A large white empty expanse encompasses the upper third of the work. The lower two thirds is composed of white mountains, formed from pieces of ripped white paper and glued onto the support.
A large white empty expanse encompasses the upper third of the work. The lower two thirds is composed of white mountains, formed from pieces of ripped white paper and glued onto the support.
Painting is dominated by Mt. Temple and one spruce tree on the viewer’s left that reaches almost out of the painting. Dominant colours are green, blue, grey, white, and black. Snow, some water and the bank is visible in the immediate lower foreground and the spruce tree rising out of snow to the le…
Painting is dominated by Mt. Temple and one spruce tree on the viewer’s left that reaches almost out of the painting. Dominant colours are green, blue, grey, white, and black. Snow, some water and the bank is visible in the immediate lower foreground and the spruce tree rising out of snow to the left. A bank of coniferous trees begin on the viewer’s left at the spruce tree and rise steadily to the viewer’s right. Two-thirds of the painting is a snow and ice-covered blue and grey Mt. Temple. The sky is grey and cloudy obscuring the mountain peak. A vestige of blue sky behind the mountain shows through on viewer’s middle right.
A winter scene with dominant colours of white, green, blue, grey, and black. The foreground, which is more than half the painting, is comprised of snow, ice, shadows, two sections of the creek starting from viewer’s left, with one bush and one coniferous tree to viewer’s far middle right. The dark …
A winter scene with dominant colours of white, green, blue, grey, and black. The foreground, which is more than half the painting, is comprised of snow, ice, shadows, two sections of the creek starting from viewer’s left, with one bush and one coniferous tree to viewer’s far middle right. The dark water of the creek is visible from the bush at the right, flows under the ice and snow, and then reappears at the left-hand centre of the painting and flows to the viewer’s left hand corner of the painting. The top-third of the painting is a bank of coniferous trees, sparsely painted on the left, becoming larger and darker towards middle and then lighter on the right as the trees further back rise to the mountain range in the background. Snow and clouds obscure the mountain tops. The sky is light grey and white.
A summer scene dominated by Mt. Rundle and the trees that flank Vermilion’s first lake. The dominant colours are light and dark green, black, blue, brown and grey. The foreground is green and brown low vegetation, out of which a line of lodgepole pines, some dead and still standing, rise to two-thi…
A summer scene dominated by Mt. Rundle and the trees that flank Vermilion’s first lake. The dominant colours are light and dark green, black, blue, brown and grey. The foreground is green and brown low vegetation, out of which a line of lodgepole pines, some dead and still standing, rise to two-thirds of the painting. Starting at the viewer’s far left, at mid-point, the branches of an aspen with green leaves fills the top far left of the painting. Vermilion’s first lake is visible though the lodgepoles and directly behind that, are the dark trees that line its opposite bank. Above the lake the lower slope of Tunnel Mountain is visible to the viewer’s left. The painting is dominated by majestic Mount Rundle, its lower slopes covered with muted green coniferous trees and its sheer rock face in varying shades of grey, blue, and brown. The deep blue sky has a few wisps of white showing through and some light grey clouds to the viewer’s right, above the peaks of the Rundle Range.
A dark, stormy sky, and a large stand of partially burned trees on the viewer’s left, dominate the top two-thirds of the painting. The dominant colours are blue, black, green and brown. In the foreground to the viewer’s right are remnants of stumps and what appears to be fall vegetation, with charr…
A dark, stormy sky, and a large stand of partially burned trees on the viewer’s left, dominate the top two-thirds of the painting. The dominant colours are blue, black, green and brown. In the foreground to the viewer’s right are remnants of stumps and what appears to be fall vegetation, with charred tree trunks. To the viewer’s left is a charred stump of a burned tree trunk and above that a large stand of lodgepole pines with charred trunks, but with needles still on the tops of the trees. The stand of trees rise high into the stormy sky. Further away, behind the lodgepole pine trees, is a bank of coniferous trees in various shades of greens, that stretch across the painting. Above that, starting behind and to the right of the lodgepoles, mountains are visible; the first and farthest away, is grey with some snow visible, and then wooded mountains continue to the viewer’s far right to the edge of the painting. The dark, cloudy sky dominates most of the painting.
