Colour: green, yellow. Three frames inside one. Top picture is a painting of a group of wooden buildings left of center with a flag pole (flag is flying) and antlers on the roof. In front are railway tracks with a team of four workers going along on a cart. Behind is a river with a man fishing in i…
Colour: green, yellow. Three frames inside one. Top picture is a painting of a group of wooden buildings left of center with a flag pole (flag is flying) and antlers on the roof. In front are railway tracks with a team of four workers going along on a cart. Behind is a river with a man fishing in it on the right. On both sides of the river are trees and in the distance are mountains. Sky fills the top. The lower two pictures are photographs. The left is of the first Banff Springs Hotel and Rundle Mountain. The right is looking down the main street of Banff in 1895.
Colour: greys as in a black and white photograph. At the waters edge in the center are two bull moose fighting. To the right, half way up in the background is a female moose looking on. Dead logs and grass fill the lower part of the picture.
Colour: greys as in a black and white photograph. At the waters edge in the center are two bull moose fighting. To the right, half way up in the background is a female moose looking on. Dead logs and grass fill the lower part of the picture.
Drawing of a designed goblet standing fully in the center of the page. The area surrounding the goblet has been completely shaded in. The drawing au verso is a nose, ear, and hand study.“The dark background with the still darker goblet allowed Collings to achieve bright metallic-like highlights on …
Drawing of a designed goblet standing fully in the center of the page. The area surrounding the goblet has been completely shaded in. The drawing au verso is a nose, ear, and hand study.“The dark background with the still darker goblet allowed Collings to achieve bright metallic-like highlights on the embossed goblet. Barely visible, a tiny, whimsical “Ditty” bird peaks over the lip of the cup.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
Drawing of a farming disc, the first few discs are show as the disappear into the piece, and the seat sits high up on the piece.“An unlikely combination of practical entrepreneur and preoccupied artist, Collings was involved with farm machinery sales between 1882 and 1888 in England. A writer who i…
Drawing of a farming disc, the first few discs are show as the disappear into the piece, and the seat sits high up on the piece.“An unlikely combination of practical entrepreneur and preoccupied artist, Collings was involved with farm machinery sales between 1882 and 1888 in England. A writer who interviewed the artist in 1924 had the impression that Collings envisaged farm equipment as means for creating an enormous painting-like but three-dimensional “landscape.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
Scene in a forest with a stream. Overall green value of the painting, - there is a herring standing in the steam just below center at the narrowest part where the stream seems to drop to a lower level. - dark green shadows across the top of the trees where they appear to canopy the scene. - dark br…
Scene in a forest with a stream. Overall green value of the painting, - there is a herring standing in the steam just below center at the narrowest part where the stream seems to drop to a lower level. - dark green shadows across the top of the trees where they appear to canopy the scene. - dark brown bank to the left of the steam, and a dark green/yellow to the right of the stream.
“The ‘oriental’ mood of this ketch derives from the placement of the six sailboats. -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
“The ‘oriental’ mood of this ketch derives from the placement of the six sailboats. -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath