Colour: black on white. A cowering figure at centre is surrounded by three hands at the right (one hand becoming a face) and a large face and two black figures to the left and above.Au verso: THE FIRST STEP BEYOND
Colour: black on white. A cowering figure at centre is surrounded by three hands at the right (one hand becoming a face) and a large face and two black figures to the left and above.Au verso: THE FIRST STEP BEYOND
Colour: black on white. At viewer’s left and forefront, a man,is facing left and sitting on an oil drum. He is is wearing a cap, shirt, jeans and cowboy boots and is playing a guitar. Behind the man and toward viewer’s right is a telephone pole with a figure of a man hanging from a rope. In the bac…
Colour: black on white. At viewer’s left and forefront, a man,is facing left and sitting on an oil drum. He is is wearing a cap, shirt, jeans and cowboy boots and is playing a guitar. Behind the man and toward viewer’s right is a telephone pole with a figure of a man hanging from a rope. In the background are a gentle range of hills.Au verso printed in pencil “JUST PLAYING”, rhtc “115” encircled, blhc “20” encircled with “25” on top
Colour: black on white. In the centre is a seated black figure with white hair and one hand visble. To the viewer’s right stands an aged figure wearing a white cloak/blanket and leaning on a cane. In the distance towards the viewer’s lower left are eleven black bison and one white.Au verso: tlhc en…
Colour: black on white. In the centre is a seated black figure with white hair and one hand visble. To the viewer’s right stands an aged figure wearing a white cloak/blanket and leaning on a cane. In the distance towards the viewer’s lower left are eleven black bison and one white.Au verso: tlhc encircled “90” vestige of former drawing visible
One central large facial image (on top of which is an arm and smaller face) under which is a beak and eye of a bird, two hands and a third and final facial image below that in the shape of a C off centre to the viewer’s left bottom. Vestiges of former drawing showing through.Au verso: “CLOUDS” brhc…
One central large facial image (on top of which is an arm and smaller face) under which is a beak and eye of a bird, two hands and a third and final facial image below that in the shape of a C off centre to the viewer’s left bottom. Vestiges of former drawing showing through.Au verso: “CLOUDS” brhc encircled “35” topped by encircled “6”
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
General colour: black, blue, brown on grey paper. Mountains go into the distance from right to left diagonally upper to lower area. Sky is dark blue with flames of yellow on grey.
General colour: black, blue, brown on grey paper. Mountains go into the distance from right to left diagonally upper to lower area. Sky is dark blue with flames of yellow on grey.
A lot of curvy lines made by pencil that look like clouds or mountains. On the upper right there is a very small triangle with two black lines and a white stripe in the middle of the two which resembles a road. Signature bottom centre: “Sinclair ‘70”.
A lot of curvy lines made by pencil that look like clouds or mountains. On the upper right there is a very small triangle with two black lines and a white stripe in the middle of the two which resembles a road. Signature bottom centre: “Sinclair ‘70”.
Impressionistic female face with clouds behind. Signature in the bottom rhc: SinclairPeopled Road is one of his early works to feature the road, in an evolutionary move to his Road Series.
Impressionistic female face with clouds behind. Signature in the bottom rhc: SinclairPeopled Road is one of his early works to feature the road, in an evolutionary move to his Road Series.
a: A helicopter is rescuing a group of animals that are being held up by a stretcher that is tied to the bottom of the helicopter. The stretcher is tilted up in the left, and the scarves of the animals are blowing in the wind, suggesting that the helicopter is moving. There are birds flying around …
a: A helicopter is rescuing a group of animals that are being held up by a stretcher that is tied to the bottom of the helicopter. The stretcher is tilted up in the left, and the scarves of the animals are blowing in the wind, suggesting that the helicopter is moving. There are birds flying around with them. Down below and in the background there is a idyllic mountain range, and below it is says, “SEASONS GREETINGS CATHARINE AND PETER” b: As supplement to the drawing seen in a, b is a newspaper clipping of a helicopter rescuing a man from his plane. In the bottom portion of the clipping is states, “RESCUES AT SEA. The two pictures tell two...the Atlantic at the weekend. On the left, a U.S. navy...single-engine plane after he was forced to ditch today...harbor. Two young girls and another passenger were....a French trawler, is hauled ashore by breeches buoy fro...England Sunday...” verso: an article discussing a game played by the Calgary Stampeders against the Regina Roughriders. The writes: “Sandhogs Stampeder Blitz... Keys 25-0 Win. By Gorde Hunter [Herald Sports Editor]. A brilliant defence that allowed the Regina Rough-riders a total offence of a mere 32 years, powered the Calgary Stampeders to a one-sided 25-0 win over the Roughriders Saturday afternoon at McMahon in the first game of the Western Conference total point semi-final series. With a crowd of 17,780 sitting in bright sunshine, the Cowboys completely dominated proceedings from flag to finish as the sandhogs made a shambles of the Regina attack by putting a tremendous rush on quarterback Bob Ptacek, a thorn in Stampeder sides all season. He managed to complete but five passes in 17 attempts for 47 yeard and the ground attack had less success. Meanwhile EAgle Day guided the Stamps to three touch-downs, a field goal, two converts and a pair of singles to add up to the 25 points they will take into tonights’s second game...”
