Pencil sketch of overlapping mountains at centre leading to viewer’s right; a blue pencil crayon has been used to shade a few mountain tops. Artist signature in bottom brhc corner “Sinclair”.Rocky Mountain Drawing is a precursor to Sinclair’s long career in landscape drawing and painting.
Pencil sketch of overlapping mountains at centre leading to viewer’s right; a blue pencil crayon has been used to shade a few mountain tops. Artist signature in bottom brhc corner “Sinclair”.Rocky Mountain Drawing is a precursor to Sinclair’s long career in landscape drawing and painting.
Boxed off there is a quick sketch of a Christmas card that was potentially used during 1962. There is a helicopter lifting a group of animals up on a stretcher and flying them out of a mountain range. verso: Another boxed off sketch of the helicopter flying a group of animals out on a stretcher, wi…
Boxed off there is a quick sketch of a Christmas card that was potentially used during 1962. There is a helicopter lifting a group of animals up on a stretcher and flying them out of a mountain range. verso: Another boxed off sketch of the helicopter flying a group of animals out on a stretcher, with a mountain range below them. Written by the bottom edge of the paper “Howard O’Hagan. Parks Need Protection - Nove 11 Colonist read Wild America Page 57”
A Christmas card design of a group of vehicles in a convoy travelling down a road to the mountains. The last car is filled with a group of animals, and beside this vehicle there is a post with a bunch of signs pointing to directions to different cities. These signs say “HOMER, FAIRBANKS, EDMONTON, …
A Christmas card design of a group of vehicles in a convoy travelling down a road to the mountains. The last car is filled with a group of animals, and beside this vehicle there is a post with a bunch of signs pointing to directions to different cities. These signs say “HOMER, FAIRBANKS, EDMONTON, DAWSON CITY, BANFF, ANCHORAGE, VALDEZ, WHITEHORSE, FORT ST. JOHN, AND SEWARD”. The licence plate on the last vehicle says “B.N.P. 1956 CANADA”. While below the drawing it says “SEASONS GREETINGS CATHARINE AND PETER”. Around the edges of the drawing it says “6 inches” and “3 3/4”
The 1955 Christmas card design. Peter is standing beside Catharine who is sitting on a tree stump. They are watching a group of animals paint the mountain scene in the background. Below the drawing it says “SEASON’S GREETINGS 1955 CATHARINE AND PETER”verso: ink marks along the left edge
The 1955 Christmas card design. Peter is standing beside Catharine who is sitting on a tree stump. They are watching a group of animals paint the mountain scene in the background. Below the drawing it says “SEASON’S GREETINGS 1955 CATHARINE AND PETER”verso: ink marks along the left edge
The 1954 Christmas card. Peter and Catharine sit on stools at their easels painting the mountain landscape in front of them. There is a group of animals standing around watching them. Written below the drawing it says “SEASON’S GREETINGS 1954 PETER AND CATHARINE”.
The 1954 Christmas card. Peter and Catharine sit on stools at their easels painting the mountain landscape in front of them. There is a group of animals standing around watching them. Written below the drawing it says “SEASON’S GREETINGS 1954 PETER AND CATHARINE”.
