the lower centre. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “49/W-2”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. A mountain is prominent in the image, primarily outlined and left blank, with five large sections of shading throughout. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “49/X-2”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. A mountain is prominent in the image, primarily outlined and left blank, with five large sections of shading throughout. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “49/X-2”.