A charcoal drawing of a black horse with head down is drawn in 3/4 view emerging from the left side of the paper. It’s hooves are left unfinished and dissolve into loose wisps. It’s mane is loose and flowing.
A charcoal drawing of a black horse with head down is drawn in 3/4 view emerging from the left side of the paper. It’s hooves are left unfinished and dissolve into loose wisps. It’s mane is loose and flowing.
A cast bronze sculpture of a calk. The calf is painted black with a white tip on its tail. Both ears have a bolt through them. The left ear has a tag that reads “FAFARD 2009”
A cast bronze sculpture of a calk. The calf is painted black with a white tip on its tail. Both ears have a bolt through them. The left ear has a tag that reads “FAFARD 2009”
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-col…
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-coloured background, surrounded by a black square. Printed on the top back of the painting “BLACK BEAR - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw pri…
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw print on a taupe-coloured background, bordered with black. Printed on the top back of the painting “GRIZZLY - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.
A charcoal drawing of a bear. The bear in the foreground dominates the drawing. It is looking out of frame to the viewers left. To the left of and behind the bear is a large mountain peak that dominates the majority of the background space. A smaller peak can be seen behind the bear on the right. …
A charcoal drawing of a bear. The bear in the foreground dominates the drawing. It is looking out of frame to the viewers left. To the left of and behind the bear is a large mountain peak that dominates the majority of the background space. A smaller peak can be seen behind the bear on the right. Au verso there is a gold sticker with black print in the centre at the bottom that reads, “Masters Gallery ltd (sic)”. “Lily Watching a Hiker 2009” is written in blue ink in the top right corner.
A mountain peak rises from the centre of the work, painted in white with detail rendered in black. The sky is yellow, and is filled with loosely rendered white clouds.
A mountain peak rises from the centre of the work, painted in white with detail rendered in black. The sky is yellow, and is filled with loosely rendered white clouds.
A mountain peak rises from the bottom centre, rising from the mountain is a yellow wash which moves into a clouded sky. At the top centre is a mountain, and it is flanked by a dark sky with stars.
A mountain peak rises from the bottom centre, rising from the mountain is a yellow wash which moves into a clouded sky. At the top centre is a mountain, and it is flanked by a dark sky with stars.
watercolour and pearlescent acrylic on arches paper
Catalogue Number
SiR.05.47
Description
Hanging from the top centre are two bare branches, with red berries and snow hanging at the ends. The background of the work is painted with silver pealescent acrylic in dots to represent snow.
watercolour and pearlescent acrylic on arches paper
Dimensions
28.6 x 76.3 cm
Description
Hanging from the top centre are two bare branches, with red berries and snow hanging at the ends. The background of the work is painted with silver pealescent acrylic in dots to represent snow.
The foreground is a green rolling hill, behind which is a orange long mountain with the rays of a sun rising over the right side. The sky is a shade of yellow.
The foreground is a green rolling hill, behind which is a orange long mountain with the rays of a sun rising over the right side. The sky is a shade of yellow.
Photograph taken at Columbia Icefield in Alberta, Canada. In this image, a woman in a red jacket holds a camera, behind her are four large transit vehicles for Columbia Icefield. Mountains can be seen in the background.
Photograph taken at Columbia Icefield in Alberta, Canada. In this image, a woman in a red jacket holds a camera, behind her are four large transit vehicles for Columbia Icefield. Mountains can be seen in the background.
Painting is dominated by Mt. Temple and one spruce tree on the viewer’s left that reaches almost out of the painting. Dominant colours are green, blue, grey, white, and black. Snow, some water and the bank is visible in the immediate lower foreground and the spruce tree rising out of snow to the le…
Painting is dominated by Mt. Temple and one spruce tree on the viewer’s left that reaches almost out of the painting. Dominant colours are green, blue, grey, white, and black. Snow, some water and the bank is visible in the immediate lower foreground and the spruce tree rising out of snow to the left. A bank of coniferous trees begin on the viewer’s left at the spruce tree and rise steadily to the viewer’s right. Two-thirds of the painting is a snow and ice-covered blue and grey Mt. Temple. The sky is grey and cloudy obscuring the mountain peak. A vestige of blue sky behind the mountain shows through on viewer’s middle right.
A winter scene with dominant colours of white, green, blue, grey, and black. The foreground, which is more than half the painting, is comprised of snow, ice, shadows, two sections of the creek starting from viewer’s left, with one bush and one coniferous tree to viewer’s far middle right. The dark …
A winter scene with dominant colours of white, green, blue, grey, and black. The foreground, which is more than half the painting, is comprised of snow, ice, shadows, two sections of the creek starting from viewer’s left, with one bush and one coniferous tree to viewer’s far middle right. The dark water of the creek is visible from the bush at the right, flows under the ice and snow, and then reappears at the left-hand centre of the painting and flows to the viewer’s left hand corner of the painting. The top-third of the painting is a bank of coniferous trees, sparsely painted on the left, becoming larger and darker towards middle and then lighter on the right as the trees further back rise to the mountain range in the background. Snow and clouds obscure the mountain tops. The sky is light grey and white.