A pouch shaped black cotton drawstring bag with a single tassel hanging from the bottom edge. The bag is decorated with a wide white cotton band with white flowers that runs horizontally around the centre of the bag and, in turn, is bordered by narrower white bands.
A pouch shaped black cotton drawstring bag with a single tassel hanging from the bottom edge. The bag is decorated with a wide white cotton band with white flowers that runs horizontally around the centre of the bag and, in turn, is bordered by narrower white bands.
A navy blue square silk bag which attaches to two hoop handles which have been wrapped with navy blue thread. The bag is decorated with a delicate scene of butterflies hovering over flowers and grass blades that has been embroidered with pink, brown, white and green silk thread and embellished wit…
A navy blue square silk bag which attaches to two hoop handles which have been wrapped with navy blue thread. The bag is decorated with a delicate scene of butterflies hovering over flowers and grass blades that has been embroidered with pink, brown, white and green silk thread and embellished with beads.
A small red stained leather purse with a flap that fastens with a leather thong. The bag is finished with a natural leather hand-stitched binding, and decorated with an embossed circular design with blue stained centres.
A small red stained leather purse with a flap that fastens with a leather thong. The bag is finished with a natural leather hand-stitched binding, and decorated with an embossed circular design with blue stained centres.
A handbag (a) and matching change purse (b). The navy blue wool handbag has carved wooden handles, a satin lining, and a red and white monogram “ P.B.M.” worked in cross stitch. The change purse, found inside the purse, is also made of navy blue wool and has a pointed flap.
A handbag (a) and matching change purse (b). The navy blue wool handbag has carved wooden handles, a satin lining, and a red and white monogram “ P.B.M.” worked in cross stitch. The change purse, found inside the purse, is also made of navy blue wool and has a pointed flap.
A white cotton handbag decorated with red and green animals worked in cross stitch. The bag has a wooden frame at the opening, and two short handles of the same material as the bag.
A white cotton handbag decorated with red and green animals worked in cross stitch. The bag has a wooden frame at the opening, and two short handles of the same material as the bag.
A square, flat, woven straw bag, woven with natural and coloured straw to create a red and green plaid pattern. The bag has a pink velvet twisted wire animal (dog?) with bouquets of artificial flowers near the two small loop handles. Inside is a small woven pouch with a blue tile in it (3.5 cm x 3…
A square, flat, woven straw bag, woven with natural and coloured straw to create a red and green plaid pattern. The bag has a pink velvet twisted wire animal (dog?) with bouquets of artificial flowers near the two small loop handles. Inside is a small woven pouch with a blue tile in it (3.5 cm x 3.6 cm x 1.0 cm).
A handbag, with a curved flap and short strap handle, woven in a zig-zig pattern from red and natural-coloured straw. The bag ahs a very flat, square shape. Inside the purse’s strap is “Pandang Sumatra”.
A handbag, with a curved flap and short strap handle, woven in a zig-zig pattern from red and natural-coloured straw. The bag ahs a very flat, square shape. Inside the purse’s strap is “Pandang Sumatra”.
A square beige bag with a diagonal striped pattern of red alternating with black. There are very heavy red silk tassels at each of the bag’s upper corners.
A square beige bag with a diagonal striped pattern of red alternating with black. There are very heavy red silk tassels at each of the bag’s upper corners.
Two woven square straw bags. The larger purse (a) has two braided handles and four diamond shapes woven on the front in darker coloured straw. The second straw bag (b) is a smaller bag that fits inside the purse.
Two woven square straw bags. The larger purse (a) has two braided handles and four diamond shapes woven on the front in darker coloured straw. The second straw bag (b) is a smaller bag that fits inside the purse.
A very dark blue purse with white batik figures in the centre and a red batik pattern along the edges. The bag has a drawstring closure at the neck, and a tassel that hangs from the bag’s pointed bottom. Inside the purse there is a paper label that reads “Batavia java”.
