Four framed photographs: a) black and white photograph of Ernest Feuz, Swiss guide, standing with coiled rope and ice axe; b) black and white photograph of five climbers with nailed boots sitting inside Abott Pass Hut, Ernest Feuz is third from left and Christian Hasler is fourth from left; c) blac…
Four framed photographs: a) black and white photograph of Ernest Feuz, Swiss guide, standing with coiled rope and ice axe; b) black and white photograph of five climbers with nailed boots sitting inside Abott Pass Hut, Ernest Feuz is third from left and Christian Hasler is fourth from left; c) black and white photograph of three Swiss guides on Sir Donald Trail with Illecillewaet Glacier in background, left to right: Walter Feuz, Christian Hasler and Ernest Feuz; d) black and white photograph of Ernest Feuz wearing his Swiss guides’ pin on his lapel.
A black and white rectangular photograph of Philip Moore at an outdoor camp, wearing a fringed deerskin shirt, bending over with his hands on his knees.
A black and white rectangular photograph of Philip Moore at an outdoor camp, wearing a fringed deerskin shirt, bending over with his hands on his knees.
Black and white photograph of a house with trees in foreground and background. The photograph is framed with a wide dark mat and a simple black wood frame. The back is marked with “Taken about 1908 - John Brewster’s (SR) home corner Moose St, and Banff Ave.”
Black and white photograph of a house with trees in foreground and background. The photograph is framed with a wide dark mat and a simple black wood frame. The back is marked with “Taken about 1908 - John Brewster’s (SR) home corner Moose St, and Banff Ave.”
A black and white studio photograph of a girl, Pearl Brewster, in highland dance costume. The photograph is framed with a wide dark mat and a fairly heavy wooden frame painted black.
A black and white studio photograph of a girl, Pearl Brewster, in highland dance costume. The photograph is framed with a wide dark mat and a fairly heavy wooden frame painted black.
A black and white photograph (close up) of a lynx sitting next to the trunk of a tree in a forest. The photograph has a wide white mat and a simple black wooden frame.
A black and white photograph (close up) of a lynx sitting next to the trunk of a tree in a forest. The photograph has a wide white mat and a simple black wooden frame.
A black and white studio photograph of a child (Edmee Moore), at age one or two, sitting in small square chair in the middle of the photograph. The photo is framed with a wide white mat and a gold coloured metal and wood frame.
A black and white studio photograph of a child (Edmee Moore), at age one or two, sitting in small square chair in the middle of the photograph. The photo is framed with a wide white mat and a gold coloured metal and wood frame.
A black and white studio photograph vignette of a man (Philip Moore) wearing a tweed suit jacket, vest and tie. The photograph is framed with a white mat and a simple plain wooden frame.
A black and white studio photograph vignette of a man (Philip Moore) wearing a tweed suit jacket, vest and tie. The photograph is framed with a white mat and a simple plain wooden frame.
A black and white vignette, three-quarters portrait, of a man in a tweed suit and tie. The photo is framed with a white mat, a plain black wooden frame with narrow gold inside and outside borders, and non-glare glass. The lower right corner of the photograph is marked “Keep off my ocean.” and sig…
A black and white vignette, three-quarters portrait, of a man in a tweed suit and tie. The photo is framed with a white mat, a plain black wooden frame with narrow gold inside and outside borders, and non-glare glass. The lower right corner of the photograph is marked “Keep off my ocean.” and signed “Frederick B. Hussey.”
A black and white photographic reproduction of a painting of four 16th century Italian cavaliers dressed in velvet and lace, drinking around small cloth covered table before a large ornate fireplace. There is a serving maid in the background and a beggar woman on the other side. There is a signat…
A black and white photographic reproduction of a painting of four 16th century Italian cavaliers dressed in velvet and lace, drinking around small cloth covered table before a large ornate fireplace. There is a serving maid in the background and a beggar woman on the other side. There is a signature brc: “F. Vinez Fireneze 1890.” The photograph is glued to a beige mat with a thin white line framing the photo. There is an embossed seal of photography company at the centre bottom. The print is framed in a simple narrow varnished oak frame with carved dot trim at the edge, backed with two thin slats of wood and patches of brown paper. Two screw eyes and a hanging wire are attached to the back.
Japanese scenes, pasted on to card. (a) "Ninagawa's house, Kioto. Inner gate and a very old tree planted about 300 years ago." plus Japanese writing, photograph 5.8 x 9.7 pasted on card 7.3 x 10.8. (b-e) prints 5.7 x 9.0 pasted on card 6.3 x 10.5, scenes of bridge construction, 2 over water, 2 ov…
Japanese scenes, pasted on to card. (a) "Ninagawa's house, Kioto. Inner gate and a very old tree planted about 300 years ago." plus Japanese writing, photograph 5.8 x 9.7 pasted on card 7.3 x 10.8. (b-e) prints 5.7 x 9.0 pasted on card 6.3 x 10.5, scenes of bridge construction, 2 over water, 2 over land.
small teacup with cobalt sparrow and Japanese pampas grass decoration with transparent over glaze. Calligraphy inside bowl. Trimmed foot with cobalt border design, signed on base.Note: ISSAN signature of a drawer
small teacup with cobalt sparrow and Japanese pampas grass decoration with transparent over glaze. Calligraphy inside bowl. Trimmed foot with cobalt border design, signed on base.Note: ISSAN signature of a drawer