Left: blue ink map drawing “300 yds” Right: in pencil person sitting on stool wearing hate holding paintbrush facing away from viewer.Verso: drawings of person holding paintbrush facing away from viewer. Math equations. Type written: “Banff Alberta. Sunday Sept. 19, 1954 Dear Dorothy, How awfully”
Left: blue ink map drawing “300 yds” Right: in pencil person sitting on stool wearing hate holding paintbrush facing away from viewer.Verso: drawings of person holding paintbrush facing away from viewer. Math equations. Type written: “Banff Alberta. Sunday Sept. 19, 1954 Dear Dorothy, How awfully”
Detailed sketch for final version of the 1951 Christmas card. Several animals can be seen surrounding Catharine and Peter’s vehicle, there is a tree in the foreground, and two mountains in the background. “SEASONS GREETINS CATHARINE AND PETER” are written on the TL and BL hand side of the drawing, …
Detailed sketch for final version of the 1951 Christmas card. Several animals can be seen surrounding Catharine and Peter’s vehicle, there is a tree in the foreground, and two mountains in the background. “SEASONS GREETINS CATHARINE AND PETER” are written on the TL and BL hand side of the drawing, with Peter’s signature and date in the BRC of the drawing. Some coloured pencil markings in the BRC starting 4.5cm to the left with a circled no. 3 written in pen and 8cm up more coloured pencil. verso: written in coloured pencil “not over 4”x6””, “3 colors Cragg & Canyon Banff”, and “mountain”
Farm scene, two horses, one brown one white are hitched to a wagon, the white horse is tied to a hitching post. A buggy is standing in right foreground. A log house with a green roof, smoke coming out of the chimney, is behind the buggy. A woman is standing in front of the door, a woman carrying a …
Farm scene, two horses, one brown one white are hitched to a wagon, the white horse is tied to a hitching post. A buggy is standing in right foreground. A log house with a green roof, smoke coming out of the chimney, is behind the buggy. A woman is standing in front of the door, a woman carrying a child, a man with a small child by hand are all walking towards the wagon. A post with barbed wire is at the very bottom, some orange flowers in the bottom left. Background is green, some implements and a road. Trees along the horizon, a pale blue sky with three clouds.
Drawing of two palm trees bearing coconuts on a beach close to the ocean’s edge. No sky is drawn in, the horizon line is the stop point. In the TRC is says “Best Wishes In the New year,” BLC “HAWAIIAN ISLANDS.”verso: “Honolulu T.H. December 20th Dear Mother + Father - Just a note to wish you all a …
Drawing of two palm trees bearing coconuts on a beach close to the ocean’s edge. No sky is drawn in, the horizon line is the stop point. In the TRC is says “Best Wishes In the New year,” BLC “HAWAIIAN ISLANDS.”verso: “Honolulu T.H. December 20th Dear Mother + Father - Just a note to wish you all a very Happy New Year and to let you know that I haven’t forgotten. Will be writing you a regular letter soon and I hope to hear from you when you have time. My very best wishes again. Always, Peter”
Sketch and well-rendered versions of a Peter and Catharine Christmas card. The left is a rough colour sketch of a woman skiing down a hill meeting a man at the bottom with a camera. Hill is scattered with skiers that have fallen. A house or cabin peeks over the hill to the right in the background…
Sketch and well-rendered versions of a Peter and Catharine Christmas card. The left is a rough colour sketch of a woman skiing down a hill meeting a man at the bottom with a camera. Hill is scattered with skiers that have fallen. A house or cabin peeks over the hill to the right in the background. The woman leaves a curving line in the snow down the hill. The right side is a more final version in ink with more details. “Greetings 1949” printed in BRC.
Postcard size image of Peter and Catharine’s 1948 Christmas card. To the right, a man and a woman are in a green jeep full of baggage. A large moose stands in front of them on the left facing the jeep. Mountains and water are in the background and the sky is blue.
Postcard size image of Peter and Catharine’s 1948 Christmas card. To the right, a man and a woman are in a green jeep full of baggage. A large moose stands in front of them on the left facing the jeep. Mountains and water are in the background and the sky is blue.
A watercolour and pencil beach scene with two figures in foreground. The figure on the left is a man in blue and yellow swimming trunks, with his hand on his pot-bellied stomach. The figure on the right is a woman in red heels and a yellow skirt. Her top is tied behind her back and is red. She …
A watercolour and pencil beach scene with two figures in foreground. The figure on the left is a man in blue and yellow swimming trunks, with his hand on his pot-bellied stomach. The figure on the right is a woman in red heels and a yellow skirt. Her top is tied behind her back and is red. She wears a conical hat that is purple underneath and yellow on the outside. She looks down at a camera in her hands as she takes a picture of the man. Figures are in the background and horizon with umbrellas. At top and to the left is the inscription “CAN YOU SEE ME ALRIGHT[sic] DEAR?”
