Black and white photograph of Asulkan Glacier, Castor Peak and Pollux Peak in Glacier National Park. In the foreground along the bottom of the image there is a rocky area. Snow and swirling snow make up the middle portion of the image. The Mountain peaks are visible through the snow.
Black and white photograph of Asulkan Glacier, Castor Peak and Pollux Peak in Glacier National Park. In the foreground along the bottom of the image there is a rocky area. Snow and swirling snow make up the middle portion of the image. The Mountain peaks are visible through the snow.
Photograph of Vaux glacier which looks as if it was taken as a still image from a motion picture. In the upper left corner is sky which is slightly sepia coloured. It looks as if the image has been overexposed in this area. Below the sky the glacier is visible. A mountain rises up to the right …
Motion Pictures: B20: Looking for the Body in the Upper Vaux Glacier
Date
2001
Medium
photograph on photographic paper
Description
Photograph of Vaux glacier which looks as if it was taken as a still image from a motion picture. In the upper left corner is sky which is slightly sepia coloured. It looks as if the image has been overexposed in this area. Below the sky the glacier is visible. A mountain rises up to the right of the work as a dark area.
A highly varnished painting of Boulder Pass. At the bottom of the image there is snow that sweeps up the right side of the image and caps a rocky cliff. The snow is quite yellow at the centre of the image but becomes shadowed and dark in the bottom right corner. A lower snow-capped cliff is in t…
A highly varnished painting of Boulder Pass. At the bottom of the image there is snow that sweeps up the right side of the image and caps a rocky cliff. The snow is quite yellow at the centre of the image but becomes shadowed and dark in the bottom right corner. A lower snow-capped cliff is in the lower left corner. It forms a pass between it and the cliff on the right. The sky is quite dark at the top of the image but quite cloudy and grey-yellow lower down at the centre of the image. The vantage point makes the viewer feel as if they are peering over the ledge of a cliff and that all that is visible is sky.
Study for Boulder Pass painting. Yellowish snow sweeps across the bottom and up to a snow-capped cliff top. A lower snow-capped cliff is in the bottom right corner. The two cliffs form a pass between them. A stormy sky takes up the top of the image.
Study for Boulder Pass painting. Yellowish snow sweeps across the bottom and up to a snow-capped cliff top. A lower snow-capped cliff is in the bottom right corner. The two cliffs form a pass between them. A stormy sky takes up the top of the image.
A small dark study of Mt. Rundle. The base of the mountain is quite dark and gradually climbs to shades of blue and than to yellow-white snow. The back side of the mountain is quite dark and in shadows. The sky is dark and stormy except for yellow clouds that appear as if sun is reflecting off t…
A small dark study of Mt. Rundle. The base of the mountain is quite dark and gradually climbs to shades of blue and than to yellow-white snow. The back side of the mountain is quite dark and in shadows. The sky is dark and stormy except for yellow clouds that appear as if sun is reflecting off them.
Two teepees in the centre of the image surrounded by 5 decidious trees. Bottom foreground filled with black, red, and gold blanket-type pattern. Background has green trees and sky with swirls of white, blue, and green. Subtle designs are painted throughout - fox in BRC, Horse on right teepee, fern …
Two teepees in the centre of the image surrounded by 5 decidious trees. Bottom foreground filled with black, red, and gold blanket-type pattern. Background has green trees and sky with swirls of white, blue, and green. Subtle designs are painted throughout - fox in BRC, Horse on right teepee, fern front on right tee pee, moon in trees at centre, fdeer, fish, bear, and ferns on trees in mid-ground. Signed K.N. Swanson, 2002 BLC
A large white empty expanse encompasses the upper third of the work. The lower two thirds is composed of white mountains, formed from pieces of ripped white paper and glued onto the support.
A large white empty expanse encompasses the upper third of the work. The lower two thirds is composed of white mountains, formed from pieces of ripped white paper and glued onto the support.
An oil painting on board, unframed. The top-half of the painting comprises the brown and beige shoreline, the red and white boathouse, green coniferous trees, the mountains with snow-covered peaks and the blue sky with horizontal mauve and purple clouds. The bottom half of the painting comprises th…
An oil painting on board, unframed. The top-half of the painting comprises the brown and beige shoreline, the red and white boathouse, green coniferous trees, the mountains with snow-covered peaks and the blue sky with horizontal mauve and purple clouds. The bottom half of the painting comprises the lake and on the viewer’s left, the rocky shoreline and the top-half reflected in the water: the boathouse, the mountains behind, the trees and the sky. The artist signature is in the rhc: DONALD CURRAN 2007. Au verso top printed in pen “LAKE NEAR JASPER CANADIAN ROCKIES” signed in script underneath “Donald Curran 2007”.
An oil painting, unframed, on canvas and mounted on a wooden frame, of Mount Robson in B.C. The dominant colours are blue, white, and black. The bottom half of the painting is the rock, snow and ice of the glacier; the middle portion is the towering snowcapped peak of Mount Robson with other snowca…
An oil painting, unframed, on canvas and mounted on a wooden frame, of Mount Robson in B.C. The dominant colours are blue, white, and black. The bottom half of the painting is the rock, snow and ice of the glacier; the middle portion is the towering snowcapped peak of Mount Robson with other snowcapped peaks behind. The top-third is the sky clear light blue and white above the mountains turning to blue clouds above. The painting is signed (printed) in black ink brhc: “JBrown 07” and a “c” in a circle in blue ink to the left of the signature. Au verso, middle of the top of frame, written in magenta ink “20” ”, to the right of that “Mt Robson Canadian Rockies”, on the side viewer’s left “16” ”, and on the bottom in magenta ink, viewer’s left “Title: Mount Robson, Canada”, to the right, in magenta ink, “Artist: Joan A. Brown 03 07”, and underneath that “10 #mtrobsn 07”
arches paper; paper on arches paper; paper; mattboard; adhesive
Catalogue Number
SiR.15.01
Description
Paper is folded to look 3D. In the center there is a cut out square approximately 54.3 x 35.6 cm, with a paper mountain in the square. The left side of the mountain is folded over to look like snow.
arches paper; paper on arches paper; paper; mattboard; adhesive
Dimensions
36.0 x 53.5 cm
Description
Paper is folded to look 3D. In the center there is a cut out square approximately 54.3 x 35.6 cm, with a paper mountain in the square. The left side of the mountain is folded over to look like snow.
Three mountain peaks rise from the bottom of the piece, with a white semi circle ringed in yellow rising from the bottom left. The sky is presented in shades of pink and blue.
Three mountain peaks rise from the bottom of the piece, with a white semi circle ringed in yellow rising from the bottom left. The sky is presented in shades of pink and blue.
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-col…
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-coloured background, surrounded by a black square. Printed on the top back of the painting “BLACK BEAR - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw pri…
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw print on a taupe-coloured background, bordered with black. Printed on the top back of the painting “GRIZZLY - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.
Three small images on one piece of white rice paper. Each image is side by side and contains an image of a mountain . the first image is an embossed mountain, the second image is a dry point printing and the third image is debossed . both end images are simple white of the paper. along the bottom o…
Three small images on one piece of white rice paper. Each image is side by side and contains an image of a mountain . the first image is an embossed mountain, the second image is a dry point printing and the third image is debossed . both end images are simple white of the paper. along the bottom of the piece are the title/signature/ artist proof.