A pouch shaped black cotton drawstring bag with a single tassel hanging from the bottom edge. The bag is decorated with a wide white cotton band with white flowers that runs horizontally around the centre of the bag and, in turn, is bordered by narrower white bands.
A pouch shaped black cotton drawstring bag with a single tassel hanging from the bottom edge. The bag is decorated with a wide white cotton band with white flowers that runs horizontally around the centre of the bag and, in turn, is bordered by narrower white bands.
A navy blue square silk bag which attaches to two hoop handles which have been wrapped with navy blue thread. The bag is decorated with a delicate scene of butterflies hovering over flowers and grass blades that has been embroidered with pink, brown, white and green silk thread and embellished wit…
A navy blue square silk bag which attaches to two hoop handles which have been wrapped with navy blue thread. The bag is decorated with a delicate scene of butterflies hovering over flowers and grass blades that has been embroidered with pink, brown, white and green silk thread and embellished with beads.
A small red stained leather purse with a flap that fastens with a leather thong. The bag is finished with a natural leather hand-stitched binding, and decorated with an embossed circular design with blue stained centres.
A small red stained leather purse with a flap that fastens with a leather thong. The bag is finished with a natural leather hand-stitched binding, and decorated with an embossed circular design with blue stained centres.
A handbag (a) and matching change purse (b). The navy blue wool handbag has carved wooden handles, a satin lining, and a red and white monogram “ P.B.M.” worked in cross stitch. The change purse, found inside the purse, is also made of navy blue wool and has a pointed flap.
A handbag (a) and matching change purse (b). The navy blue wool handbag has carved wooden handles, a satin lining, and a red and white monogram “ P.B.M.” worked in cross stitch. The change purse, found inside the purse, is also made of navy blue wool and has a pointed flap.
A white cotton handbag decorated with red and green animals worked in cross stitch. The bag has a wooden frame at the opening, and two short handles of the same material as the bag.
A white cotton handbag decorated with red and green animals worked in cross stitch. The bag has a wooden frame at the opening, and two short handles of the same material as the bag.
A square, flat, woven straw bag, woven with natural and coloured straw to create a red and green plaid pattern. The bag has a pink velvet twisted wire animal (dog?) with bouquets of artificial flowers near the two small loop handles. Inside is a small woven pouch with a blue tile in it (3.5 cm x 3…
A square, flat, woven straw bag, woven with natural and coloured straw to create a red and green plaid pattern. The bag has a pink velvet twisted wire animal (dog?) with bouquets of artificial flowers near the two small loop handles. Inside is a small woven pouch with a blue tile in it (3.5 cm x 3.6 cm x 1.0 cm).
A handbag, with a curved flap and short strap handle, woven in a zig-zig pattern from red and natural-coloured straw. The bag ahs a very flat, square shape. Inside the purse’s strap is “Pandang Sumatra”.
A handbag, with a curved flap and short strap handle, woven in a zig-zig pattern from red and natural-coloured straw. The bag ahs a very flat, square shape. Inside the purse’s strap is “Pandang Sumatra”.
A square beige bag with a diagonal striped pattern of red alternating with black. There are very heavy red silk tassels at each of the bag’s upper corners.
A square beige bag with a diagonal striped pattern of red alternating with black. There are very heavy red silk tassels at each of the bag’s upper corners.
Two woven square straw bags. The larger purse (a) has two braided handles and four diamond shapes woven on the front in darker coloured straw. The second straw bag (b) is a smaller bag that fits inside the purse.
Two woven square straw bags. The larger purse (a) has two braided handles and four diamond shapes woven on the front in darker coloured straw. The second straw bag (b) is a smaller bag that fits inside the purse.
A very dark blue purse with white batik figures in the centre and a red batik pattern along the edges. The bag has a drawstring closure at the neck, and a tassel that hangs from the bag’s pointed bottom. Inside the purse there is a paper label that reads “Batavia java”.
A very dark blue purse with white batik figures in the centre and a red batik pattern along the edges. The bag has a drawstring closure at the neck, and a tassel that hangs from the bag’s pointed bottom. Inside the purse there is a paper label that reads “Batavia java”.
A brown suede purse which hangs by two straps from a fabric belt. There is a small money holder with a metal frame that fits inside a pocket. The money holder fastens with two snaps. The lining of the purse is stamped with a patent note.
A brown suede purse which hangs by two straps from a fabric belt. There is a small money holder with a metal frame that fits inside a pocket. The money holder fastens with two snaps. The lining of the purse is stamped with a patent note.
