An account of one couple's life on a remote island beyond the Polar Front, a tale to rival the exploits of the great nineteenth-century explorers.
After twenty-five years of cruising the world's oceans, renowned blue-water sailors Pauline and Tim Carr found themselves being drawn to the lonely places of the higher latitudes to experience earth's last, scarcely touched regions. Antarctic Oasis records the culmination of those exploits. True adventurers, the Carrs have lived year-round on South Georgia for five years its only civilian inhabitants experiencing a way of life that has all but vanished from our modern world.
A center of the Norwegian whaling industry in the last century, today a remnant of the far-flung British Empire, South Georgia is a splendid if forbidding land of towering, glacier-clad mountains and a treacherous, storm-torn coast punctuated by sheltered bays. During its brief polar summer, the island's verdant shoreline offers Antarctic wildlife a place to feed, mate, and rear their young. The only humans on the scene, the Carrs have learned intimate details about the lives of whales, penguins, seals, albatrosses, skuas, and many others.
In all seasons the Carrs explore South Georgia's uncompromising coast aboard their yacht Curlew. Their deep fascination with the island, its wildlife, and its history will stir the spirit of adventure and discovery in us all. (from Abe Books)
Contents
Foreward
Preface and Acknowledgements
Chapter I - Ultimate Landfall
Chapter II - Antarctic Outpost
Chapter III - Nine to Five
Chapter IV - Green Antarctic
Chapter V - Kindred Souls
Chapter VI - Shackleton's Shadow
Chapter VII - The Rough with the Smooth
Chapter VIII - Albatross
Chapter IX - Elephantastic
Chapter X - The Mountaineering Dimension
Chapter XI - Just Talking to the Birds
Chapter XII - The Wild Side
Chapter XIII - A Shimmer of Ice
Chapter XIV - A Clean Pair of Heels
Index
Notes
Ephemra of Margaret Gmoser pertaining to trip removed from book and added to AC637 box of archival materials
Signed by the eleven participants of the September 17-19, 2004 Shackleton Crossing trip
Signed by the authors with greetings addressed to Margaret Gmoser
Pertains to the breathtaking photography captured by members of the Canadian Mountain Holiday Heli-skiing and Summer Adventurers in Banff, Alberta. The Canadian Mountain Holiday Company (CMH) worked to create a gallery in their book that would showcase some of the stunning photography they hold in their collection. The photographs are vast, showcasing skiing adventures, snowboarding adventures, hiking trips and the outdoors in its most natural state. Alongside each photograph is a short excerpt written by Hans Gmoser. Although never intended to be a concise story, the captions help to provide context and evoke a greater appreciation for nature and adventure.
Accession Number
2019.64
Call Number
06.4 G11t
Collection
Archives Library
URL Notes
The URL is linked to the official website for the CMH. Interested users can explore the site for more information concerning the CMH and the services they offer.
This collection includes 150 letters Emily Carr wrote to her friends Nan Cheney and Humphrey Toms, and 100 other letters relating mainly to Emily Carr. The letters date from 1930 to 1945, the most prolific period in Carr’s career as both painter and writer. In them she writes in colourful detail about her everyday activities, and discusses her painting – “the biggest thing in my life.” There are outbursts of exasperation and anger as well as many indications of her caring, her warmth, her wisdom and her wit, and of her impatience with critics and poseurs, and they give insights into her various relationships with, among others, Lawren Harris, Ira Dilworth, Jack Shadbolt, Garnett Sedgewick, Dorothy Livesay, A.Y. Jackson, and Arthur Lismer. Nan Cheney and Humphrey Toms shared Emily Carr’s interest in art. Carr’s relationship with Cheney dated back to 1930 but did not flourish until 1937 when Cheney moved from Ottawa to Vancouver to become the first full-time medical artist at UBC. Humphrey Toms was only twenty years old when he first met Emily Carr, having asked to visit her after seeing some of her paintings, following which a warm friendship developed. The correspondence between Cheney and Toms reveals how Carr was regarded at the time and attests to their mutual interest in the Vancouver art scene. As an active member Cheney relates gossip about the local art community, providing a very personal and often exceedingly critical view of the Vancouver art milieu of the time. Doreen Walker has chosen not to change the original text of the letters and includes Carr’s misspellings and grammatical irregularities, which give a feeling of immediacy to the writing. There are numerous examples of her talent for graphic description, how she felt “rag rug level” when depressed and how she “was sat down with a spank” when ill. Perhaps most significant are the many revelations of her deep commitment to her work and of her industry and perseverance despite her failing health. “Queer how we go on,” she wrote to Cheney, “luck there is so much rubber in human composition.” (from UBC Press website)
Contents
Foreward
Introduction
Note on the text
Acknowledgements
Abbreviations
Colour Plates
Chronology
Illustrations
The Letters
Postscript
Transcription of the Carr Letters
Emily Carr’s “Variations”
Index
Fonds consists of motion pictures, sound recordings, textual records and photographs produced by Eddie Hunter. I. Eddie Hunter motion picture footage in four sub-series: A. Red series, predominant 1955-1988, ca.190 motion pictures or segments. Consists of camera originals and finished original fil…
ca.260 motion pictures (ca.490 reels) : some with audio reels. -- 2 audio reels. -- 18 cm of textual records. --3 sound recordings. -- 21 photographs : prints, transparencies
History / Biographical
Edward (Eddie) Clement Edgar Hunter, b.1926, is a skier, cinematographer, broadcaster, photographer and writer based at Banff, Alberta, Canada. Hunter began skiing in his native Edmonton, Alberta and became an expert ski racer in the mountains. He came to live in Banff with his parents in 1934 and was introduced to the Sunshine Ski area in 1936 by his uncle, Lloyd Hunter, who drove "Sunshine Suzie" for Brewster Transport. Hunter skied extensively in the Canadian Rockies, in Squaw Valley, California (1950) and competitively in Europe starting in 1954.
