A tall narrow vessle of circular shape which becomes wider at the bottom and curves slightly at the top to one side. The opening of the vessle is 3.5 cm from the vessle’s edge. This edge creates an overhang into the circular opening of the vessle which results in deep shadows. The inside is glaz…
A tall narrow vessle of circular shape which becomes wider at the bottom and curves slightly at the top to one side. The opening of the vessle is 3.5 cm from the vessle’s edge. This edge creates an overhang into the circular opening of the vessle which results in deep shadows. The inside is glazed lightly and is of the same colouring as the outside of the vessle. The predominant colour of the piece is the cream colour of the porcelain which is located in a solid form on the top half of the piece. The browns and greys of the clay are abundant at the bottom of the piece and wind their way up to just below the middle of the vessle. Here they begin mixing with the cream porcelain. Interspersed in the clay are small streaks of light blue porcelan. The top of the piece is circular with 2 small portions carved away resulting in one wave type formation and one indent wich runs in a line halfway down the piece. Along this line and off to one side is a narrow crack which runs through to the inside of the vessle and is filled with a grey material. The bottom of the piece is an uneven circular shape with a series of triangular gouges taken out of it. 3/4 of the way up the vessle in the predominately clay portion is a small white lip.
Four black pointed shapes move across the piece. The edges of these shapes are rough, and paint splatter is visible off of the tops of several of the shapes.
Four black pointed shapes move across the piece. The edges of these shapes are rough, and paint splatter is visible off of the tops of several of the shapes.
The image is dominated by a dark blue/black sky in the background and a brown mountain in the lower half of the image. At the centre a red semi circle rises behind a mountain peak.
The image is dominated by a dark blue/black sky in the background and a brown mountain in the lower half of the image. At the centre a red semi circle rises behind a mountain peak.
Mountain range across bottom half of work, rendered in browns, blues, green and white tones. A half circle runs along the upper left hand corner, and the far right side is rendered in peach tones.
Mountain range across bottom half of work, rendered in browns, blues, green and white tones. A half circle runs along the upper left hand corner, and the far right side is rendered in peach tones.
Five black pointed shapes move across the piece. The edges of these shapes are rough, and paint splatter is visible off of the tops of several of the shapes. The two shapes on the left are large, the three on the right are small.
Five black pointed shapes move across the piece. The edges of these shapes are rough, and paint splatter is visible off of the tops of several of the shapes. The two shapes on the left are large, the three on the right are small.
Two suggestions of mountains are achieved with thick curved and pointed lines. One shape sits on the right side, the second begins in the centre of the work and extends with a fading line to the left.
Two suggestions of mountains are achieved with thick curved and pointed lines. One shape sits on the right side, the second begins in the centre of the work and extends with a fading line to the left.
A oblong plastic case with an opening to insert the name tag. The plastic case has an extension on the centre top where a metal swivel rivet is attached to a spring snap for clipping onto clothing. The words “SVAR Mod. 41 006” is imprinted under the metal rivet. The two-piece metal snap is connecte…
A oblong plastic case with an opening to insert the name tag. The plastic case has an extension on the centre top where a metal swivel rivet is attached to a spring snap for clipping onto clothing. The words “SVAR Mod. 41 006” is imprinted under the metal rivet. The two-piece metal snap is connected by a rivetted spring. The front piece has the letter “E” inside a diamond shape and the letters “I,M,L” inside individual boxes above the rivet. The back piece has four lines etched on the top and “MADE” on one side and “ITALY” on the other. On the inserted paper name tag is the UIAGM logo; a stylized mountain on the top-third of a segmented globe on a blue background, Above the circle are the letters “UIAGM” and below “IVBV”.The outer ring of the circular logo has these words printed on it “GUIDE DE MONTAGNES GUIDA BERGFUHRER”, in the lhc. The word “Kanada” is centred and below the name “Hans Gmoser”. The lettering and logo are very dark blue on a white paper background and a dark blue box surrounding the information.
The sky is painted in shades of blue and is highlighted with stars across the upper surface. A moon sits in the upper centre. The lower half of the canvas is composed of a rolling hill with grass painted in green with highlights of blue and red.
The sky is painted in shades of blue and is highlighted with stars across the upper surface. A moon sits in the upper centre. The lower half of the canvas is composed of a rolling hill with grass painted in green with highlights of blue and red.
The lower half of the work is white, and the upper half of the work is rendered in a variety of red shades. In the centre bridging the two colours is an extended patch of snow or ice, from which emanates a lighter colour into the red sky.
The lower half of the work is white, and the upper half of the work is rendered in a variety of red shades. In the centre bridging the two colours is an extended patch of snow or ice, from which emanates a lighter colour into the red sky.
The lower half of the work is white, and the upper half of the work is rendered in a variety of blue and green shades. In the centre bridging the two colours is an extended patch of snow or ice, from which emanates a red and yellow colour into the sky.
The lower half of the work is white, and the upper half of the work is rendered in a variety of blue and green shades. In the centre bridging the two colours is an extended patch of snow or ice, from which emanates a red and yellow colour into the sky.
A thin green stem extends upwards from the bottom centre. Three red sketchy blooms extend from the bloom at the top. At the bottom there are three red stamps.
A thin green stem extends upwards from the bottom centre. Three red sketchy blooms extend from the bloom at the top. At the bottom there are three red stamps.
watercolour; Sumi-e brush and ink; gold leaf on rice paper
Catalogue Number
SiR.05.68
Description
One white calla lily bloom on the right of a circular space, with a several green leaves in the foreground. Gold leaf is present at the top and side of the circle.
watercolour; Sumi-e brush and ink; gold leaf on rice paper
Dimensions
61.1 x 61 cm
Description
One white calla lily bloom on the right of a circular space, with a several green leaves in the foreground. Gold leaf is present at the top and side of the circle.
A large mountain rises up at left, a glacier spills down its face into the centre of the painting. Thin conifer trees are in the foreground. The sky is dark blue.
A large mountain rises up at left, a glacier spills down its face into the centre of the painting. Thin conifer trees are in the foreground. The sky is dark blue.
A mountain scene showing large mountains separated by two large glaciers that reach into the foreground. Colours are browns and purples for the mountains and white, blue, and grey for the glaciers.
A mountain scene showing large mountains separated by two large glaciers that reach into the foreground. Colours are browns and purples for the mountains and white, blue, and grey for the glaciers.