A man and a woman with their backs to the viewer are dressed in fancy outfits. There is a flask in the man’s back pocket. Signed Peter Whyte in cursive in brc.Top centre title: If You Cant Get the New Year Spirit Why Not Take Your Own--MOANA HOTEL HONOLULU [brc]; JANUARY 1ST [blc]
If You Cant Get the New Year Spirit Why Not Take Your Own--
Date
1934
Medium
graphite; watercolour on paper
Dimensions
30.8 x 23.8 cm
Description
A man and a woman with their backs to the viewer are dressed in fancy outfits. There is a flask in the man’s back pocket. Signed Peter Whyte in cursive in brc.Top centre title: If You Cant Get the New Year Spirit Why Not Take Your Own--MOANA HOTEL HONOLULU [brc]; JANUARY 1ST [blc]
Three watercolour and pencil drawings of two men and one woman, all with hats. In brc DIDYA SAY/ HOROSCOPE OR HOROWITZZZ ICH !!In brc, signed in cursive Peter Whytetop centre NEW YEAR 1934/ MOANA HOTEL
Three watercolour and pencil drawings of two men and one woman, all with hats. In brc DIDYA SAY/ HOROSCOPE OR HOROWITZZZ ICH !!In brc, signed in cursive Peter Whytetop centre NEW YEAR 1934/ MOANA HOTEL
A war scene with one man scaling a fence, holding a gun. TO the right a figure stands in the door of a structure with a rabbit on top. blc: signed in cursive Peter Whyteblc LOCHINCH
A war scene with one man scaling a fence, holding a gun. TO the right a figure stands in the door of a structure with a rabbit on top. blc: signed in cursive Peter Whyteblc LOCHINCH
A dwelling with a grass roof. Three palm trees behind and to the right. Four figures are in front. There is a ladder leaning up against the dwelling. The house is a golden colour, the people are blue and red, and trees are green and brown. It is sketchily rendered.
A dwelling with a grass roof. Three palm trees behind and to the right. Four figures are in front. There is a ladder leaning up against the dwelling. The house is a golden colour, the people are blue and red, and trees are green and brown. It is sketchily rendered.
A many stepped stone structure on right side with a cylinder cap and Japanese-style temple roof adornment. It is coloured with green and brown with slight highlights of red. At the base and in the foreground is a stone slab with what could be offerings and a figure of a crane-like bird coloured i…
A many stepped stone structure on right side with a cylinder cap and Japanese-style temple roof adornment. It is coloured with green and brown with slight highlights of red. At the base and in the foreground is a stone slab with what could be offerings and a figure of a crane-like bird coloured in brown and green.
A pencil and ink drawing of two men on a frozen lake. One man has fallen through broken ice and is only visible from the chest-up. The other man, wearing a hat and coat, assists the fallen man by pulling him up with a stick. Quickly-sketched trees line the background. There is a sign with illegibl…
A pencil and ink drawing of two men on a frozen lake. One man has fallen through broken ice and is only visible from the chest-up. The other man, wearing a hat and coat, assists the fallen man by pulling him up with a stick. Quickly-sketched trees line the background. There is a sign with illegible writing on it posted to the right of the fallen man. In the bottom left corner of the drawing, “Peter Whyte -29” is visible. A hand-drawn pencil line frames the scene.Below this drawing, dialogue reads:WELL HOW DID YOU COME TO FALL IN?FOOL, I DIDN’T COME TO FALL IN, I CAME TO SKATE!!
A watercolour and pencil drawing of covered boats in Hong Kong Harbour.[blc] CHINESE SANPANS/ HONG KONG HARBOUR[brc, in cursive] Peter Whyte/ OCTOBER 1929
A watercolour and pencil drawing of covered boats in Hong Kong Harbour.[blc] CHINESE SANPANS/ HONG KONG HARBOUR[brc, in cursive] Peter Whyte/ OCTOBER 1929
An artist is sitting on a stool in front of a massive canvas resting on an easel. The figure is painting a mountain scene with tubs of paint around him, and a supply box off to his left.verso: signed by Peter Whyte with the presumed date: “1928 or 29 by Peter Whyte”
An artist is sitting on a stool in front of a massive canvas resting on an easel. The figure is painting a mountain scene with tubs of paint around him, and a supply box off to his left.verso: signed by Peter Whyte with the presumed date: “1928 or 29 by Peter Whyte”