Contents: Incident for Katherine (p. 3); A portrait for Mariko and Natsuko (p.3); Tableau for Annalee Westheim (p.4); Portrait for Garrison Upham (p.5); Portrait for Kristelle Dejeune (p. 6); Noctuary for Lazenby Horton (p. 6); Penultimate Tableau for Kristelle (p. 7); Poem dedicated to Helen Wells (p.7); Tableau for Etherspear Wugbyson (p.10); Noctuary for Lousandra Ellerton (p. 10); Nocturne for Amanda (reprint) (p. 11); At the Tea House (reprint) (p.12); Portrait for Leonora (reprint) (p.13); Letter to Wallace (reprint) (p. 14); Another portrait for Maria (reprint) (p.15); Summer carnival (reprint) (p. 16)
Cover: photograph by author in 1979 of fossil coral (Lithostrotionella) near summit of Mount Stoney Squaw
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the m…
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the mountain peak. The rocks are various shades of very dark blue, lighter blue and brown. To the viewer’s left the snow is tinged in various shades of pink as the morning light strikes it and the view to the right is still in the blue shades of shadow. The artist’s signature in white is in this area. The middle of the painting is the pink glow of the sun on snow with some shaded snow and rocks still showing to the viewer’s right. The top-half is a snow-covered Mt. Assiniboine with brown rock bands; viewer’s right in the sun’s light and viewer’s left in the shade. Beyond the mountain are hills and valleys of pink, blue and green. The sky is a very deep shade of purple and blue.
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black…
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the trhc, “45/W”.
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artis…
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artist’s signature is in the blhc in purple paint. Au verso, written in black ink in the tlhc, “47/R”.
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-col…
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-coloured background, surrounded by a black square. Printed on the top back of the painting “BLACK BEAR - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw pri…
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw print on a taupe-coloured background, bordered with black. Printed on the top back of the painting “GRIZZLY - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.