A large three handled metal cup with slightly convex sides and a flared base. Each handle starts at the cup lip with a flat thumb grip on top and attach almost at the bottom of the cup. The cup is monogramed and dated on one side “ECG June 23rd 1900”. The bottom of the cup is marked with “Reed…
A large three handled metal cup with slightly convex sides and a flared base. Each handle starts at the cup lip with a flat thumb grip on top and attach almost at the bottom of the cup. The cup is monogramed and dated on one side “ECG June 23rd 1900”. The bottom of the cup is marked with “Reed & Barton 36”.
A three-handled silver-plated loving cup with two bulges in the body and a slightly flaring lip. The cup sits on a round black wooden pedestal with crossed brass hockey sticks on the front. The front of the cup is engraved with “Rocky Mountain Park Hockey Championships 1907 presented by H. Dougla…
A three-handled silver-plated loving cup with two bulges in the body and a slightly flaring lip. The cup sits on a round black wooden pedestal with crossed brass hockey sticks on the front. The front of the cup is engraved with “Rocky Mountain Park Hockey Championships 1907 presented by H. Douglas won by: The Banff Ladies Hockey Team, Feb. 1908”, with the names of the team members on the reverse.
Fancy trophy stand with handles, rococo trim all edges, feet, inside base. Turned wood handles 9.0 on 5.5 metal arms, each side. Inside stand 12.0 high x 12.5 dia. Engraved on side "Calgary City Championship 1902 won by C.P.R. Hockey Club" with seven names. On bottom "Simpson Hall Miller & Co. …
Fancy trophy stand with handles, rococo trim all edges, feet, inside base. Turned wood handles 9.0 on 5.5 metal arms, each side. Inside stand 12.0 high x 12.5 dia. Engraved on side "Calgary City Championship 1902 won by C.P.R. Hockey Club" with seven names. On bottom "Simpson Hall Miller & Co. quadrule place C51"
Four framed photographs: a) black and white photograph of Ernest Feuz, Swiss guide, standing with coiled rope and ice axe; b) black and white photograph of five climbers with nailed boots sitting inside Abott Pass Hut, Ernest Feuz is third from left and Christian Hasler is fourth from left; c) blac…
Four framed photographs: a) black and white photograph of Ernest Feuz, Swiss guide, standing with coiled rope and ice axe; b) black and white photograph of five climbers with nailed boots sitting inside Abott Pass Hut, Ernest Feuz is third from left and Christian Hasler is fourth from left; c) black and white photograph of three Swiss guides on Sir Donald Trail with Illecillewaet Glacier in background, left to right: Walter Feuz, Christian Hasler and Ernest Feuz; d) black and white photograph of Ernest Feuz wearing his Swiss guides’ pin on his lapel.
A black and white rectangular photograph of Philip Moore at an outdoor camp, wearing a fringed deerskin shirt, bending over with his hands on his knees.
A black and white rectangular photograph of Philip Moore at an outdoor camp, wearing a fringed deerskin shirt, bending over with his hands on his knees.
A black and white photographic reproduction of a painting of four 16th century Italian cavaliers dressed in velvet and lace, drinking around small cloth covered table before a large ornate fireplace. There is a serving maid in the background and a beggar woman on the other side. There is a signat…
A black and white photographic reproduction of a painting of four 16th century Italian cavaliers dressed in velvet and lace, drinking around small cloth covered table before a large ornate fireplace. There is a serving maid in the background and a beggar woman on the other side. There is a signature brc: “F. Vinez Fireneze 1890.” The photograph is glued to a beige mat with a thin white line framing the photo. There is an embossed seal of photography company at the centre bottom. The print is framed in a simple narrow varnished oak frame with carved dot trim at the edge, backed with two thin slats of wood and patches of brown paper. Two screw eyes and a hanging wire are attached to the back.
Black and white photograph of a house with trees in foreground and background. The photograph is framed with a wide dark mat and a simple black wood frame. The back is marked with “Taken about 1908 - John Brewster’s (SR) home corner Moose St, and Banff Ave.”
