File consists of 2 books; one 18th century, one 20th century stamp book. Includes 1723 copy of ‘A Life of Mahomet’ by Humphrey Prideaux; missing front/back covers, replaced with plain brown paper covers. Handwritten title ‘Mahomet’ written on front cover and side binding in different handwritings; …
Humphrey Prideaux (1648-1724) was born in Cornwall and eventually became a Doctor of Divinity. Prideaux was an author of multiple textual works pertaining to faith and particularly Christianity. He was the Dean of Norwich from 1702 until his death in 1724.
Scope & Content
File consists of 2 books; one 18th century, one 20th century stamp book. Includes 1723 copy of ‘A Life of Mahomet’ by Humphrey Prideaux; missing front/back covers, replaced with plain brown paper covers. Handwritten title ‘Mahomet’ written on front cover and side binding in different handwritings; front believed to be by Nicholas Morant (?), side unknown. Also includes book of Japanese stamps collected by Nicholas Morant; many not dated, various designs and sizes, annotated on covers with Nicholas Morant's personal ink stamp.
Storage Range
In file box M300 / III / D / 5 / 75 to M300 / III / D / 5 / 91
Five various sized beaded bags mounted on bergundy coloured velvet in a 7.5 wide dark cherry wood frame with glass. (a) 4.5 wide silk top with drawstring. Three horizontal panels. Top and bottom are green leaves on brown background, bottom has yellow acorns, top has white. Centre panel is 8.5 w…
Five various sized beaded bags mounted on bergundy coloured velvet in a 7.5 wide dark cherry wood frame with glass. (a) 4.5 wide silk top with drawstring. Three horizontal panels. Top and bottom are green leaves on brown background, bottom has yellow acorns, top has white. Centre panel is 8.5 wide with blue background with finely detailed flowers in intense blues, reds and yellows with some white. (b) 24.0x16.5. Fine cotton bag with beading. 2.5 wide cotton at top with drawstring. Beadng black background with vase of aqua and white bands, gold and dark green pattern. Vase holds various shades of blue flowers with some white and gold. Underneath spray of similar flowers. Beaded fringe 3.5 across bottom. (c) 16.5x13.5. Beaded beige sateen bag with 1.5 drawstring. Gold geometric beading on off-white beaded background. Looped beading fringe. (d) 12.0x7.5. Small beaded bag on beige cotton. Shaded pink roses with green leaves in overall pattern on beige beaded background. Vase-like orange and yellow object in centre of pattern. Remnants of blue and beige handle. (e) 11.0x9.0. Beige sateen drawstring 1.0. Overall geometric pattern of blue, light blue and gold. Band of light blue with dark blue and gold open pattern with dark blue border. Bottom corners have looped tassels of same colours.NOTE: the frame and burgundy-coloured velvet was removed because of discolouration; bags are a deeper colour on velvet-pressed side and faded on glass-pressed-side.
A pair of round shallow dishes set on tall pedestals. The dishes have a bold coloured border around the rim with a series of raised relief gold dots forming a band . The centre of each plate is decorated with a sheaf of leaves, grasses and flowers. Each pedestal is a column with acanthus leaves …
A pair of round shallow dishes set on tall pedestals. The dishes have a bold coloured border around the rim with a series of raised relief gold dots forming a band . The centre of each plate is decorated with a sheaf of leaves, grasses and flowers. Each pedestal is a column with acanthus leaves around the top with two sculpted figures playing about the column. The column rests on a large round base, with three feet curving under, and repeats the design of plate border. Both of the plates are marked with Royal Worcester hallmarks.a) A standing cherub holding a cloth scarf is facing outward and looking down at a seated cherub that is holding a cup on the other side of the pedestal.b) A standing cherub is peeking around the pedestal at a crawling cherub.
A cylindrical, bottle-shaped handthrown vase, straight-sided, shouldered and necked with a lip on the top of the neck. Decoration heavy over a heavily crackled ecru surface. Decorations in green, blue, and white enamel of harbour scene in landscape, shelters, and blossoming trees. Typed label on bo…
A cylindrical, bottle-shaped handthrown vase, straight-sided, shouldered and necked with a lip on the top of the neck. Decoration heavy over a heavily crackled ecru surface. Decorations in green, blue, and white enamel of harbour scene in landscape, shelters, and blossoming trees. Typed label on bottom: “cylindrical, stained Ecru glaze; landscape design, richly ornamented, green and blue enamel; Kioto; 1780.”
Ink set contained in a round top, trunk shaped container which sits on four, corner ball feet. Rounded top has round knob and is hinged for opening. Either end of container has relief lion's head with rotating ring through jaw. Bottom of box scratched "#251 MT ac", also stamped lion profile hallmar…
Ink set contained in a round top, trunk shaped container which sits on four, corner ball feet. Rounded top has round knob and is hinged for opening. Either end of container has relief lion's head with rotating ring through jaw. Bottom of box scratched "#251 MT ac", also stamped lion profile hallmark and "7". Interior of box is two chambers divided by flat sterling bar. In either chamber sits a bevelled, square sided glass. Each container has circular, ridged top with 1.0 cm. hole in centre. One of sterling tops is anchored permanently to glass well and has white powder residue inside it, other top is removable and is presumably for holding ink. Card inside box says "Old Sheffield Ink Box made in London. Circa 1810-1815."
Brown, wood metronome from Crosby House,made by manufacture Seth Thomas. Bottom is stamped in ink “5705 METRONOME #7” and in child’s writing, black pen “BARK” Missing front lid
Brown, wood metronome from Crosby House,made by manufacture Seth Thomas. Bottom is stamped in ink “5705 METRONOME #7” and in child’s writing, black pen “BARK” Missing front lid
Two musket balls matted and framed with inscription. Frame is 15.5x23.2, behind glass.Inscription reads “Musket Balls lost by David Thompson at Athabaska (sic) Pass on January 13th, 1811, and discovered by The Interprovincial Boundary Survey July 1921. Presented by R.W. Cautley The Leader of the S…
Two musket balls matted and framed with inscription. Frame is 15.5x23.2, behind glass.Inscription reads “Musket Balls lost by David Thompson at Athabaska (sic) Pass on January 13th, 1811, and discovered by The Interprovincial Boundary Survey July 1921. Presented by R.W. Cautley The Leader of the Survey Party.Note In frame Musket was originally spelled Muske1 and then a bar put through to make it look like a t.
Hand-painted needlwork pattern on gridded card depicting a small brown bird among a circle of foliage and roses. There are two gold filigrees in each of the top corners. The work is signed in the top right corner “S.M. Potts”The gridded box is labeled “2067” in the top right corner. Centered beneat…
Hand-painted needlwork pattern on gridded card depicting a small brown bird among a circle of foliage and roses. There are two gold filigrees in each of the top corners. The work is signed in the top right corner “S.M. Potts”The gridded box is labeled “2067” in the top right corner. Centered beneath the box reads “Berlin bei L.W. Wittich, Frienzösische Str: No 43”. Translated from German, this reads “Berlin by L.W. Wittich, French Street: No 43.” In the bottom left corner of the grid, there is a “2.” written.