Log cabin with round log construction. Bottom S.W. log has been replaced by stonework and concrete. One stone step leads to the only door which faces N.W. Door constructed from horizontal 1 x 4 wooden slats has a metal handle and pad lock. Chinking is mostly of oakum faced with concrete. The concre…
Log cabin with round log construction. Bottom S.W. log has been replaced by stonework and concrete. One stone step leads to the only door which faces N.W. Door constructed from horizontal 1 x 4 wooden slats has a metal handle and pad lock. Chinking is mostly of oakum faced with concrete. The concrete is very sandy and is deteriorating. Two windows, one is on S.E. side (88.3 x 88.9), has white casements, one pane is broken. The other window, on N.E. side (91.4 x 45.75 cm.) has green painted sills and white casements. Very mossy roof with wooden shingles over wooden slats. Tar paper lies between shingles and roof. Thin metal sheets take the place of shingles for about the width of 2 feet the length of the N.W. side. Electrical socket on S.E. exterior probably dates from the 1930's. Interior logs are white-washed. Gables are shingled . Ridge pole and one horizontal supporting beam of two extends about a meter from the edge of roof on S.E. side.Cabin originally belonged to Bill Peyto and was probably used as storage shed for saddles, packboxes etc. In 1935 it was used by Peter and Catharine Whyte as a temporary residence for models they were painting, the David Bearspaw family were among the inhabitants. Cabin has been moved twice, first in 1932 was moved slightly N.E. and again in 1968.
Log cabin with two doors, one facing east and one west. The west door was probably installed after 1939 when cabin was converted into a garage by Dave (Jack) Whyte Jr. Door painted green with small window in upper quarter. Two windows on east wall (71.2 x 114.3), one on either side of door. Window…
Log cabin with two doors, one facing east and one west. The west door was probably installed after 1939 when cabin was converted into a garage by Dave (Jack) Whyte Jr. Door painted green with small window in upper quarter. Two windows on east wall (71.2 x 114.3), one on either side of door. Window sills painted green and casements are white. Cabin sits on stonework plinth with a stonework step leading to east door. Logs on south wall logs have been hewn flat while logs on all other sides have been left rounded. Inside, all but south wall have insulation in a thin blue and white dry-wall which is disintegrating in places. Ceiling of thin wooden sheets. Metal encased chimney on north end. Six old rusty nails protrude from the fourth log from top on north side, probably for outdoor storage.
Log cabin with peaked red shingled roof, whitewashed, with green trim on eavestroughs, window sills and porch roof supports. Small green ship's wheel conceals the bathroom vent, bathroom is late addition, c. 1930 constructed from wooden planks of varying widths. Roof possibly reshingled at time of …
Log cabin with peaked red shingled roof, whitewashed, with green trim on eavestroughs, window sills and porch roof supports. Small green ship's wheel conceals the bathroom vent, bathroom is late addition, c. 1930 constructed from wooden planks of varying widths. Roof possibly reshingled at time of addition. False roof S.E. side was likely added at time of bathroom construction. Corners of log portion are dovetailed. Cabin faces S.W. two windows on N.W. side (85.0 x 65.0 & 85.0 x 70.). Bathroom window on south side (60 x 32.5 cm). Chinking between logs is oakum faced with concrete. Electrical conduit on back, N.W. side and gas conduit on N.E. side added in 1970s for John Morse when he used cabin as a woodworking shop. Both lines are connected to the Whyte house. Two chimneys, one encased in brick at N.E. end, the other in metal on N.W. side. Cabin/sits on concrete plinth probably dating from 1972. All base logs have been replaced by stonework c.1975.
Log cabin entirely of notched log construction, now on stone and concrete plinth. Wood chinking covered with concrete. Some seams are chinked with tree branches faced with concrete. Door constructed from horizontal wood slats. Window on front covered in steel mesh to prevent entry of bears. Front w…
Log cabin entirely of notched log construction, now on stone and concrete plinth. Wood chinking covered with concrete. Some seams are chinked with tree branches faced with concrete. Door constructed from horizontal wood slats. Window on front covered in steel mesh to prevent entry of bears. Front window 60.96 x 137.16 cm. and one window on each side each 60.96 x 50.8. Wooden roof with wooden shingles, rafters are small logs.
Indigenous tepee pegs made from the hooves and either ulnas or tibias of deer, the bone end sharpened for insertion in the ground and the hoof end left standing upright as decoration, the joint area between hoof and bone has been bound in buckskin.
Indigenous tepee pegs made from the hooves and either ulnas or tibias of deer, the bone end sharpened for insertion in the ground and the hoof end left standing upright as decoration, the joint area between hoof and bone has been bound in buckskin.
