Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Pencil drawing on paper of a soldier’s head. One is more complete, with pillbox hat, decorative collar, and the beginnings of facial features. The other is more lightly drawn and detached from the collar. Underneath these drawings are the words: Corporal Windsor 1941.all of this appears in the uppe…
Pencil drawing on paper of a soldier’s head. One is more complete, with pillbox hat, decorative collar, and the beginnings of facial features. The other is more lightly drawn and detached from the collar. Underneath these drawings are the words: Corporal Windsor 1941.all of this appears in the upper left corner. The paper is embossed with the words HOWARD SMITH VICTORY WAR BONDS CANADA.
A pencil line drawing of a mountain range. A pencil line runs the full width of the paper 0.6 from top; a sewing machine line of holes runs the full length from top to bottom 1.4 from left edge. The sheet is pulled from a sketch book. Au verso is NiJ.03.19.
A pencil line drawing of a mountain range. A pencil line runs the full width of the paper 0.6 from top; a sewing machine line of holes runs the full length from top to bottom 1.4 from left edge. The sheet is pulled from a sketch book. Au verso is NiJ.03.19.
Impressionistic female face with clouds behind. Signature in the bottom rhc: SinclairPeopled Road is one of his early works to feature the road, in an evolutionary move to his Road Series.
Impressionistic female face with clouds behind. Signature in the bottom rhc: SinclairPeopled Road is one of his early works to feature the road, in an evolutionary move to his Road Series.
A lot of curvy lines made by pencil that look like clouds or mountains. On the upper right there is a very small triangle with two black lines and a white stripe in the middle of the two which resembles a road. Signature bottom centre: “Sinclair ‘70”.
A lot of curvy lines made by pencil that look like clouds or mountains. On the upper right there is a very small triangle with two black lines and a white stripe in the middle of the two which resembles a road. Signature bottom centre: “Sinclair ‘70”.
Colour: pencil on white. Bare branched trees lean to the right from the left side over a rocky ground. Bushes are behind at left on a short horizon line appears right of enter.
Colour: pencil on white. Bare branched trees lean to the right from the left side over a rocky ground. Bushes are behind at left on a short horizon line appears right of enter.
Pencil drawing of a woman hanging from a ceiling as a man helps her up into the floor above. The ladder below her has tipped over. A door on the main floor opens to the outside.
Pencil drawing of a woman hanging from a ceiling as a man helps her up into the floor above. The ladder below her has tipped over. A door on the main floor opens to the outside.
Six pencil drawings of the upper body and head of a man in uniform. Each drawing shows a different levels of detail; one is only a basic geometric abstraction, while others show inform details, such as the buttons of the coat. Man wears a pillbox hat.Drawn on war bond paper.
Six pencil drawings of the upper body and head of a man in uniform. Each drawing shows a different levels of detail; one is only a basic geometric abstraction, while others show inform details, such as the buttons of the coat. Man wears a pillbox hat.Drawn on war bond paper.
An extremely light pencil drawing of a rough sketch of a human figure and the text BLIND DATE. Relates to other drawings that appear to be plans for a title page of BLIND DATE. The drawing and text are enclosed in a hand drawn rectangular frame.
An extremely light pencil drawing of a rough sketch of a human figure and the text BLIND DATE. Relates to other drawings that appear to be plans for a title page of BLIND DATE. The drawing and text are enclosed in a hand drawn rectangular frame.
Pencil drawing of a line of soldiers standing at attention in front of a brick archway. The soldiers are identical to each other and become more abstracted as the line vanishes into the background. One single figure stands at attention in front of them.
Pencil drawing of a line of soldiers standing at attention in front of a brick archway. The soldiers are identical to each other and become more abstracted as the line vanishes into the background. One single figure stands at attention in front of them.
There are pencil drawings on both sides of this paper. Side 1: Two title texts that read: BLIND DATE. The upper version is more crudely sketched, while the lower version has relatively crisp lines. In both versions, each word occupies its own line. Side 2:Three male figures stand with their backs t…
There are pencil drawings on both sides of this paper. Side 1: Two title texts that read: BLIND DATE. The upper version is more crudely sketched, while the lower version has relatively crisp lines. In both versions, each word occupies its own line. Side 2:Three male figures stand with their backs to the viewer. All carry a suitcase in their (and the viewer’s) right hand and a small bag in their left hand. They appear at varying distances from the viewer.
Pencil drawing of man in military uniform, on very thin, translucent paper. Man wears a pillbox hat, and a belted coat with large button running down the front. Arms and lower body are not rendered.
Pencil drawing of man in military uniform, on very thin, translucent paper. Man wears a pillbox hat, and a belted coat with large button running down the front. Arms and lower body are not rendered.
A pencil drawing of four male figures with their backs to the viewer. Three of the four have their entire body finished, while the figure on the far right is only a head and torso. All three complete figures share the same stance and hold a suitcase in their right hand, and a smaller item in their …
A pencil drawing of four male figures with their backs to the viewer. Three of the four have their entire body finished, while the figure on the far right is only a head and torso. All three complete figures share the same stance and hold a suitcase in their right hand, and a smaller item in their left hand. All three are wearing shorts, knee socks, and a hat. Figures’ sizes vary slightly. This figure appears in Whyte’s Blind Date drawings. Paper is embossed with HOWARD SMITH VICTORY BONDS CANADA.
A light pencil drawing of two figure in trenchcoats, walking away from the viewer, with their backs to the viewer. The figure on the right is taller and bigger than the other. The taller figure wears a pillbox hat and turns his head slightly towards the figure on his left. The head of the smaller f…
A light pencil drawing of two figure in trenchcoats, walking away from the viewer, with their backs to the viewer. The figure on the right is taller and bigger than the other. The taller figure wears a pillbox hat and turns his head slightly towards the figure on his left. The head of the smaller figure is tilted towards the larger figure. The two figures appear to be connected by either holding hands, or sharing an object in between them. The taller figure is dressed like figures from drawings for the book Blind Date that Peter Whyte made. Paper is embossed with: HOWARD SMITH VICTORY BONDS CANADA