Pertains to Dr. Edward Sylvester Morse who travelled to Japan in 1877 and again in 1882, amassing a large collection of Japanese ceramics and other cultural objects. Part of his collection is at the Peabody Museum and the other part was a bequest to his grand-daughter Catharine Robb Whyte which now resides at the Whyte Museum of the Canadian Rockies.
Contents
Forward by Anne Ewen, Curator of Art and Heritage - 34 colour photographs of objects presented as part of this Exhibition
"Mary Scha¨ffer was a photographer, writer, and cartographer from Philadelphia, well known for her work in the Canadian Rockies at the turn of the twentieth century. Colleen Skidmore's engrossing study asks new questions, tells new stories, and introduces women and men with whom Scha¨ffer interacted and collaborated. It argues for new ways of thinking about the significance and impact of Scha¨ffer's work on historical and contemporary conceptions of women's experiences in histories and societies in which gender is fundamental to the distribution of power. Scholars and readers of women's photography and writing histories, as well as wilderness and mountain studies, will make new discoveries in Searching for Mary Scha¨ffer."-- Provided by publisher.
Contents
Acknowledgements
Author's notes on names
She Who Coloured Slides
Philadelphia, Paris and the Rocky Mountains of Canada, 1889-1903
"Public Services and Procurement Canada (PSPC) (Heritage Conservation Studies, Architecture and Engineering Services) was requested by Claire Sieber (Cultural Resource Management Advisor for Parks Canada's Mount Revelstoke and Glacier Field Unit) to provide recording services of eastbound and westbound viewscapes in Glacier National Park, including Rogers Pass National Historic Site (RPNHS) in British Columbia. This request stems from an analysis made by the Mount Revelstoke and Glacier Field Unit in conjunction with Parks Canada's Indigenous Affairs and Cultural Heritage Directorate to identify the values of this cultural landscape and its character-defining elements and subsequently document them. This is a mitigation measure assocated with constriction on the Trans-Canada Highway (TCH)." - Project Description
Contents
Project description
A history of Rogers Pass Viewscapes on the Trans-Canada Highway Glacier National Park
Pertains to Bert Riggall and the photographs he created of Waterton National Park with associated instructions on how to hand-tint photographs, create relief cartography and composite panoramas.
Contents
about
mountain man poem
curatorial statement
biography
visual Inventory
education guide
discussion questions
geginner : hand-tinted photogprahs
intermediate : relief cartography
advanced : composite panorama
vocabulary
bibliography
acknowledgements
Accession Number
2019.19
Call Number
06.4 Bi47m copy 1
06.4 Bi47m copy 2
Collection
Archives Library
URL Notes
Available online through the Alberta Society of Artists
The publication is an anthology from writers including award winners Sid Marty and Fred Stenson and contributors including Harvey Locke, Charlie Russell, Chris Morrison, Bruce Morrison, Dave Sheppard and Larry Simpson amongst others. All share their insights into this inspiring story. Riggall’s original black-and-white photographs, hand drawn maps and early letters illustrate the manuscript. (from bertriggall.ca)
Contents
Introduction - Fred Stenson
Bert Riggall : A biography - Fred Stenson
Mistakis : The backbone of the earth - Sid Marty
The place Waterton : The Early Days - Chris Morrison
Horses in the high country : Wendy Ryan
The next generation : Bert Riggall and the Russells - Bruce Morrison
Doris Burton : focus on "Babe" - Suzanne Lorinczi
A Sense of Place : Bert Riggall's Photography - Brittany Watson
Bert's Cameras - Don Bourdon
A grandson's perspective - Charlie Russell
Hawk's nest : a conservation legacy - Beth Towe
The Waterton front : nature conservancy in Canada - Larry Simpson
The Waterton biosphere reserve : an overview from the board
The Castle Parks - Dave Sheppard
A blank spot on the map : the Flathead Valley of British Columbia - Harvey Locke
Pertains to Wilf Carter and his time with the Trail Riders of the Canadian Rockies, Lawren Harris's paintings and their prices sold at auction, "Grub List" by Bert and Dora Riggall dated 1917
Pertains to the Rocky Mountains including portrayal by the Canadian Pacific Railway, Walter J. Phillips, Ima Uhthoff, Joseph Plaskett, Takao Tanabe, Lawren Harris, Peter Whyte, A.Y. Jackson
Contents
Foreword / Brianna Beacom -- Eastern Canada / Justin Barski -- Changing perceptions of mountain landscapes / Roger Boulet -- Arctic mountains / Justin Barski -- At the summit of the soul / Lisa Christensen -- Rocky Mountains / Justin Barski -- An unseen landscape / Darrin J. Martens -- Coastal mountains / Justin Barski.