Fonds consists of textual, visual and sound materials pertaining to Norman Luxton, Eleanor Luxton and their family members and friends (including Georgina Luxton, Norman's parents and siblings, and members of the Ross, Graham and McDougall families). Includes correspondence, personal and profession…
ca.32.1 m of textual records (29.3 m textual records, 47 scrapbooks) -- ca.7290 photographs (ca.5300 b&w and col. prints, ca.1915 negatives, 75 transparencies, 2 tintypes) -- 17 albums -- ca.74 cm sound recordings (29 CDs, 45 audio cassettes, 17 R120 DAT tapes, 1 VHS, 8 voicewriter discs)
History / Biographical
The Norman Luxton family was a prominent family in Banff, Alberta, Canada from 1904 until 1962. Daughter Eleanor Luxton maintained the family's position in the town until her death in 1995.
Publisher and businessman Norman K. Luxton, 1876-1962, was the son of Winnipeg Free Press co-founder William Luxton. After working for the Winnipeg Free Press, Norman Luxton travelled, then joined the Calgary Herald for eight years. In 1901, he journeyed 10,000 miles on the Pacific in the dug-out canoe Tilikum. After becoming ill, Luxton abandoned the trip in Fiji and came to Banff to recuperate. The around-the-world trip was subsequently completed by his sailing partner, Capt. John Voss.
Luxton bought Banff's Crag and Canyon newspaper in 1902 and remained as publisher until 1951. Also in 1902, he established the Sign of the Goat Curio store which specialized in Stoney Indian handicrafts and taxidermy specimens. Other significant Luxton businesses were the King Edward Hotel and Livery, Luxton Bros. insurance (with brother Louis Luxton) and the Lux Block, which included a hotel, the Lux Theatre and retail stores.
In 1904, Norman Luxton married Georgina (Georgie) Elizabeth McDougall, 1870-1965, of the pioneer missionary McDougall family of Morley, Alberta. In addition to her McDougall connections, Georgie Luxton was related by marriage to Senator George Ross. Norman and Georgie Luxton had one child, Eleanor Georgina, born in Banff in 1908.
The Luxtons were important Banff "boosters" with involvement in numerous local organizations and events. Norman Luxton managed the Banff Indian Days from 1909 to 1950, was a founder of Banff Winter Carnival and was involved with native events at the Calgary Stampede for 25 years. In 1953, Norman established a museum to house his native artifacts. The Luxton Museum was built in co-operation with Eric Harvie of the Glenbow Foundation of Calgary. After Luxton's death, the museum continued to be managed by the Glenbow until 1992.
Eleanor Luxton, 1908-1995, was a writer, historian, researcher, engineer, teacher and business woman. After graduating from high school in Banff in 1926, she attended the University of Alberta from 1926 until 1939, receiving degrees in history (BA '30, MA'33), a Diploma in Education (1931) and subsequent education, biology and natural history courses during the summers.
Between 1937 and 1956, Eleanor received further degrees and certificates from studies at Garbutt Business College (Calgary), St. Stephen's College (Edmonton), Ottawa Technical High School, Havergal Ladies College (Ontario), St. George Williams College (Montreal), McGill University (Montreal) and the Banff School of Fine Arts. Subjects studied included office practices, shorthand, machine draughting, English, civil engineering (BSc '46), German, broadcast writing, management, commerce, accounting and commercial law.
Eleanor Luxton's extensive education overlapped and preceded a long and varied professional career. Her teaching career extended from high school teacher in Alberta (Banff and Sexsmith), 1933-1940, to university lecturer in Montreal in the 1950s. During the 1940s, she worked in locomotive design for the CPR in Montreal. Beginning in 1956 and continuing until 1965, when she returned to Banff to care for her mother, Eleanor worked throughout southern Alberta as a field researcher for Calgary's Glenbow Foundation. From 1965 until her death in 1995, Eleanor remained in Banff in her family home and pursued an active career in writing and research.
Scope & Content
Fonds consists of textual, visual and sound materials pertaining to Norman Luxton, Eleanor Luxton and their family members and friends (including Georgina Luxton, Norman's parents and siblings, and members of the Ross, Graham and McDougall families). Includes correspondence, personal and professional records, financial documents, organization and volunteer records, business and property records, scrapbooks and albums, research materials, candid and professional portraits, various collected materials, and other related content.
Notes
Fonds consists of three sous-fonds:
I. Norman Luxton sous-fonds, [ca.1880]-1962, ca. 7.5 m. of textual records and photographs in four series: A. Correspondence, B. Business, financial and legal, C. Personal, D. Personal and professional, E. Collected materials.
II. Eleanor Luxton sous-fonds, [ca.1890]-1995, ca. 15 m. of textual records, sound recordings and photographs in six series: A. Correspondence, B. Professional, C. Personal, D. Business, financial and legal, E. Travel and events, F. Collected materials.
III. Luxton family sous-fonds, 1836-1972, ca.6.5 m. of textual records and photographs in four series: A. Norman Luxton family series, [ca.1900-ca.1970]; B. Georgina Luxton series, [ca.1890]-1967; C. Related family series, [ca.1890]-1972; D. Other material series, 1836-1970; E. Luxton family home records [1996].
