General colour: pencil on white. Two points of land come in from left and right respectively with water in between and behind. The far shore starts quarter way up and becomes a mountain left of enter and right banks up each side. Sketchy clouds appear to be raining left and right.
General colour: pencil on white. Two points of land come in from left and right respectively with water in between and behind. The far shore starts quarter way up and becomes a mountain left of enter and right banks up each side. Sketchy clouds appear to be raining left and right.
General colour: blue. A foreground rock cliff goes up right side from the lower corner. Center mountain face has a jagged ridge. Clouds come down to the peak at the upper right of center, edge. In the lower left corner is a distant mountain. Blue sky with one cloud fills the upper left area. There …
General colour: blue. A foreground rock cliff goes up right side from the lower corner. Center mountain face has a jagged ridge. Clouds come down to the peak at the upper right of center, edge. In the lower left corner is a distant mountain. Blue sky with one cloud fills the upper left area. There is also a patch of blue in the upper right corner.
General colour: white, blue, orange, green on brown. A mountain with purple, blue and orange slopes on the left. A bank of green on the right and snow and rock face above and center. Vague blue and cream shadings in the sky.
General colour: white, blue, orange, green on brown. A mountain with purple, blue and orange slopes on the left. A bank of green on the right and snow and rock face above and center. Vague blue and cream shadings in the sky.
Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
A pencil drawing of a house. The front steps and bottom siding is stone, with the remainder of the house rendered with siding. Surrounding the back of the house is a forest of trees, with a mountain rising in the background. The front yard has a manicured lawn, and a pathway leading to the sidewalk…
A pencil drawing of a house. The front steps and bottom siding is stone, with the remainder of the house rendered with siding. Surrounding the back of the house is a forest of trees, with a mountain rising in the background. The front yard has a manicured lawn, and a pathway leading to the sidewalk. Foliage sits in the immediate foreground.
A stylistically loose line drawing of a mountain scene. The drawing is done on a paper that is brownish in tone. The top 1/3 of the piece is blank - a clear sky. A mountain range takes up the next 1/3 of the piece, and the tallest portion is centered on the page. In the foreground of the piece …
A stylistically loose line drawing of a mountain scene. The drawing is done on a paper that is brownish in tone. The top 1/3 of the piece is blank - a clear sky. A mountain range takes up the next 1/3 of the piece, and the tallest portion is centered on the page. In the foreground of the piece is a small valley with low lying hills on either side. The hills and mountains are cropped at either side of the piece. The valley created by the hills exits the drawing in the BLC.
General colour: black on white. In the foreground is a lake and ten trees on the opposite shore. Beyond is a treed slope up to rocky peaks. Behind is cloudy sky.
General colour: black on white. In the foreground is a lake and ten trees on the opposite shore. Beyond is a treed slope up to rocky peaks. Behind is cloudy sky.
General colour: black on white. Looking down at the mine. Coal carts run up from the bottom to the buildings center. Mountains and trees can be seen in the upper quarter.
General colour: black on white. Looking down at the mine. Coal carts run up from the bottom to the buildings center. Mountains and trees can be seen in the upper quarter.
General colour: black on white. Three tracks of coal carts. Left one has six figures in two carts. The middle track has none but the right track has nine men in four carts. The tracks lead up from the lower right across the upper left into a group of buildings across the area. Mountains and trees c…
General colour: black on white. Three tracks of coal carts. Left one has six figures in two carts. The middle track has none but the right track has nine men in four carts. The tracks lead up from the lower right across the upper left into a group of buildings across the area. Mountains and trees can be seen at the top in the distance.
Inscription reads: Brazeau Snowfield, Jasper. Sketchbook drawing by Lawren S. Harris (1885-1970). Presented to the Peter Whyte Gallery, Banff, Alta. in memory of Peter & Catharine Whyte by Anne & Lawren P. Harris, June, 1979. Also written by Lawren P. Harris is the Following: I certify this work to…
Inscription reads: Brazeau Snowfield, Jasper. Sketchbook drawing by Lawren S. Harris (1885-1970). Presented to the Peter Whyte Gallery, Banff, Alta. in memory of Peter & Catharine Whyte by Anne & Lawren P. Harris, June, 1979. Also written by Lawren P. Harris is the Following: I certify this work to be an original sketchbook drawing by Lawren S. Harris, (1885-1970. Lawren P. Harris, May 22, 1979. Ottawa, Ontario.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by large rough forms which appear to be clouds, and the bottom third is composed of a mountain range. The artist’s signature is in the brhc. Au verso, written in pencil in the …
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by large rough forms which appear to be clouds, and the bottom third is composed of a mountain range. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/Z-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in p…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/H-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The majority of the image represents a mountain range, which, from the centre to the bottom of the image moves into a rolling hill. The artist’s signature is in the brhc. Au verso, written in pencil in the tlh…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The majority of the image represents a mountain range, which, from the centre to the bottom of the image moves into a rolling hill. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/L-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, 46/X-6“”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.