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the m…
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the mountain peak. The rocks are various shades of very dark blue, lighter blue and brown. To the viewer’s left the snow is tinged in various shades of pink as the morning light strikes it and the view to the right is still in the blue shades of shadow. The artist’s signature in white is in this area. The middle of the painting is the pink glow of the sun on snow with some shaded snow and rocks still showing to the viewer’s right. The top-half is a snow-covered Mt. Assiniboine with brown rock bands; viewer’s right in the sun’s light and viewer’s left in the shade. Beyond the mountain are hills and valleys of pink, blue and green. The sky is a very deep shade of purple and blue.
Three mountain peaks rise from the bottom of the piece, with a white semi circle ringed in yellow rising from the bottom left. The sky is presented in shades of pink and blue.
Three mountain peaks rise from the bottom of the piece, with a white semi circle ringed in yellow rising from the bottom left. The sky is presented in shades of pink and blue.
A watercolour painting of a winter mountain landscape. Just over half of the painting is free space. The bottom half of the painting contains the top portion of a mountain, in the middle ground, that dominates the work. The mountain is snow-covered but some of the grey rock can be seen at the top. …
A watercolour painting of a winter mountain landscape. Just over half of the painting is free space. The bottom half of the painting contains the top portion of a mountain, in the middle ground, that dominates the work. The mountain is snow-covered but some of the grey rock can be seen at the top. In the foreground is a slope that comes in from the right side and goes diagonally across the the bottom left corner. On the snow-covered slope and many loosely painted green pine trees. A faint purplish wash can be seen in the free space of the background. The colours used are primarily green, blue and grey. In the bottom right hand corner, written in pencil, is the artist signature, the title and date, “TT(?) Banff . Feb 07 Winter, Mts. 8/07”.
The lower third of the work is a light white/grey mountain shape, from which rises a dark mountain on the right. The lower left of the sky is in a peach tone, while the remainder is a wash of blue and white.
The lower third of the work is a light white/grey mountain shape, from which rises a dark mountain on the right. The lower left of the sky is in a peach tone, while the remainder is a wash of blue and white.
The bottom third of the work is composed of a white mountain range. Rising from the right is a peak painted in white and brown tones. The centre of the work holds a semi circle of orange dots, from which radiates a pink wash that encompasses the sky.
The bottom third of the work is composed of a white mountain range. Rising from the right is a peak painted in white and brown tones. The centre of the work holds a semi circle of orange dots, from which radiates a pink wash that encompasses the sky.
Image is rendered in tones of white and grey. Mountain range along bottom, with pearlescent acrylic dots of paint gathered around the lower centre. A yellow and pink circle sits in the upper centre.
Image is rendered in tones of white and grey. Mountain range along bottom, with pearlescent acrylic dots of paint gathered around the lower centre. A yellow and pink circle sits in the upper centre.
A mountain peak rises from the centre of the work, painted in white with detail rendered in black. The sky is yellow, and is filled with loosely rendered white clouds.
A mountain peak rises from the centre of the work, painted in white with detail rendered in black. The sky is yellow, and is filled with loosely rendered white clouds.
A mountain peak rises from the bottom centre, rising from the mountain is a yellow wash which moves into a clouded sky. At the top centre is a mountain, and it is flanked by a dark sky with stars.
A mountain peak rises from the bottom centre, rising from the mountain is a yellow wash which moves into a clouded sky. At the top centre is a mountain, and it is flanked by a dark sky with stars.
In the foreground, moving from the upper right corner to the lower left corner, sits a hill with flowers. In the background on the left are three mountains, and a blue stream.
In the foreground, moving from the upper right corner to the lower left corner, sits a hill with flowers. In the background on the left are three mountains, and a blue stream.
watercolour and pearlescent acrylic on arches paper
Catalogue Number
SiR.05.47
Description
Hanging from the top centre are two bare branches, with red berries and snow hanging at the ends. The background of the work is painted with silver pealescent acrylic in dots to represent snow.
watercolour and pearlescent acrylic on arches paper
Dimensions
28.6 x 76.3 cm
Description
Hanging from the top centre are two bare branches, with red berries and snow hanging at the ends. The background of the work is painted with silver pealescent acrylic in dots to represent snow.
From the centre rises a green stem with three wide leaves at the bottom, and two at the top. There are two patches of yellow around the respective leaves.
From the centre rises a green stem with three wide leaves at the bottom, and two at the top. There are two patches of yellow around the respective leaves.