File consists of black and white negatives depicting Indian Trading Post activities and contents such as buffalo and bighorn sheep taxidermy, moose antlers, wolf pelt, figurine tableaus, Indigenous art, and the merman and portraits of Norman Luxton, Bill Round Sr. and Luxton's dogs. The buffalo tax…
50 photographs : b&w negatives ; 17.5 x 12.5 cm or smaller
Scope & Content
File consists of black and white negatives depicting Indian Trading Post activities and contents such as buffalo and bighorn sheep taxidermy, moose antlers, wolf pelt, figurine tableaus, Indigenous art, and the merman and portraits of Norman Luxton, Bill Round Sr. and Luxton's dogs. The buffalo taxidermy includes an annotated envelope from the Sanitarium Hotel addressed to George Paris. The wolf pelt is annotated as from July 1920 and measures 7'4".
File consists of colour and black and white photographs depicting The Sign of the Goat and Indian Trading Post interiors, exteriors, artwork, taxidermy, and furs, in addition to portraits of Norman Luxton with identified and unidentified people, and the Luxton dogs. Some photographs are captioned w…
37 photographs : colour and b&w prints ; 26.7 x 20.5 cm or smaller
Scope & Content
File consists of colour and black and white photographs depicting The Sign of the Goat and Indian Trading Post interiors, exteriors, artwork, taxidermy, and furs, in addition to portraits of Norman Luxton with identified and unidentified people, and the Luxton dogs. Some photographs are captioned with names and dates.
Notes
Some photographs are stamped with Taylor Made Snapshot Service Stamp, Processed by Munshaw Colour Print, and Lloyd Harmon. PA-14 was sent from [Kim?] and Lyle Figley from Winnipeg, Manitoba.
File consists of portraits and candid photographs of Norman Luxton, alone or with family members, friends, acquaintances or dogs. Includes comic portraits, ca.1905, and joint x-ray negatives, ca.1916. File also includes Norman Luxton attestation paper military service exemption, 1917
ca.130 photographs (ca.112 prints, 18 negatives). -- 1 textual record
Scope & Content
File consists of portraits and candid photographs of Norman Luxton, alone or with family members, friends, acquaintances or dogs. Includes comic portraits, ca.1905, and joint x-ray negatives, ca.1916. File also includes Norman Luxton attestation paper military service exemption, 1917
File consists of 16 photographs depicting Norman Luxton and his immediate family. Includes professional portraits of Georgina Luxton; images of Eleanor Luxton as a young girl; professional portraits of Eleanor as a student and adult; portraits of a dog belonging to the Luxton family; professional p…
16 photographs : b&w prints ; 40 x 50 cm or smaller
Scope & Content
File consists of 16 photographs depicting Norman Luxton and his immediate family. Includes professional portraits of Georgina Luxton; images of Eleanor Luxton as a young girl; professional portraits of Eleanor as a student and adult; portraits of a dog belonging to the Luxton family; professional portraits of Norman Luxton; and photographs depicting Norman Luxton meeting Princess Margaret during her royal visit to Banff in 1958.
File consists of portraits and other photographs pertaining to Norman Luxton, his extended relatives and friends. Name individuals include: Eleanor and Georgina Luxton; George, Ada and Patricia Luxton (Norman's brother, sister-in-law and niece); Louis Luxton, Harry Addison Luxton and Harold Malloch…
Some photographs produced by: Algot Anderson (St Paul), Byron Harmon (Banff), Nelson Photo Studios (St Paul), Ambassador Atelier (St Paul), Zintsmaster (Minneapolis), Frank Cooper (London, Ontario), Steele and Co [Coy?] (Winnipeg), A.H. Opsahl (Minneapolis), Rembrandt Grand (St Paul), Geo. E. Luxton (Minneaplos Times), Reynolds Studio (Minneapolis), Perkins, J. Douglas Eckhert (St Paul), Calgary Photo Supply Co, Pringle & Booth (Toronto), Glenbow Foundation, J [Rosrit?] Calgary Herald Photographer, Robert Lefroy
Date Range
1886
[1890-1900]
1894
1899
[ca.1900]
1904
1906-1907
1920-1921
[1920-1930]
1930
1937
1939-1940
1950
[1950-1960]
1962
Physical Description
63 photographs : b&w and col. prints ; 25 x 20.5 cm or smaller
Scope & Content
File consists of portraits and other photographs pertaining to Norman Luxton, his extended relatives and friends. Name individuals include: Eleanor and Georgina Luxton; George, Ada and Patricia Luxton (Norman's brother, sister-in-law and niece); Louis Luxton, Harry Addison Luxton and Harold Malloch Luxton (Norman's brothers); Mary Hosking Groeber (Norman's niece); Olive Luxton Hosking (Norman's sister), her husband Edgar and her daughter Dorothy; and Eleanor "Nellie" Luxton Foster (Norman's sister).
Notes
Some photographs are annotated.
PA-15 is annotated at Emerald Lake, this is now known as Lake Louise