Optical illusion quilt made with multi-coloured scraps of cloth handquilted into cube pattern. The quilt is lined with paper and backed with cotton. Many squares are deteriorating.
Optical illusion quilt made with multi-coloured scraps of cloth handquilted into cube pattern. The quilt is lined with paper and backed with cotton. Many squares are deteriorating.
Japanese silk quilt for doll to sit on, backing white silk. Probably has silk batting inside, front has 4 panels ca. 11.0 wide with 3 alternating designs, grey with light brown each end, orange with orange then green with beige, 5 silk string loops sewn through quilt at 2 ends, 2 sides and middle.
Japanese silk quilt for doll to sit on, backing white silk. Probably has silk batting inside, front has 4 panels ca. 11.0 wide with 3 alternating designs, grey with light brown each end, orange with orange then green with beige, 5 silk string loops sewn through quilt at 2 ends, 2 sides and middle.
The quilt is made primarily of a blue fabric on the front and back. The front of the quilt presents a series of squares in blue, white, and red. Each square has the name or initials of the women that worked on the quilt. The central area is embroidered “The Bankhead Ladies Patriotic Society.” At ea…
The quilt is made primarily of a blue fabric on the front and back. The front of the quilt presents a series of squares in blue, white, and red. Each square has the name or initials of the women that worked on the quilt. The central area is embroidered “The Bankhead Ladies Patriotic Society.” At each of the four corners of the internal detail there is a small red cross within a white square. On the inside of each of these white squares there is a red square with an embroidered flower.
Rug with ornate Persian design with burgundy, blue, gold, and white as dominant colours. The cotton warp threads are used as fringe on two ends. The carpet is worn with some edge trim missing.
Rug with ornate Persian design with burgundy, blue, gold, and white as dominant colours. The cotton warp threads are used as fringe on two ends. The carpet is worn with some edge trim missing.
Small wool rug woven on a hemp warp with an intricate geometric design. Deep red is the dominant colour, along with yellow and white. Possibly a prayer rug, this piece has been repaired, with a loss of 10 cm weaving in length.
Small wool rug woven on a hemp warp with an intricate geometric design. Deep red is the dominant colour, along with yellow and white. Possibly a prayer rug, this piece has been repaired, with a loss of 10 cm weaving in length.
Tightly woven rug with multi-coloured geometric step designs and fringed ends. The dominant colour of this piece is burgundy. The style of this rug is reminiscent of Navajo work, however the slits created by changing colours have been left open, not closed as in Navajo work.
Tightly woven rug with multi-coloured geometric step designs and fringed ends. The dominant colour of this piece is burgundy. The style of this rug is reminiscent of Navajo work, however the slits created by changing colours have been left open, not closed as in Navajo work.
Rug with Persian geometric design in peach, gold, and brown. The warp has been left free on two ends to form fringe. Rug is fraying to 5 cm at one end, has holes at one end, and is faded.
Rug with Persian geometric design in peach, gold, and brown. The warp has been left free on two ends to form fringe. Rug is fraying to 5 cm at one end, has holes at one end, and is faded.
Rug with ornate Persian design, with blue, burgundy and mustard as dominant colours. Floral style pattern with a blue ornate pattern as border. Ends of carpet had fringe .
Rug with ornate Persian design, with blue, burgundy and mustard as dominant colours. Floral style pattern with a blue ornate pattern as border. Ends of carpet had fringe .
Persian rug with an asymmetrical flower and geometric design. Dominant colours include reds on black ground, and red and blue border. The ends of the rug have knotted fringe. Very worn and faded.
Persian rug with an asymmetrical flower and geometric design. Dominant colours include reds on black ground, and red and blue border. The ends of the rug have knotted fringe. Very worn and faded.
Persian rug with asymmetrical design. The dominant colours are faded red and yellow. Short fringe at both ends but has been tucked and sewn on one of the ends, reason unknown. Very worn and faded, small holes and loss of weft material.
Persian rug with asymmetrical design. The dominant colours are faded red and yellow. Short fringe at both ends but has been tucked and sewn on one of the ends, reason unknown. Very worn and faded, small holes and loss of weft material.
Small rug with geometric pattern, featuring a dominant peach ground with black figures. The rug has a homespun and plyed warp. It is faded, all edges are fraying badly, and there are large sections of wear on the weft pile.
Small rug with geometric pattern, featuring a dominant peach ground with black figures. The rug has a homespun and plyed warp. It is faded, all edges are fraying badly, and there are large sections of wear on the weft pile.