"Cabin Fever traces the tradition of the cabin in Canada and the United States--from the settlement of the frontier to the contemporary depictions feverishly circulated across the Internet--showing how this humble architectural form has been appropriated for its symbolic value and helped shape a larger cultural identity. The exhibition title is borrowed from the idiomatic expression for an anxious state of mind resulting from a prolonged stay in a remote or confined place. But it also plays upon the more consumer-driven definition of "fever:" a contagious, usually transient, fascination with an object of desire. Cabin Fever will offer a historical and cultural survey of the cabin in North America, an acknowledgement of the pervasive influence of this typology. Not only has the cabin survived in various forms and iterations, but it also has resonated deeply in our cultural psyche."-- Provided by publisher.
Contents
Essay on architecture / Marc-Antoine Laugier -- My saga - Part 1 / Karl Ove Knausgaard -- Ways of life in cold climates the north American subarctic / Jean-Luc Pilon -- The log cabin in America : From pioneer days to the present / C. A. Weslager -- Homesteading / Jennifer M. Volland -- A new home, who'll follow? Or, glimpses of western life / Caroline M. Kirkland -- Unsettling the frontier / Dawn E. Keetley -- Demogracy in America / Alexis de Tocqueville -- Roughing it / Mark Twain -- The problem of housing the negro : The home of the slave / W. E. B. Du Bois -- Railway cabins / Stephanie Rebick -- The industrial archaelogy of the organization of work / Dianne Newell -- Housing reconstruction after the catastrophe / Marie Bolton and Nancy C. Unger -- Fire lookouts / Jennifer M. Volland -- Mid-August at sourdough mountain lookout / Gary Snyder -- Alone on a mountain top / Jack Kerouac -- The journey home : Fire lookout : Numa Ridge / Edward Abbey -- Alpine huts / Jennifer M. Volland -- The disaster point hut / Helen A. Burns -- Ice huts / Photographs by Richard Johnson -- Walden; or, life in the woods / Henry David Thoreau -- Pond scum : Henry David Thoreau's moral myopia / Jathryn Schulz -- Structures in state parks-An apologia / Herbert Maier and A. H. Good -- Conrad Meinecke's your cabin in the woods / Stephanie Rebick -- Everything cold is new again / Michael Prokopow -- Ideas of north; Glenn Gould and the aesthetic of the sublime / Anyssa Neumann -- The modern cabin / Photographs by Julius Shulman -- Mail-order modern / David Hill -- A-Frame / Chad Randl -- Drop city / Peter Rabbit -- Drop city revisitied / Simon Sadler -- Understanding whole systems : Countercultural publications / Stephanie Rebick -- Urban renewal : Ghost traps, college, condos, and squats / Scott Watson -- The writer's cabin / Jennifer M. Volland -- The small cabin / Margaret Atwood -- Pilgrim at Tinker Creek / Annie Dillard -- To Louis Ginsberg [Paterson, NJ] July 10, 1974 / Allen Ginsberg -- Woodswoman / Anne LaBastille -- The terror and tedium of living like Thoreau / Diana Saverin -- Cabin fever / Mark Wigley -- The cabin on the screen : Defining the "Cabin Horror" film / Matthew Grant -- Why look at cabin porn? / Finn Arne Jørgensen -- The log cabin campaign : Image deception in 1840 / Steven Seidman -- Lincoln logs-Toying with the frontier myth / Erin Cho -- Living history sites / Jennifer M. Volland -- How to build a community / Zach Klein -- Airbnb and cabin mania / Stephanie Rebick -- The sinister truth behind cabin porn / Akiva Blander -- Eye candy : Recent publications on cabins / Jennifer M. Volland -- A place of my own : The architecture of daydreams / Michael Pollan -- Getting off the grid : A re-examination of the writer's cabin / Allison Geller -- The aesthetics of ruggedness / Stephanie Rebick -- Proposal for Kimball art center / Jennifer M. Volland -- High-tech companies, low-tech offices / Monica Kim -- Partisans, grotto sauna / Jennifer M. Volland -- Sustainable practices / Stephanie Rebick -- Mattie Gunterman -- Dorothea Lange -- Walker Evans -- Vikky Alexander -- Liz Magor -- James Benning.
