General colour: blue on white. A serpent shaped creature whose tail in the lower left has three ends. Two flanges come out of the body in the upper right. The head is turned to the left.
General colour: blue on white. A serpent shaped creature whose tail in the lower left has three ends. Two flanges come out of the body in the upper right. The head is turned to the left.
General colour: red, yellow, blue, black on white - equal portions. A single figure showing a force looking right, above that a fish looking left and above that a bird, wings spread, and legs coming down, looking right. Symbolic meanings - mother and child on her back, fish with eggs and an eagle -…
General colour: red, yellow, blue, black on white - equal portions. A single figure showing a force looking right, above that a fish looking left and above that a bird, wings spread, and legs coming down, looking right. Symbolic meanings - mother and child on her back, fish with eggs and an eagle - all powerful symbols.
Colour: black on white. The horse plunges to the left. The rider leans to viewer’s right, the coup stick in his hand coming down to touch the head of another man who is bent over. In the background are silhouettes, to the left is a figure holding onto a horse and rider; both figures have arms rais…
Colour: black on white. The horse plunges to the left. The rider leans to viewer’s right, the coup stick in his hand coming down to touch the head of another man who is bent over. In the background are silhouettes, to the left is a figure holding onto a horse and rider; both figures have arms raised and between the rider and figure to the right is a silhouette of another horse and rider.Au verso in pencil “COUP” the word “SOLD” in a rectangle, to the right of that “Archives of the Cdn” and above that the number “60” encircled and then an “X” to cross it out
Colour: black on white, the head of a woman, facing slightly to viewer’s right. The left side of the face is visible the right side is in total darkness. Her neck hides in the shadows also though her shoulders are white. Only the outline indicates their shape.Au verso: HALF FACE IN THE DARK
Colour: black on white, the head of a woman, facing slightly to viewer’s right. The left side of the face is visible the right side is in total darkness. Her neck hides in the shadows also though her shoulders are white. Only the outline indicates their shape.Au verso: HALF FACE IN THE DARK
Colour: black on white. Central to the picture are six men entangled in an attempt to retrieve a ball from one of them. Two men have head bands only five lacrosse sticks are evident. In the background to the left are five more players - to the right are three players and in the centre one is holdi…
Colour: black on white. Central to the picture are six men entangled in an attempt to retrieve a ball from one of them. Two men have head bands only five lacrosse sticks are evident. In the background to the left are five more players - to the right are three players and in the centre one is holding his lacrosse net over his head.Au verso “LACROSSE GAME” trhc K.64 below encircled “112” brhc encircled “40” topped by encircled “3” vestiges of earlier drawing.
Colour: blue and green on white. Upper half is blue watercolour markings. However half is green and pencil scratches. Somewhat non-representational and looks like it's upside down.
Colour: blue and green on white. Upper half is blue watercolour markings. However half is green and pencil scratches. Somewhat non-representational and looks like it's upside down.
A drawing (copy) of a dog sitting on the floor, back view with head turned to the left; he is sitting in front of a table with various things on top of it; drawn curtains in background, opened a little at the left, iron faceted window panes through which can be seen a tower with a flag. Hand writte…
A drawing (copy) of a dog sitting on the floor, back view with head turned to the left; he is sitting in front of a table with various things on top of it; drawn curtains in background, opened a little at the left, iron faceted window panes through which can be seen a tower with a flag. Hand written on the brown paper backing of the framed picture: Crayon Copy Mary Sharples 1880.
A pencil drawing of a small lake in the foreground, the immediate foreground is marshy and some trees, this surrounds the lake; mountains in background; a few clouds indicated. A small brass plaque with the drawing reads: To Lillian Gest In Appreciation The Lake O'Hara Trails Club 1979.
A pencil drawing of a small lake in the foreground, the immediate foreground is marshy and some trees, this surrounds the lake; mountains in background; a few clouds indicated. A small brass plaque with the drawing reads: To Lillian Gest In Appreciation The Lake O'Hara Trails Club 1979.
A circular drawing of an L shaped pier, the pier is bottom centre turning to the left, planks are indicated, two posts at right corner of pier, horizon is indicated running across picture from edge to edge at just below centre, the water and sky is indicated with even shading.
A circular drawing of an L shaped pier, the pier is bottom centre turning to the left, planks are indicated, two posts at right corner of pier, horizon is indicated running across picture from edge to edge at just below centre, the water and sky is indicated with even shading.
A blossoming glacier lily is centered in the drawing, three yellow blossoms with green foliage, more green foliage is detailed poking through the snow.
A blossoming glacier lily is centered in the drawing, three yellow blossoms with green foliage, more green foliage is detailed poking through the snow.
Two figures, a man and a woman, are seated on grass, both are facing to the left, the woman is covered by a cloak with only her head showing, the man is behind her also facing to the left, lying down resting on his elbows, the grass is bottomn quarter of picture and finely detailed, a clear backgro…
Two figures, a man and a woman, are seated on grass, both are facing to the left, the woman is covered by a cloak with only her head showing, the man is behind her also facing to the left, lying down resting on his elbows, the grass is bottomn quarter of picture and finely detailed, a clear background behind the figures.