A very dark blue purse with white batik figures in the centre and a red batik pattern along the edges. The bag has a drawstring closure at the neck, and a tassel that hangs from the bag’s pointed bottom. Inside the purse there is a paper label that reads “Batavia java”.
A brown suede purse which hangs by two straps from a fabric belt. There is a small money holder with a metal frame that fits inside a pocket. The money holder fastens with two snaps. The lining of the purse is stamped with a patent note.
A brown suede purse which hangs by two straps from a fabric belt. There is a small money holder with a metal frame that fits inside a pocket. The money holder fastens with two snaps. The lining of the purse is stamped with a patent note.
A grey leather, commercially tanned, handmade purse, distinguished by a pocket in the front which contains two small papoose figures with hand painted faces. The purse has two parallel flaps which flop over the top and tie, and a very long pair of shoulder straps. Part of the sewing is cotton, part…
A grey leather, commercially tanned, handmade purse, distinguished by a pocket in the front which contains two small papoose figures with hand painted faces. The purse has two parallel flaps which flop over the top and tie, and a very long pair of shoulder straps. Part of the sewing is cotton, part of it is sinew. The bag contains a piece of sinew.
A painting of a fungi - reddish orange top, green stem. Painted by E. Anderson, A.C.C. Camp. Taken from an album compiled by Norman B. Sanson, Banff naturalist (PD2(2)-36).
A painting of a fungi - reddish orange top, green stem. Painted by E. Anderson, A.C.C. Camp. Taken from an album compiled by Norman B. Sanson, Banff naturalist (PD2(2)-36).
A watercolour image of mountain landscape. In foreground there are green coniferous trees above which is a brown/pink hill, leading into a dark brown/ blue/green hill. Beyond that is a greenish blue foothill range. There are grey/brown mountain tops behind with a dark grey/blue cloud rising from mo…
A watercolour image of mountain landscape. In foreground there are green coniferous trees above which is a brown/pink hill, leading into a dark brown/ blue/green hill. Beyond that is a greenish blue foothill range. There are grey/brown mountain tops behind with a dark grey/blue cloud rising from mountain on viewer’s left.
A watercolour painting with bright green coniferous trees in foreground and five larger trees rising up on the viewer’s left. Beyond the trees are rolling hills in browns, greens and blues. Beyond the hills is a mountain range, painted brown with blue outlines. The top third of the painting is a cl…
A watercolour painting with bright green coniferous trees in foreground and five larger trees rising up on the viewer’s left. Beyond the trees are rolling hills in browns, greens and blues. Beyond the hills is a mountain range, painted brown with blue outlines. The top third of the painting is a cloudy sky: on viewer’s left, grey and purple clouds; on viewer’s right, white clouds that open to a turquoise blue sky .
A watercolour of mountain landscape on a cloudy day. Top one third is cloudy sky, mid third is grey and blue mountains with vestiges of snow, mid mountains purple, grey and green, hill slope on viewer’s left is purple pink and blue; mid bottom are trees without branches, the trunks are black and at…
A watercolour of mountain landscape on a cloudy day. Top one third is cloudy sky, mid third is grey and blue mountains with vestiges of snow, mid mountains purple, grey and green, hill slope on viewer’s left is purple pink and blue; mid bottom are trees without branches, the trunks are black and at the bottom of the painting are several blackened trunks and and stumps. Printed in sienna-coloured paint in the rhc: H.E. Bergman.
A watercolour painting of a large rock in the woods. The rock dominates the painting at centre, taking up the majority of the image. The rock is light brown/beige with dark brown accents. On the left and right side of the rock are bunches of tall skinny trees in the background, between them blue sk…
A watercolour painting of a large rock in the woods. The rock dominates the painting at centre, taking up the majority of the image. The rock is light brown/beige with dark brown accents. On the left and right side of the rock are bunches of tall skinny trees in the background, between them blue sky can be seen. The artist signature is at the bottom on the right. Au verso, written in blue ink in the centre at the top is, “NON GLARE GLASS”. Written along the left edge in black ink is, “Aug. 26, 1933 No. 1”.