Large ceramic cup (dia. 12.2) and saucer (dia. 15.2); light brown glaze with blue flowers and green leaves on cup; the cup is tipped on its side on the saucer, adhered with wax; a picture of mountains and flora insdie the cup with a blue paper river which spills onto the saucer and becomes another …
Large ceramic cup (dia. 12.2) and saucer (dia. 15.2); light brown glaze with blue flowers and green leaves on cup; the cup is tipped on its side on the saucer, adhered with wax; a picture of mountains and flora insdie the cup with a blue paper river which spills onto the saucer and becomes another picture of a lake with trees, a white teepee and a little red canoe on the water; two grey wing feathers 35.5 long are attached at stem end with blue/yellow/black beading 6.5 wide; from that trails a long string of beads 66.0 long in the same colours; a .08 wide yellow bead is strung on the string about half ways.
The drawing, including the mat gives the impression of an overall pattern; the mat is light yellow with ribbons of colour undulating in an overall pattern with various coloured and shaped tea cups and teapots; the inner picture shows the head and ears of three wolves sitting on a red couch; a woma…
The drawing, including the mat gives the impression of an overall pattern; the mat is light yellow with ribbons of colour undulating in an overall pattern with various coloured and shaped tea cups and teapots; the inner picture shows the head and ears of three wolves sitting on a red couch; a woman with a teapot stands in a doorway; a geometric patterned border surrounds the picture; centre bottom is gold lettering: While the Board debated upstairs, the wolves waited silently and expectantly for tea and cookies ...
A figure in centre front, dressed in a buckskin shirt, blue pants and a floppy hat, is pulling a laden sled, the trail vanishes into the distance, a mountain range in background, a mountainside with trees to the right, a full moon is in the top left of picture in a dark sky
A figure in centre front, dressed in a buckskin shirt, blue pants and a floppy hat, is pulling a laden sled, the trail vanishes into the distance, a mountain range in background, a mountainside with trees to the right, a full moon is in the top left of picture in a dark sky
The foreground is a bank of snow and a road running parallel to the bottom edge, the left side has a curved fence with trees, trees line the road as well, the background is a line of mountains with the Three Sisters centre top, the sky is clear blue
The foreground is a bank of snow and a road running parallel to the bottom edge, the left side has a curved fence with trees, trees line the road as well, the background is a line of mountains with the Three Sisters centre top, the sky is clear blue
The foreground is a snow covered bank, some grasses poking through, a river below turns to the left disappearing at centre left among trees, Mount Rundle is left centre, green with brown and white peaks, Cascade Mountain is in the distance centre right, the sky has a yellow glow fading into white …
The foreground is a snow covered bank, some grasses poking through, a river below turns to the left disappearing at centre left among trees, Mount Rundle is left centre, green with brown and white peaks, Cascade Mountain is in the distance centre right, the sky has a yellow glow fading into white then blue at the top
A wintery scene, trees cross the slope from centre left to centre right, into the foreground and in the distance. Some deadfall and yellow coloured grasses in centre of picture, a mountain at right top. The foreground is mainly white.
A wintery scene, trees cross the slope from centre left to centre right, into the foreground and in the distance. Some deadfall and yellow coloured grasses in centre of picture, a mountain at right top. The foreground is mainly white.
All photographs are gelatin silver phtographs, archivally processed, mounted on 4 ply acid-free Museum board, signed and dated in pencil on the front with photographers stamp on back stating title, date of photograph and date of print. From the top right corner to the bottom left corner in the fore…
All photographs are gelatin silver phtographs, archivally processed, mounted on 4 ply acid-free Museum board, signed and dated in pencil on the front with photographers stamp on back stating title, date of photograph and date of print. From the top right corner to the bottom left corner in the foreground is a dark mound of rock. Behind is Mount Assisnboine. The mountain has a snow covered peak and a clear sky behind it with some cloud.
All photographs are gelatin silver phtographs, archivally processed, mounted on 4 ply acid-free Museum board, signed and dated in pencil on the front with photographers stamp on back stating title, date of photograph and date of print. The land in this photograph starts high at the left and swoops …
All photographs are gelatin silver phtographs, archivally processed, mounted on 4 ply acid-free Museum board, signed and dated in pencil on the front with photographers stamp on back stating title, date of photograph and date of print. The land in this photograph starts high at the left and swoops down the right and then down the left again and so on from side to side untill the foreground. In the foreground and all over the pass there are Larch trees. The trees are spaced with lots of room between each one.
Colours are predominately black, green, white, grey, purple and blue. New-growth evergreens and charred black remnants of trees dominate the painting. Middle third of the painting through the charred trees is Storm Mountain range with mist and cloud obscuring tops of peaks; there is evidence of sno…
Colours are predominately black, green, white, grey, purple and blue. New-growth evergreens and charred black remnants of trees dominate the painting. Middle third of the painting through the charred trees is Storm Mountain range with mist and cloud obscuring tops of peaks; there is evidence of snow on the mountain range and through the trees on the lower slopes. In the top-third, a stormy sky prevails; several dark clouds with vestiges of blue sky showing. The foreground of new-growth trees are painted in different shades of green, mostly light green, darker green in the background and on the slopes. Dominating the viewer’s left is a tree burned black reaching from top to bottom, charred black trees in the middle half reaching up to the mist, and charred black trees on the right reaching from the new-growth forest floor to the top of painting. Viewer’s eye is drawn into the mountain valley foreground to the wooded uphill of seemingly unburned slopes.
Two vertical lines of orange, between which there is a section of green in the lower section, and blue in the upper. A red horizontal line at the bottom left. A thin yellow line runs across the top of the work.
Two vertical lines of orange, between which there is a section of green in the lower section, and blue in the upper. A red horizontal line at the bottom left. A thin yellow line runs across the top of the work.
A white paper card with a vertical cutout window that displays a piece of red, turquoise, blue and metallic silver thread weaving depicting three rows of three Christmas trees each: one red tree to start and all the others in turquoise. The paper is folded in three parts. The first piece is folded …
A white paper card with a vertical cutout window that displays a piece of red, turquoise, blue and metallic silver thread weaving depicting three rows of three Christmas trees each: one red tree to start and all the others in turquoise. The paper is folded in three parts. The first piece is folded over and glued; it encases the piece of woven fabric that appears as the vertical shape on the front. Printed in turquoise ink inside, viewer’s right “Merry Christmas” Eileen & Bob Hett” and viewer’s left, “Dear Mary, Another card woven on my wonderful “Mary Andrews” sample loom. Best wishes for the New Year from us both.” Printed on the back in pencil “EILEEN HETT E14 - #7 - 89” Signed in rbhc in turquoise ink “EH”
Athabasca River flows from vanishing point towards foreground where it falls over a ledge. Trees line both sides of falls. Shows first colour applied to artist’s screen.
Athabasca River flows from vanishing point towards foreground where it falls over a ledge. Trees line both sides of falls. Shows first colour applied to artist’s screen.
Athabasca River flows from vanishing point towards foreground where it falls over a ledge. Trees line both sides of falls. Shows two colours applied to artist’s screen.
Athabasca River flows from vanishing point towards foreground where it falls over a ledge. Trees line both sides of falls. Shows two colours applied to artist’s screen.