A winter scene of a stone bridge over a small brook; trees on backs; houses in background; black ink on light brown paper; snow handpainted on rooftops and ground
A winter scene of a stone bridge over a small brook; trees on backs; houses in background; black ink on light brown paper; snow handpainted on rooftops and ground
Sleigh approaching village, signed brc A.T. Hibbard. Printed on pale turquoise paper with dark blue ink and later hand-coloured, was an Xmas card sent by artist to the Whytes.
Sleigh approaching village, signed brc A.T. Hibbard. Printed on pale turquoise paper with dark blue ink and later hand-coloured, was an Xmas card sent by artist to the Whytes.
A classic view of Lake Louise. Dark green trees and mountainsides are on either side of the painting. Victoria Glacier is painted in shades of tan and slate. Bright turquoise Lake Louise is in the bottom foreground.
A classic view of Lake Louise. Dark green trees and mountainsides are on either side of the painting. Victoria Glacier is painted in shades of tan and slate. Bright turquoise Lake Louise is in the bottom foreground.
Painting of mountains in summertime. At the bottom of the mountains are hills that become rocky at the centre of the image. Impasto is noticeable at the centre of the painting.
Painting of mountains in summertime. At the bottom of the mountains are hills that become rocky at the centre of the image. Impasto is noticeable at the centre of the painting.
General colour: teal green lake, purple tan mountains, grey clouds. Lower right corner there is a group of scraggly trees on rock. The lake fills the lower third. Two bars of sand and grass come in from either side. The mountains sweep up to bluestery clouds which come down over the peeks.
General colour: teal green lake, purple tan mountains, grey clouds. Lower right corner there is a group of scraggly trees on rock. The lake fills the lower third. Two bars of sand and grass come in from either side. The mountains sweep up to bluestery clouds which come down over the peeks.
General colour: brown, blue. Lower two thirds is filled with the dry rock slopes of a mountain which peaks in the upper enter. Blue sky comes down from both upper corners. One large cloud sits upper center.
General colour: brown, blue. Lower two thirds is filled with the dry rock slopes of a mountain which peaks in the upper enter. Blue sky comes down from both upper corners. One large cloud sits upper center.
General colour: grey, blue, beige, white. There is a lake in the lower left foreground; a cloudy sky in the upper right corner; a glacier rises from the lake left of center; the peaks run off the picture at the left but appear in the distance down towards the right of the picture.
General colour: grey, blue, beige, white. There is a lake in the lower left foreground; a cloudy sky in the upper right corner; a glacier rises from the lake left of center; the peaks run off the picture at the left but appear in the distance down towards the right of the picture.
Three Sami, one adult male, a male child and a female child, all in full traditional dress. The males have a three-pointed blue hat, a long blue tunic tied with a colourful belt, colourful trim on shoulders and arms, black leggings and yellow pointed-toe boots. The girl has a red hat, a flowered sc…
Three Sami, one adult male, a male child and a female child, all in full traditional dress. The males have a three-pointed blue hat, a long blue tunic tied with a colourful belt, colourful trim on shoulders and arms, black leggings and yellow pointed-toe boots. The girl has a red hat, a flowered scarf over her shoulders, a light blue decorated tunic, black leggings and yellow boots. A black dog, cut out of black paper, stands to the left of the picture.
Painting is dominated by Mt. Temple and one spruce tree on the viewer’s left that reaches almost out of the painting. Dominant colours are green, blue, grey, white, and black. Snow, some water and the bank is visible in the immediate lower foreground and the spruce tree rising out of snow to the le…
Painting is dominated by Mt. Temple and one spruce tree on the viewer’s left that reaches almost out of the painting. Dominant colours are green, blue, grey, white, and black. Snow, some water and the bank is visible in the immediate lower foreground and the spruce tree rising out of snow to the left. A bank of coniferous trees begin on the viewer’s left at the spruce tree and rise steadily to the viewer’s right. Two-thirds of the painting is a snow and ice-covered blue and grey Mt. Temple. The sky is grey and cloudy obscuring the mountain peak. A vestige of blue sky behind the mountain shows through on viewer’s middle right.
A winter scene with dominant colours of white, green, blue, grey, and black. The foreground, which is more than half the painting, is comprised of snow, ice, shadows, two sections of the creek starting from viewer’s left, with one bush and one coniferous tree to viewer’s far middle right. The dark …
A winter scene with dominant colours of white, green, blue, grey, and black. The foreground, which is more than half the painting, is comprised of snow, ice, shadows, two sections of the creek starting from viewer’s left, with one bush and one coniferous tree to viewer’s far middle right. The dark water of the creek is visible from the bush at the right, flows under the ice and snow, and then reappears at the left-hand centre of the painting and flows to the viewer’s left hand corner of the painting. The top-third of the painting is a bank of coniferous trees, sparsely painted on the left, becoming larger and darker towards middle and then lighter on the right as the trees further back rise to the mountain range in the background. Snow and clouds obscure the mountain tops. The sky is light grey and white.
A summer scene dominated by Mt. Rundle and the trees that flank Vermilion’s first lake. The dominant colours are light and dark green, black, blue, brown and grey. The foreground is green and brown low vegetation, out of which a line of lodgepole pines, some dead and still standing, rise to two-thi…
A summer scene dominated by Mt. Rundle and the trees that flank Vermilion’s first lake. The dominant colours are light and dark green, black, blue, brown and grey. The foreground is green and brown low vegetation, out of which a line of lodgepole pines, some dead and still standing, rise to two-thirds of the painting. Starting at the viewer’s far left, at mid-point, the branches of an aspen with green leaves fills the top far left of the painting. Vermilion’s first lake is visible though the lodgepoles and directly behind that, are the dark trees that line its opposite bank. Above the lake the lower slope of Tunnel Mountain is visible to the viewer’s left. The painting is dominated by majestic Mount Rundle, its lower slopes covered with muted green coniferous trees and its sheer rock face in varying shades of grey, blue, and brown. The deep blue sky has a few wisps of white showing through and some light grey clouds to the viewer’s right, above the peaks of the Rundle Range.
A dark, stormy sky, and a large stand of partially burned trees on the viewer’s left, dominate the top two-thirds of the painting. The dominant colours are blue, black, green and brown. In the foreground to the viewer’s right are remnants of stumps and what appears to be fall vegetation, with charr…
A dark, stormy sky, and a large stand of partially burned trees on the viewer’s left, dominate the top two-thirds of the painting. The dominant colours are blue, black, green and brown. In the foreground to the viewer’s right are remnants of stumps and what appears to be fall vegetation, with charred tree trunks. To the viewer’s left is a charred stump of a burned tree trunk and above that a large stand of lodgepole pines with charred trunks, but with needles still on the tops of the trees. The stand of trees rise high into the stormy sky. Further away, behind the lodgepole pine trees, is a bank of coniferous trees in various shades of greens, that stretch across the painting. Above that, starting behind and to the right of the lodgepoles, mountains are visible; the first and farthest away, is grey with some snow visible, and then wooded mountains continue to the viewer’s far right to the edge of the painting. The dark, cloudy sky dominates most of the painting.