Icefield fans out from centre near top to the foreground. Mountain frames the foreground and both sides with shades of green, yellow and brown. Blue sky has long dark streaks.
Icefield fans out from centre near top to the foreground. Mountain frames the foreground and both sides with shades of green, yellow and brown. Blue sky has long dark streaks.
The mountain dominates to almost top of picture. Icefield at top right and down to right foreground. Mountain is mostly black with contours of light and dark with shades of green, brown and yellow. The sky is lightly streaked blue.
The mountain dominates to almost top of picture. Icefield at top right and down to right foreground. Mountain is mostly black with contours of light and dark with shades of green, brown and yellow. The sky is lightly streaked blue.
Bottom left edge to past centre is the top edge of evergreen trees, behind that is a mountain range spanning the bottom third from edge to edge, the rest of the drawing is a cloudy sky, the mountains and clouds are blue and white
Bottom left edge to past centre is the top edge of evergreen trees, behind that is a mountain range spanning the bottom third from edge to edge, the rest of the drawing is a cloudy sky, the mountains and clouds are blue and white
A line drawing; Mount Assiniboine dominates centre left; the sky is tinged with orangel foreground has mountain slopes with grasses and flowers in the foreground; colour highlights are added with pastel and a blue watercolour wash;
A line drawing; Mount Assiniboine dominates centre left; the sky is tinged with orangel foreground has mountain slopes with grasses and flowers in the foreground; colour highlights are added with pastel and a blue watercolour wash;
Mountain shapes in foreground, blue/purple, reds, green, brown, black outlines, top half of picture is multicoloured - red left center with yellows, browns and greens. Top right corner is very muted.
Mountain shapes in foreground, blue/purple, reds, green, brown, black outlines, top half of picture is multicoloured - red left center with yellows, browns and greens. Top right corner is very muted.
A portrait of a young Indigenous girl. It shows head and neck only, black hair in a braids; one braid hanging down the front on viewer’s right. She has dark skin, very pink cheeks and lips and is wearing a pink and blue top. Signed, between the end of the braid and mat, viewer’s right, printed with…
A portrait of a young Indigenous girl. It shows head and neck only, black hair in a braids; one braid hanging down the front on viewer’s right. She has dark skin, very pink cheeks and lips and is wearing a pink and blue top. Signed, between the end of the braid and mat, viewer’s right, printed with brown pastel “Christoffersen”.
A pastel portrait from chest upwards, of a very young Indigenous boy. He has black hair in short braids tied with red fabric. He is wearing what could be a buckskin jacket/shirt and has two beaded necklaces around his neck: a red and green necklace and a diamond-shaped necklace connected by purple …
A pastel portrait from chest upwards, of a very young Indigenous boy. He has black hair in short braids tied with red fabric. He is wearing what could be a buckskin jacket/shirt and has two beaded necklaces around his neck: a red and green necklace and a diamond-shaped necklace connected by purple and red beads. Signed, between the end of the diamond-shaped necklace and mat, viewer’s right, printed with black pastel “Christoffersen”.
General colour: brown, black on grey, minimum of colour in sky. Lower half - mountains. Upper half - clouds and sky. Yellow, white, peach, sand colours on grey.
General colour: brown, black on grey, minimum of colour in sky. Lower half - mountains. Upper half - clouds and sky. Yellow, white, peach, sand colours on grey.
Pencil sketch of overlapping mountains at centre leading to viewer’s right; a blue pencil crayon has been used to shade a few mountain tops. Artist signature in bottom brhc corner “Sinclair”.Rocky Mountain Drawing is a precursor to Sinclair’s long career in landscape drawing and painting.
Pencil sketch of overlapping mountains at centre leading to viewer’s right; a blue pencil crayon has been used to shade a few mountain tops. Artist signature in bottom brhc corner “Sinclair”.Rocky Mountain Drawing is a precursor to Sinclair’s long career in landscape drawing and painting.
Boxed off there is a quick sketch of a Christmas card that was potentially used during 1962. There is a helicopter lifting a group of animals up on a stretcher and flying them out of a mountain range. verso: Another boxed off sketch of the helicopter flying a group of animals out on a stretcher, wi…
Boxed off there is a quick sketch of a Christmas card that was potentially used during 1962. There is a helicopter lifting a group of animals up on a stretcher and flying them out of a mountain range. verso: Another boxed off sketch of the helicopter flying a group of animals out on a stretcher, with a mountain range below them. Written by the bottom edge of the paper “Howard O’Hagan. Parks Need Protection - Nove 11 Colonist read Wild America Page 57”
A head and shoulders portrait of Fred Brewster; an almost full face portrait, ruddy complexion, black hair, moustache, blue eyes; wearing an open necked plaid shirt; highlights behind head and ear to right.
A head and shoulders portrait of Fred Brewster; an almost full face portrait, ruddy complexion, black hair, moustache, blue eyes; wearing an open necked plaid shirt; highlights behind head and ear to right.
A Christmas card design of a group of vehicles in a convoy travelling down a road to the mountains. The last car is filled with a group of animals, and beside this vehicle there is a post with a bunch of signs pointing to directions to different cities. These signs say “HOMER, FAIRBANKS, EDMONTON, …
A Christmas card design of a group of vehicles in a convoy travelling down a road to the mountains. The last car is filled with a group of animals, and beside this vehicle there is a post with a bunch of signs pointing to directions to different cities. These signs say “HOMER, FAIRBANKS, EDMONTON, DAWSON CITY, BANFF, ANCHORAGE, VALDEZ, WHITEHORSE, FORT ST. JOHN, AND SEWARD”. The licence plate on the last vehicle says “B.N.P. 1956 CANADA”. While below the drawing it says “SEASONS GREETINGS CATHARINE AND PETER”. Around the edges of the drawing it says “6 inches” and “3 3/4”
The 1955 Christmas card design. Peter is standing beside Catharine who is sitting on a tree stump. They are watching a group of animals paint the mountain scene in the background. Below the drawing it says “SEASON’S GREETINGS 1955 CATHARINE AND PETER”verso: ink marks along the left edge
The 1955 Christmas card design. Peter is standing beside Catharine who is sitting on a tree stump. They are watching a group of animals paint the mountain scene in the background. Below the drawing it says “SEASON’S GREETINGS 1955 CATHARINE AND PETER”verso: ink marks along the left edge
The 1954 Christmas card. Peter and Catharine sit on stools at their easels painting the mountain landscape in front of them. There is a group of animals standing around watching them. Written below the drawing it says “SEASON’S GREETINGS 1954 PETER AND CATHARINE”.
The 1954 Christmas card. Peter and Catharine sit on stools at their easels painting the mountain landscape in front of them. There is a group of animals standing around watching them. Written below the drawing it says “SEASON’S GREETINGS 1954 PETER AND CATHARINE”.
Left: blue ink map drawing “300 yds” Right: in pencil person sitting on stool wearing hate holding paintbrush facing away from viewer.Verso: drawings of person holding paintbrush facing away from viewer. Math equations. Type written: “Banff Alberta. Sunday Sept. 19, 1954 Dear Dorothy, How awfully”
Left: blue ink map drawing “300 yds” Right: in pencil person sitting on stool wearing hate holding paintbrush facing away from viewer.Verso: drawings of person holding paintbrush facing away from viewer. Math equations. Type written: “Banff Alberta. Sunday Sept. 19, 1954 Dear Dorothy, How awfully”
Detailed sketch for final version of the 1951 Christmas card. Several animals can be seen surrounding Catharine and Peter’s vehicle, there is a tree in the foreground, and two mountains in the background. “SEASONS GREETINS CATHARINE AND PETER” are written on the TL and BL hand side of the drawing, …
Detailed sketch for final version of the 1951 Christmas card. Several animals can be seen surrounding Catharine and Peter’s vehicle, there is a tree in the foreground, and two mountains in the background. “SEASONS GREETINS CATHARINE AND PETER” are written on the TL and BL hand side of the drawing, with Peter’s signature and date in the BRC of the drawing. Some coloured pencil markings in the BRC starting 4.5cm to the left with a circled no. 3 written in pen and 8cm up more coloured pencil. verso: written in coloured pencil “not over 4”x6””, “3 colors Cragg & Canyon Banff”, and “mountain”