Hunter worked as a free-lance cameraman during the 1950s and later in early live television in Calgary at CHCT, later CFAC. After working as an official photographer for the 1960 Winter Olympic Games in Squaw Valley, he joined CFCN television. Hunter hosted a children's show, "Head Hunter," and a talk show, "Late Knight," while running a weekend ski program until 1965. Hunter held the photography concession on Sulphur Mountain, producing Polaroid shots for tourists and giving natural history talks.
Hunter worked mainly as a free-lance motion picture cameraman for the next twenty-nine years. His major accomplishments, while working for other companies, involved a cold-war era agriculture documentary in Russia (1959), a documentary about the Superman movies in Calgary and camera work for the official 1988 Winter Olympic Games film. Most of the film footage in this fonds was produced by Hunter during quiet times when he was not hired out to other production companies. Head Hunter Films produced a number of short promotional films for Air Canada, Canadian Mountain Holidays, Sulphur Mountain Gondola, Norquay Ski Area and others. "How the West was Skied" was mainly a compilation of footage Hunter filmed over the years, supplemented with early footage collected from other sources.
Scope & Content
Fonds consists of motion pictures, sound recordings, textual records and photographs produced by Eddie Hunter.
I. Eddie Hunter motion picture footage in four sub-series: A. Red series, predominant 1955-1988, ca.190 motion pictures or segments. Consists of camera originals and finished original films. Mainly unedited footage of skiing, ski racing, celebrities, developments, heli-skiing, disabled skiing, freestyle skiing and humorous skiing in the Canadian Rockies, Bugaboos, Cariboos, Monashees and Coast Range, also the United States and Europe. Features many prominent local and international skiers; Banff, Lake Louise and Jasper and areas; promotional and documentary film footage. B. Blue series, predominant 1960-1985, ca.60 motion pictures and segments, 4 video recordings. Consists of work prints and projection copies. C. Other motion pictures, before 1995, 12 motion pictures, 1 video recording. Consists of motion pictures collected by Hunter. D. Audio reels, between 1970 and 1995, 2 items.
II. Textual records, ca.1945-1991, ca.30 cm. Series consists of film lists, scripts, call sheets, programmes, and other material; files re short films; and historical skiing materials.
III. Sound recordings, ca.1965, 2005, 3 items. Series consists of Eddie Hunter nature talk for use on Sulphur Mountain, ca.1965; Edward VIII abdication speech for Canadian Wax Gallery, Banff, undated; two-part interview with Howard Srigley, March 8 & 14, 2005.
IV. Photographs, 1968, 21 items : prints, transparencies. Series pertains to opening day ceremonies at the Banff Public Library / Archives of the Canadian Rockies.
Notes
This material is presented as originally created, it contains outdated cultural descriptions and potentially offensive content. Materials in historical collections reflect the attitudes, ideas, and norms of the era and culture in which they were created or collected. Offensive or harmful terms are retained for historical accuracy or to document the issues and social context of a specific time and the attitudes and opinions of the people who created the material.