Between 1965 and 1975, thousands of American migrants traded their established lives for a new beginning in the West Kootenay region of British Columbia. Some were non-violent resisters who opposed the war in Vietnam. But a larger group was inspired by the ideals of the 1960s counterculture and the New Left and, hoping to flee the restrictive demands of their parents’ world and the pressures of city life, they set out to build a peaceful, egalitarian society in the Canadian wilderness. Once they arrived, they began to build communities according to these ideals -- finding allies in the Quakers and Doukhobors who had taken refuge there years before, and working through confrontations with those in the area who resented the transformative influx of young, idealistic Americans. Even today, their success is evident, as values like equality, sustainability, and creativity still define community life. This fascinating history draws on interviews and archival records to explore the root causes of this and its role in creating a region that continues to be a hotbed of social and environmental experimentation. Welcome to Resisterville is both an important look at an untold chapter in Canadian history and a compelling story of enduring idealism.
Contents
Welcome to Resisterville -- Identity and the American migration -- Taking root : brokering friends and allies in the West Kootenay counterculture, 1965-73 -- Acting together and resisting together : building a countercultural haven, 1968-79 -- "We were even stranger than other strangers" : conflict, contestation and boundary negotiation in the formation of the West Kootenay counterculture, 1968-79 -- The birth of environmental consciousness and the rise of the environmental critique, 1973-91 -- Leadership, legacy, and reconciliation -- Forging a "long tradition."
"Sarah Carter's "Imperial Plots: Women, Land, and the Spadework of British Colonialism on the Canadian Prairies" examines the goals, aspirations, and challenges met by women who sought land of their own. Supporters of British women homesteaders argued they would contribute to the "spade-work" of the Empire through their imperial plots, replacing foreign settlers and relieving Britain of its surplus women. Yet far into the twentieth century there was persistent opposition to the idea that women could or should farm: British women were to be exemplars of an idealized white femininity, not toiling in the fields. In Canada, heated debates about women farmers touched on issues of ethnicity, race, gender, class, and nation. Despite legal and cultural obstacles and discrimination, British women did acquire land as homesteaders, farmers, ranchers, and speculators on the Canadian prairies. They participated in the project of dispossessing Indigenous people. Their complicity was, however, ambiguous and restricted because they were excluded from the power and privileges of their male counterparts. Imperial Plots depicts the female farmers and ranchers of the prairies, from the Indigenous women agriculturalists of the Plains, to the land army women of the First World War."-- Provided by publisher.
Contents
Narrowing opportunities for women : from the indigenous farmers of the Great Plains to the exclusions of the homestead regime -- "Land owners and enterprising settlers in the colonies" : British women farmers for Canada -- Widows and other immigrant women homesteaders : struggles and strategies -- Women who bought land : the "bachelor girl" settler, "Jack" May, and other celebrity farmers and ranchers -- Answering the call of empire : Georgina Binnie-Clark, farmer, author, lecturer -- "Daughters of British blood" or "hordes of men of alien race"? : the homesteads-for-British-women campaign -- The persistence of a "curiously strong prejudice" : from the First World War to the Great Depression.
"Since the early days of the silent era, Native Americans have been captured on film, often in unflattering ways. Over the decades, some filmmakers have tried to portray the Native American on screen with more balanced interpretations -- to varying degrees of success. More recent films such as The New World, Flags of Our Fathers, and Frozen River have offered depictions of both historical and contemporary Native Americans, providing viewers with a range of representations. Here, Michael Hilger surveys more than a century of cinema. Drawing upon his previous work, From Savage to Nobleman, Hilger presents a thorough revision of the earlier volume. The introductory material has been revised with updated information and examples and also adds discussions of representative films produced since the mid-1990s. Now organized alphabetically, the entries on individual films cover all relevant works made over the past century, and each entry contains much more information than those in the earlier book. Details include a film summary, nation represented, image portrayal, production details, and DVD availability. Many of the entries also contain comments from film critics to indicate how the movies were regarded at the time of their theatrical release. Supplemented by appendixes of image portrayals, representations of nations, and a list of made-for-television movies, this volume offers readers a comprehensive and up-to-date overview of hundreds of films in which Native American characters have appeared on the big screen."--Publisher's description.