Black and white photograph of a house with trees in foreground and background. The photograph is framed with a wide dark mat and a simple black wood frame. The back is marked with “Taken about 1908 - John Brewster’s (SR) home corner Moose St, and Banff Ave.”
A black and white studio photograph of a girl, Pearl Brewster, in highland dance costume. The photograph is framed with a wide dark mat and a fairly heavy wooden frame painted black.
A black and white studio photograph of a girl, Pearl Brewster, in highland dance costume. The photograph is framed with a wide dark mat and a fairly heavy wooden frame painted black.
A black and white photograph (close up) of a lynx sitting next to the trunk of a tree in a forest. The photograph has a wide white mat and a simple black wooden frame.
A black and white photograph (close up) of a lynx sitting next to the trunk of a tree in a forest. The photograph has a wide white mat and a simple black wooden frame.
A black and white studio photograph of a child (Edmee Moore), at age one or two, sitting in small square chair in the middle of the photograph. The photo is framed with a wide white mat and a gold coloured metal and wood frame.
A black and white studio photograph of a child (Edmee Moore), at age one or two, sitting in small square chair in the middle of the photograph. The photo is framed with a wide white mat and a gold coloured metal and wood frame.
A black and white studio photograph vignette of a man (Philip Moore) wearing a tweed suit jacket, vest and tie. The photograph is framed with a white mat and a simple plain wooden frame.
A black and white studio photograph vignette of a man (Philip Moore) wearing a tweed suit jacket, vest and tie. The photograph is framed with a white mat and a simple plain wooden frame.
A black and white vignette, three-quarters portrait, of a man in a tweed suit and tie. The photo is framed with a white mat, a plain black wooden frame with narrow gold inside and outside borders, and non-glare glass. The lower right corner of the photograph is marked “Keep off my ocean.” and sig…
A black and white vignette, three-quarters portrait, of a man in a tweed suit and tie. The photo is framed with a white mat, a plain black wooden frame with narrow gold inside and outside borders, and non-glare glass. The lower right corner of the photograph is marked “Keep off my ocean.” and signed “Frederick B. Hussey.”
A vase with a fluted base and a narrow bottom that flares gradually to the rim. This vase features an ornate cut design that is decorated with a formal leaf design in gold. The top edge is finished with a band of plain gold.
A vase with a fluted base and a narrow bottom that flares gradually to the rim. This vase features an ornate cut design that is decorated with a formal leaf design in gold. The top edge is finished with a band of plain gold.
Hand thrown using a soft clay and low temperature firing. Squat spheroid shape with belled 5.2 diameter neck. Appears to have been covered first with white slip then iridescent olive, burgundy and mustard coloured glazes. Ornate floral design with chevron-design borders. "Zsolnay Pecs. Millenium" p…
Hand thrown using a soft clay and low temperature firing. Squat spheroid shape with belled 5.2 diameter neck. Appears to have been covered first with white slip then iridescent olive, burgundy and mustard coloured glazes. Ornate floral design with chevron-design borders. "Zsolnay Pecs. Millenium" printed on bottom as well as "353" and Zsolnay Pecs" stamped on bottom. 2.5 x 1.8 cm, hole chipped and missing from side of bowl.
One large (A) and one small (B) tall, slender vase. Both very similar in exterior appearance with circular, weighted bases, extending from which is a narrow, ridged stem which then flares out into a belled rim which is slightly wave-like in contour. (A) has scratched "Og.ex/aH,NX" on base as well …
One large (A) and one small (B) tall, slender vase. Both very similar in exterior appearance with circular, weighted bases, extending from which is a narrow, ridged stem which then flares out into a belled rim which is slightly wave-like in contour. (A) has scratched "Og.ex/aH,NX" on base as well as well as stamped three hallmarks: circle containing crown, crest containing "W" and another circle or crescent containing animal figure. Also stamped "Sterling 5079 3 oz. weighted". Vase (B) has circular ridges on base and hallmark resembling "T" superimposed on "A" followed by "Sterling 351 weighted" and scratched "5-6-117-W-E".