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools series and file description
film-maker's notes (in case file: descriptions sometimes inaccurate due to editing of the films subsequent to ca.1990 preparation of notes)
Related Material
Accompanied by publications, motion picture camera and equipment, sound recording/playback equipment, skis, ski apparel, etc. transferred to library and heritage collections, Whyte Museum
Fonds consists of 27 limited edition prints of pen and pencil drawings by Glen Boles, 1994-2002. Content of prints include Mt. Assiniboine, Mt. Fay, Mt. Louis, Mt. Alberta, Abbot Pass & Victoria Glacier, Snowpatch Spire, Howser Spires, Mt. Finger, Three Sisters, Tower of Babel, Eisenhower Tower, Mt…
Glen Boles (1934-2022), was born in St. Stephen, New Brunswick and moved to Calgary, Alberta in 1953. In 1957 he was persuaded to climb with co-worker and mountain guide Heinz Kahl, a native Bavarian. Heinz Kahl and English climber Brian Greenwood introduced Boles to more difficult climbing. Boles has climbed extensively in the Rockies, summiting over 400 peaks including many new routes and first ascents. He has also climbed in the Interior Ranges of British Columbia as well as the St. Elias Range of Alaska and the Alps. Boles is also an avid skier and spent 13 years on the Canadian Ski Patrol System and is a member of the Ski Friends program in Lake Louise.
Boles retired from the City of Calgary Waterworks Engineering Division in 1991 after thirty-five years employment. Boles and his wife (married in 1965) reside in Cochrane, Alberta. From his mountain experiences, Glen has developed an interest in photography, drawing and writing and has co-authored "The Climbing Guide to the Canadian Rockies-South" and "Place Names of the Canadian Alps" with Bill Putnam and Roger Laurilla.
Scope & Content
Fonds consists of 27 limited edition prints of pen and pencil drawings by Glen Boles, 1994-2002. Content of prints include Mt. Assiniboine, Mt. Fay, Mt. Louis, Mt. Alberta, Abbot Pass & Victoria Glacier, Snowpatch Spire, Howser Spires, Mt. Finger, Three Sisters, Tower of Babel, Eisenhower Tower, Mt. Stephen, Bugaboos, Bighorn Sheep, Cougar, Timber Wolf, Grizzly Bear, Mt. Robson, Berg Lake, and Yamnuska. Fonds also includes approximately 40 diaries, ca. 1967-2021 and 16.5 cm. of correspondence 1987-2010
Notes
27 drawing prints moved to Oversize infofile storage under title "Artists - Glen Boles"
Pertains to Elsie Park Gowan who was an adjudicator and instructor at the Banff School of Fine Arts between 1930 and 1958.
Contents
Homestead -- The hungry spirit -- Back to the kitchen, women! -- The last caveman -- High green gate -- Breeches from Bond Street -- Woman in the twentieth century -- The freedom of Mrs. Rodway.
ISBN
0-920897-19-3
Accession Number
p2019-07
Call Number
05.3 Da33t
Collection
Archives Library
URL Notes
Biographical information found in the Canadian Encyclopedia
"A 'Pioneer,' for this account, is a person who was resident of that part of the Province of Alberta lying south of Township 40 on December 31, 1890 and a person who was resident in the three prairie provinces prior to December 31, 1890 who applied for and was admitted to membership in the Society [now Southern Alberta Pioneers and Their Descendants] between May 8, 1964 and October 25, 1967."--Introd.
Contents
Prologue - Pioneers Memories Treasured
Forward
Calgary Stampede
Introduction
Biography Index & Genealogical Information
Biographies
History
Past Presidents
Pioneer Photographs
Notes
Links to "A 2005 Centennial Addendum to the 1993 Publication" Call # 08.2 So8a
Accession Number
2019.68
Call Number
08.2 So8p
Collection
Archives Library
URL Notes
Website for Southern Alberta Pioneers and their Descendants
Included in the spectacular photography of the Colorado Plateau are the photographer's notes on responses to his subject and photographic techniques used.
Summaries of significant artefacts held in museum collections across Canada organized by province and territory. Includes the Whyte Museum of the Canadian Rockies
Contents
Foreward
Acknowledgements
Preface
Introduction
Atlantic Provinces
Newfoundland
Nova Scotia
Prince Edward Island
New Brunswick
Quebec
Ontario
Manitoba
Saskatchewan
Alberta
British Columbia
Northwest Territories
Yukon
Indices
Notes
Stoney-Assiniboine beaded moccasins from Morley dated 1895 to 1910 at the Whyte Museum of the Canadian Rockies are featured on page 232-233
Pertains to the works of Gordon Burles, a poet of the Canadian Rocky Mountains. The poet’s work reflects a somber undertone, and covers topics pertaining to people, places, and nature.
Notes
Annotated – the author has signed the front page with the following, “To Liz – best wishes, from Gordon Burles”
Accession Number
2017.8683
Call Number
05.1 B92t Pam
Collection
Archives Library
URL Notes
The URL is linked to the Gordon Burles fonds held at the Whyte Museum of the Canadian Rockies.