Monochrome graphite drawing of low rolling hills with fields and a low fence in the foreground. Sky is gradient from dark to light grey top to bottom. Signature in lower right corner “gaspar”
Monochrome graphite drawing of low rolling hills with fields and a low fence in the foreground. Sky is gradient from dark to light grey top to bottom. Signature in lower right corner “gaspar”
Inscription reads: Brazeau Snowfield, Jasper. Sketchbook drawing by Lawren S. Harris (1885-1970). Presented to the Peter Whyte Gallery, Banff, Alta. in memory of Peter & Catharine Whyte by Anne & Lawren P. Harris, June, 1979. Also written by Lawren P. Harris is the Following: I certify this work to…
Inscription reads: Brazeau Snowfield, Jasper. Sketchbook drawing by Lawren S. Harris (1885-1970). Presented to the Peter Whyte Gallery, Banff, Alta. in memory of Peter & Catharine Whyte by Anne & Lawren P. Harris, June, 1979. Also written by Lawren P. Harris is the Following: I certify this work to be an original sketchbook drawing by Lawren S. Harris, (1885-1970. Lawren P. Harris, May 22, 1979. Ottawa, Ontario.
A stylistically loose line drawing of a mountain scene. The drawing is done on a paper that is brownish in tone. The top 1/3 of the piece is blank - a clear sky. A mountain range takes up the next 1/3 of the piece, and the tallest portion is centered on the page. In the foreground of the piece …
A stylistically loose line drawing of a mountain scene. The drawing is done on a paper that is brownish in tone. The top 1/3 of the piece is blank - a clear sky. A mountain range takes up the next 1/3 of the piece, and the tallest portion is centered on the page. In the foreground of the piece is a small valley with low lying hills on either side. The hills and mountains are cropped at either side of the piece. The valley created by the hills exits the drawing in the BLC.
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by large rough forms which appear to be clouds, and the bottom third is composed of a mountain range. The artist’s signature is in the brhc. Au verso, written in pencil in the …
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by large rough forms which appear to be clouds, and the bottom third is composed of a mountain range. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/Z-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in p…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/H-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The majority of the image represents a mountain range, which, from the centre to the bottom of the image moves into a rolling hill. The artist’s signature is in the brhc. Au verso, written in pencil in the tlh…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The majority of the image represents a mountain range, which, from the centre to the bottom of the image moves into a rolling hill. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/L-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, 46/X-6“”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shaded in the centre. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/A-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shaded in the centre. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/A-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The centre of the image from the left is a shaded area, below which is a series of tree forms. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “47/D-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The centre of the image from the left is a shaded area, below which is a series of tree forms. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “47/D-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The upper half of the image is darkly shaded, with a series of trees on the right centre. The lower half of the image is primarily left white. The artist’s signature is in the brhc. Au verso, written in pencil…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The upper half of the image is darkly shaded, with a series of trees on the right centre. The lower half of the image is primarily left white. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “49/Y-2”.
Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
A pencil drawing of a house. The front steps and bottom siding is stone, with the remainder of the house rendered with siding. Surrounding the back of the house is a forest of trees, with a mountain rising in the background. The front yard has a manicured lawn, and a pathway leading to the sidewalk…
A pencil drawing of a house. The front steps and bottom siding is stone, with the remainder of the house rendered with siding. Surrounding the back of the house is a forest of trees, with a mountain rising in the background. The front yard has a manicured lawn, and a pathway leading to the sidewalk. Foliage sits in the immediate foreground.
A series of horizontal lines run across the image. The lower half of the page is filled with curved lines. The upper portion of the image is dark, with the lower portion rendered in white and grey tones.
A series of horizontal lines run across the image. The lower half of the page is filled with curved lines. The upper portion of the image is dark, with the lower portion rendered in white and grey tones.