Rough sketch of a Christmas card idea boxed off on the paper. There is a mountain range on the bottom half with squiggly lines near the bottom edge referencing where the writing might go. Above in the TL quadrant there is a helicopter airlifting the animals out on a stretcher.
Rough sketch of a Christmas card idea boxed off on the paper. There is a mountain range on the bottom half with squiggly lines near the bottom edge referencing where the writing might go. Above in the TL quadrant there is a helicopter airlifting the animals out on a stretcher.
A rough sketch of a group of animals on a sketcher that is tethered to a helicopter. There are birds flying around them, and their scarves are blowing in the wind suggesting that the helicopter is moving. Below the animals there is a mountain range.
A rough sketch of a group of animals on a sketcher that is tethered to a helicopter. There are birds flying around them, and their scarves are blowing in the wind suggesting that the helicopter is moving. Below the animals there is a mountain range.
Four sketches that are close-ups of the Christmas card concept of 1962. The one on the top has the bear, deer, rabbit, moose and squirrel, below these two there are two singular drawings one of the deer on the right side of the stretcher and then an animal that is not easily defined, and on the bot…
Four sketches that are close-ups of the Christmas card concept of 1962. The one on the top has the bear, deer, rabbit, moose and squirrel, below these two there are two singular drawings one of the deer on the right side of the stretcher and then an animal that is not easily defined, and on the bottom there is the left side of the stretcher with just the moose drawn.
A rough sketch for the 1962 Christmas card, the viewer is looking up at the bottom of the stretcher that is carrying six identifiable animals. The stretcher is tethered to a helicopter that can be seen above, and below the animals you can see an mountain range.verso: a loose boxed off sketch of a h…
A rough sketch for the 1962 Christmas card, the viewer is looking up at the bottom of the stretcher that is carrying six identifiable animals. The stretcher is tethered to a helicopter that can be seen above, and below the animals you can see an mountain range.verso: a loose boxed off sketch of a helicopter lifting gestural drawings of figures on a surface attached to the helicopter.
Boxed off there is a rough sketch of the 1962 Christmas card. There is the mountain range in the bottom area of the drawing, and above you can make out five gestural drawings of animals that are sitting on a stretcher that is being airlifted out by a helicopter.
Boxed off there is a rough sketch of the 1962 Christmas card. There is the mountain range in the bottom area of the drawing, and above you can make out five gestural drawings of animals that are sitting on a stretcher that is being airlifted out by a helicopter.
A quick Christmas card sketch of a helicopter airlifting a group of animals out on a stretcher. There is a mountain range and clouds below them. In the BRC of the drawing there appears to be markings that could be Peter’s signature.
A quick Christmas card sketch of a helicopter airlifting a group of animals out on a stretcher. There is a mountain range and clouds below them. In the BRC of the drawing there appears to be markings that could be Peter’s signature.
A boxed-off sketch for the 1962 Christmas card. A helicopter is airlifting a group of animals out of the mountains. The animals are on a stretcher of sorts with their scarves blowing in the wind.
A boxed-off sketch for the 1962 Christmas card. A helicopter is airlifting a group of animals out of the mountains. The animals are on a stretcher of sorts with their scarves blowing in the wind.
Quick sketch of a helicopter airlifting a group of animals out of the mountains. There is a mountain range below them, and birds flying around. verso: quick sketch of the same drawing, though it is just of the moose being airlifted out by the helicopter, with the mountains below.
Quick sketch of a helicopter airlifting a group of animals out of the mountains. There is a mountain range below them, and birds flying around. verso: quick sketch of the same drawing, though it is just of the moose being airlifted out by the helicopter, with the mountains below.