Four framed photographs: a) black and white photograph of Ernest Feuz, Swiss guide, standing with coiled rope and ice axe; b) black and white photograph of five climbers with nailed boots sitting inside Abott Pass Hut, Ernest Feuz is third from left and Christian Hasler is fourth from left; c) blac…
Four framed photographs: a) black and white photograph of Ernest Feuz, Swiss guide, standing with coiled rope and ice axe; b) black and white photograph of five climbers with nailed boots sitting inside Abott Pass Hut, Ernest Feuz is third from left and Christian Hasler is fourth from left; c) black and white photograph of three Swiss guides on Sir Donald Trail with Illecillewaet Glacier in background, left to right: Walter Feuz, Christian Hasler and Ernest Feuz; d) black and white photograph of Ernest Feuz wearing his Swiss guides’ pin on his lapel.
A black and white rectangular photograph of Philip Moore at an outdoor camp, wearing a fringed deerskin shirt, bending over with his hands on his knees.
A black and white rectangular photograph of Philip Moore at an outdoor camp, wearing a fringed deerskin shirt, bending over with his hands on his knees.
Black and white photograph of a house with trees in foreground and background. The photograph is framed with a wide dark mat and a simple black wood frame. The back is marked with “Taken about 1908 - John Brewster’s (SR) home corner Moose St, and Banff Ave.”
Black and white photograph of a house with trees in foreground and background. The photograph is framed with a wide dark mat and a simple black wood frame. The back is marked with “Taken about 1908 - John Brewster’s (SR) home corner Moose St, and Banff Ave.”
A black and white studio photograph of a girl, Pearl Brewster, in highland dance costume. The photograph is framed with a wide dark mat and a fairly heavy wooden frame painted black.
A black and white studio photograph of a girl, Pearl Brewster, in highland dance costume. The photograph is framed with a wide dark mat and a fairly heavy wooden frame painted black.
A black and white photograph (close up) of a lynx sitting next to the trunk of a tree in a forest. The photograph has a wide white mat and a simple black wooden frame.
A black and white photograph (close up) of a lynx sitting next to the trunk of a tree in a forest. The photograph has a wide white mat and a simple black wooden frame.
A black and white studio photograph of a child (Edmee Moore), at age one or two, sitting in small square chair in the middle of the photograph. The photo is framed with a wide white mat and a gold coloured metal and wood frame.
A black and white studio photograph of a child (Edmee Moore), at age one or two, sitting in small square chair in the middle of the photograph. The photo is framed with a wide white mat and a gold coloured metal and wood frame.
A black and white studio photograph vignette of a man (Philip Moore) wearing a tweed suit jacket, vest and tie. The photograph is framed with a white mat and a simple plain wooden frame.
A black and white studio photograph vignette of a man (Philip Moore) wearing a tweed suit jacket, vest and tie. The photograph is framed with a white mat and a simple plain wooden frame.
A black and white vignette, three-quarters portrait, of a man in a tweed suit and tie. The photo is framed with a white mat, a plain black wooden frame with narrow gold inside and outside borders, and non-glare glass. The lower right corner of the photograph is marked “Keep off my ocean.” and sig…
A black and white vignette, three-quarters portrait, of a man in a tweed suit and tie. The photo is framed with a white mat, a plain black wooden frame with narrow gold inside and outside borders, and non-glare glass. The lower right corner of the photograph is marked “Keep off my ocean.” and signed “Frederick B. Hussey.”
A black and white photographic reproduction of a painting of four 16th century Italian cavaliers dressed in velvet and lace, drinking around small cloth covered table before a large ornate fireplace. There is a serving maid in the background and a beggar woman on the other side. There is a signat…
A black and white photographic reproduction of a painting of four 16th century Italian cavaliers dressed in velvet and lace, drinking around small cloth covered table before a large ornate fireplace. There is a serving maid in the background and a beggar woman on the other side. There is a signature brc: “F. Vinez Fireneze 1890.” The photograph is glued to a beige mat with a thin white line framing the photo. There is an embossed seal of photography company at the centre bottom. The print is framed in a simple narrow varnished oak frame with carved dot trim at the edge, backed with two thin slats of wood and patches of brown paper. Two screw eyes and a hanging wire are attached to the back.
Japanese scenes, pasted on to card. (a) "Ninagawa's house, Kioto. Inner gate and a very old tree planted about 300 years ago." plus Japanese writing, photograph 5.8 x 9.7 pasted on card 7.3 x 10.8. (b-e) prints 5.7 x 9.0 pasted on card 6.3 x 10.5, scenes of bridge construction, 2 over water, 2 ov…
Japanese scenes, pasted on to card. (a) "Ninagawa's house, Kioto. Inner gate and a very old tree planted about 300 years ago." plus Japanese writing, photograph 5.8 x 9.7 pasted on card 7.3 x 10.8. (b-e) prints 5.7 x 9.0 pasted on card 6.3 x 10.5, scenes of bridge construction, 2 over water, 2 over land.
A vase with a fluted base and a narrow bottom that flares gradually to the rim. This vase features an ornate cut design that is decorated with a formal leaf design in gold. The top edge is finished with a band of plain gold.
A vase with a fluted base and a narrow bottom that flares gradually to the rim. This vase features an ornate cut design that is decorated with a formal leaf design in gold. The top edge is finished with a band of plain gold.
Slab-footed, hand formed body to resemble bell-flower shape. Transparent glaze with cobalt speckling inside and outside of rim. Tooled bract-shaped forms near base; signature stamp on bottom.
Slab-footed, hand formed body to resemble bell-flower shape. Transparent glaze with cobalt speckling inside and outside of rim. Tooled bract-shaped forms near base; signature stamp on bottom.
Bamboo stalk shaped vase. Very pale transparent green glaze - heavily crackled slab-built then seam formed and carved to resemble bamboo stalk. Base has concave indentation, cylindrical shape on a flat, circular base.
Bamboo stalk shaped vase. Very pale transparent green glaze - heavily crackled slab-built then seam formed and carved to resemble bamboo stalk. Base has concave indentation, cylindrical shape on a flat, circular base.
Small spheroid vase with cylindrical neck, beige glaze with black, red, gold, green enamel over-glazes in flower pattern. Flat and trimmed foot. Neck has 2.2 cm. diameter, two sections of punch pattern which possibly created depression which runs the circumference. Signature stamp near base.
Small spheroid vase with cylindrical neck, beige glaze with black, red, gold, green enamel over-glazes in flower pattern. Flat and trimmed foot. Neck has 2.2 cm. diameter, two sections of punch pattern which possibly created depression which runs the circumference. Signature stamp near base.