Contents
Traditional images of Native Americans -- Representative movies from silent films to the present -- Images of contemporary Native Americans -- Entries A-Z -- Appendix A: Films by nations -- Appendix B: Image portrayals of Native Americans -- Appendix C: Television films -- Appendix D: Films in chronological order.
Contains images selected from the 1911 joint expedition by the Alpine Club and the Smithsonian Institute including the first circuit of Mt. Robson and the country around Mt. Robson, Yellowhead Pass, and Maligne Lake.
Contents
Introduction
Portfolio of images
Image captions
Dedication
Notes
Printed in a limited ed. of 200 hand-numbered copies.
Crows, Cranes and Camellias: the Natural World of Ohara Koson 1877-1945 is the first publication in a Western language to discuss his corpus of work, and it has drawn upon the private Jan Perree collection (now housed in the Rijksmuseum, Amsterdam) for inspiration. First published In 2001, this new edition features an additional chapter on Koson's oeuvre and designs which have been discovered since the original publication of Crows, Cranes and Camellias. Including an overview of Koson's life and artistic career, augmented by a checklist of the majority of his work, select seals and signatures, this book is a valuable source for Koson collectors. --Book Jacket.
Contents
Forward
Preface
Acknowledgements
A flock of myriad hues : the enduring art of Ohara Koson
Library - Book (including soft-cover and pamphlets)
Published Date
2018
Author
Royal Canadian Geographic Society
Publisher
Ottawa, Ont. : Royal Canadian Geographical Society : National Centre for Truth and Reconciliation : Assembly of First Naitons : Inuit Tapiriit Kanatami : Me´tis National Council : Indspire
Ottawa, Ont. : Royal Canadian Geographical Society : National Centre for Truth and Reconciliation : Assembly of First Naitons : Inuit Tapiriit Kanatami : Me´tis National Council : Indspire
Published Date
2018
Physical Description
4 volumes : illustrations (chiefly color), color maps ; 32 cm
"In this atlas, you will find outstanding reference maps of Indigenous Canada, as well as a section devoted to Truth and Reconciliation, including detailed pages on many aspects of the topic with contemporary and historical photography, maps and more. There's also a glossary of common Indigenous terms."--page [4] of cover volume 1.
Since its publication in 2012, The Inconvenient Indian has become a Canadian classic. At once a history and a subversion of history, this book has launched a national conversation about what it means to be "Indian" in North America, and the relationship between Natives and non-Natives in the centuries since the two first encountered each other. This is a book both timeless and timely, burnished with anger yet tempered by wit, and ultimately a hard-won offering of hope--a sometimes inconvenient but nonetheless indispensable account for all of us, seeking to understand how we might tell a new story for the future."-- Provided by publisher.
Contents
Prologue : Warm toast and porcupines -- Forget Columbus -- The end of the Trail -- Too heavy to lift -- One name to rule them all -- We are sorry -- Like cowboys and Indians -- Forget about it -- What Indians want -- As long as the grass is green -- Happy ever after.
Presents the history of approximately 8,000 Canadians, who were imprisoned during the First World War because of their ethnic origins from Germany, Austria-Hungary and other enemy nations.
Contents
The uncertainty of war and the limits of acceptance: aliens of enemy Nationality -- Political choices and the prerogatives of state: dealing with the enemy alien problem -- Behind Canadian barbed wire: the policy, process, and practice of internment -- The alien as "enemy": questions of acceptance, belonging, and fit -- The enemy alien experience: towards an understanding.
"From 1914 to 1920, thousands of men who had immigrated to Canada from the Austro-Hungarian Empire were imprisoned as "enemy aliens," many with their families. Most were Ukrainians; almost all were civilians. The Stories Were Not Told presents this largely unrecognized event through photography, cultural theory, and personal testimony, including stories told at last by internees and their descendants. Semchuk describes how lives and society have been shaped by acts of legislated racism and how to move toward greater reconciliation, remembrance, and healing. This is necessary reading for anyone seeking to understand the cross-cultural and intergenerational consequences of Canada's first internment camps."-- Provided by publisher.
Contents
Forward
Preface
Acknowledgements
Canadian First World War Internment Recognition Fund