General colour: black on white. A calling caribou stands at the right side in deep snow which fills lower half of the picture. In the upper left corner are two rock pinnacles. The sky is snowing.
General colour: black on white. A calling caribou stands at the right side in deep snow which fills lower half of the picture. In the upper left corner are two rock pinnacles. The sky is snowing.
Colour: brown and black on white. The rear view of a bird whose head is turned to the right. The background is divided in two diagonally, from the upper edge left of center to two thirds down the right side. The markings on the lower section are in squares. In the upper section the markings run hor…
Colour: brown and black on white. The rear view of a bird whose head is turned to the right. The background is divided in two diagonally, from the upper edge left of center to two thirds down the right side. The markings on the lower section are in squares. In the upper section the markings run horizontally.
Colour: black on white. Across the bottom are roof tops and chimneys. Behind,filling the upper three quarters is a mountain - peak in the center - stay on both sides.
Colour: black on white. Across the bottom are roof tops and chimneys. Behind,filling the upper three quarters is a mountain - peak in the center - stay on both sides.
Colour: black on white. A mountain peaking right of enter near the top another mountain is behind to the right. Sky comes down left and in upper right corner.
Colour: black on white. A mountain peaking right of enter near the top another mountain is behind to the right. Sky comes down left and in upper right corner.
Colour: black on white. A church fills the lower half. A fence runs across in fornt. A tree is at the left side and a flagpole and another buildng are on the right side. Behind are mountain cliffs and a bit of sky across the top.
Colour: black on white. A church fills the lower half. A fence runs across in fornt. A tree is at the left side and a flagpole and another buildng are on the right side. Behind are mountain cliffs and a bit of sky across the top.
Colour: black on white. Lower third is bare slope - no markings. The upper two thirds are rock cliffs leaning to the right. Clear sky is in the upper left corner.
Colour: black on white. Lower third is bare slope - no markings. The upper two thirds are rock cliffs leaning to the right. Clear sky is in the upper left corner.
Colour: brown, white, grey. A wire structure on a base. Several ring shapes and blob shapes are situated throughout. From a central point hangs a clump of metal.
Colour: brown, white, grey. A wire structure on a base. Several ring shapes and blob shapes are situated throughout. From a central point hangs a clump of metal.
Scene looking back a the backwashed waves as they are dispelled back from the path of the ship.“A wave study from on board an ocean liner, this sketch is particularly significant as it documents a visit to Canada some fifteen years before Collings’ emigration and explains the immaturity of a few sk…
Scene looking back a the backwashed waves as they are dispelled back from the path of the ship.“A wave study from on board an ocean liner, this sketch is particularly significant as it documents a visit to Canada some fifteen years before Collings’ emigration and explains the immaturity of a few sketches with Canadian content. “ -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
Two figures facing the same direction, the one behind is pushing the other; both dressed in parkas with the hood off the head; pants are indicated cut off at the knees; facial features are carved in, the eyes are hols, nose protruding,mouth indicated only in front figure; the arms of the back perso…
Two figures facing the same direction, the one behind is pushing the other; both dressed in parkas with the hood off the head; pants are indicated cut off at the knees; facial features are carved in, the eyes are hols, nose protruding,mouth indicated only in front figure; the arms of the back person are extended to the front person giving an indication of pushing; both figures are bent forward at the waist. The fossilized whalebone has an open texture overall.
A realistic rendering of a woman's head and neck; hair parted in centre with braids coming together in front; left earring; necklace; a plaster of paris casting painted brown; flat back has a metal wire loop near top for hanging; is a pair with B1.06.02.
A realistic rendering of a woman's head and neck; hair parted in centre with braids coming together in front; left earring; necklace; a plaster of paris casting painted brown; flat back has a metal wire loop near top for hanging; is a pair with B1.06.02.
A fully rigged western horse with his head down eating grass; on his right shoulder a brand: JM; the horse is standing on all 4 feet and with his nose to the ground these all make contact with the base - solid bronze. The horse Red Wing was Mrs. Gourlay's own pet and favourite mount for many years.…
A fully rigged western horse with his head down eating grass; on his right shoulder a brand: JM; the horse is standing on all 4 feet and with his nose to the ground these all make contact with the base - solid bronze. The horse Red Wing was Mrs. Gourlay's own pet and favourite mount for many years. See Beil file for more information.
A realistic rendering of a male, facing to the left; his hair is long and flowing with one rolled braid in front of left ear; feather tied to hair right side of head; a rosette at his neck; signed C. A. Beil R. C. A. Beil provided a design for the Banff Indian Days programe for their coin; valued a…
A realistic rendering of a male, facing to the left; his hair is long and flowing with one rolled braid in front of left ear; feather tied to hair right side of head; a rosette at his neck; signed C. A. Beil R. C. A. Beil provided a design for the Banff Indian Days programe for their coin; valued at one dollar. The original model was reduced to coin size at the minting plant. Part of the display Charlie Beil - Man of Versality? which is one part of four Charlie Beil - A Western Sculptor.
A realistic rendering of a saddle bronc rider; horse is bucking, all feet off the ground, facing to the left; signed lower right: C. A. Beil R. C. A. Beil contributed a coin design to the Banff Indian Days program between the years of 1969 to 1976. The original model was reduced to coin size at the…
A realistic rendering of a saddle bronc rider; horse is bucking, all feet off the ground, facing to the left; signed lower right: C. A. Beil R. C. A. Beil contributed a coin design to the Banff Indian Days program between the years of 1969 to 1976. The original model was reduced to coin size at the minting plant. Part of the display Charlie Beil - Man of Versatility which is one part of four Charlie Beil - A Western Sculptor.
A realistic rendering of a bull rider; the bull is bucking has his left front foot on the ground, facing to the right; signed bl: C. A. Beil R. Part of the display Charlie Beil - Man of Versatility which is one part of four Charlie Beil - A Western Sculptor. C. A. Beil contributed a coin design to …
A realistic rendering of a bull rider; the bull is bucking has his left front foot on the ground, facing to the right; signed bl: C. A. Beil R. Part of the display Charlie Beil - Man of Versatility which is one part of four Charlie Beil - A Western Sculptor. C. A. Beil contributed a coin design to the Banff Indian Days program between the years of 1969 to 1976. The original model was reduced to coin size at the minting plant.
A realistic rendering of a mounted cowboy in full riding dress on a fully equipped western horse. Cast in solid bronze from the lost wax process. Part of the display Charlie Beil - Man of Versatility which was one part of four of the display Charlie Beil - A Western Sculptor.
A realistic rendering of a mounted cowboy in full riding dress on a fully equipped western horse. Cast in solid bronze from the lost wax process. Part of the display Charlie Beil - Man of Versatility which was one part of four of the display Charlie Beil - A Western Sculptor.
A realistic rendering of a mountain goat; he is standing on a large rock on the base which comprises 8.0 of the height of the sculpture. Inscribed on the back of the base: Studio West Cochrane Alberta 2/27.
A realistic rendering of a mountain goat; he is standing on a large rock on the base which comprises 8.0 of the height of the sculpture. Inscribed on the back of the base: Studio West Cochrane Alberta 2/27.