A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso s…
A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso several stickers. At top white with black printing “THIS PAINTING HAS BEEN DONATED TO THE PERMANENT COLLECTION OF THE WHYTE MUSEUM OF THE CANADIAN ROCKIES AT BANFF. IT IS A GIFT FROM THE ARTIST, ROBERT GUEST OF GRANDE CACHE. 2012.” Sticker middle right is yellow with black print, “ CAUTION! HELP AVOID FADING: Display original artwork out of direct sunlight or other strong light, and away from heat or moist conditions!” Bottom left label, white with black printing, “#4. Wildfires./2011” NEW OILPAINT SERIES - 8X10 “ PANELS AT GRANDE CACHE, BY R. GUEST.” Bottom left sticker, blue with black print, see artist bio.
A mountain landscape sketch. Two peaks rise on the left, a rounded peak with tree coverage sits in the bottom right. Bottom left “5 Mile Banff July ‘72”, bottom right “Glyde.”
A mountain landscape sketch. Two peaks rise on the left, a rounded peak with tree coverage sits in the bottom right. Bottom left “5 Mile Banff July ‘72”, bottom right “Glyde.”
Front: the entrance to a railway tunnel is on the left, and muontain and trees surround it. Above the entrance is written “1908” and then his writing for a colour scheme in the brc.Back: mountains and trees surround a valley running through the picture. Writing in the brc: “VICTORIA RIDGE OVER 10…
Front: the entrance to a railway tunnel is on the left, and muontain and trees surround it. Above the entrance is written “1908” and then his writing for a colour scheme in the brc.Back: mountains and trees surround a valley running through the picture. Writing in the brc: “VICTORIA RIDGE OVER 10,000feet, 33 BELOW zero, CONTINENTAL DIVIDE FEB 23”
A black and white photographic positive, a mountain pass , snow and ice covered, meanders from the bottom left of the picture to centre top, the mountains rise steeply from both sides of the pass and fill the picture almost to the top, a hut is at the top of the pass, the sky is cloudy
A black and white photographic positive, a mountain pass , snow and ice covered, meanders from the bottom left of the picture to centre top, the mountains rise steeply from both sides of the pass and fill the picture almost to the top, a hut is at the top of the pass, the sky is cloudy
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the m…
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the mountain peak. The rocks are various shades of very dark blue, lighter blue and brown. To the viewer’s left the snow is tinged in various shades of pink as the morning light strikes it and the view to the right is still in the blue shades of shadow. The artist’s signature in white is in this area. The middle of the painting is the pink glow of the sun on snow with some shaded snow and rocks still showing to the viewer’s right. The top-half is a snow-covered Mt. Assiniboine with brown rock bands; viewer’s right in the sun’s light and viewer’s left in the shade. Beyond the mountain are hills and valleys of pink, blue and green. The sky is a very deep shade of purple and blue.
The mountain landscape is painted in shades of brown, yellow, grey and red. The sky is rendered in a light blue with dark grey clouds on the left. The foreground encompasses yellow rolling hills with suggestions of trees on the lower right. Between the mountains and the foreground is a line of burg…
The mountain landscape is painted in shades of brown, yellow, grey and red. The sky is rendered in a light blue with dark grey clouds on the left. The foreground encompasses yellow rolling hills with suggestions of trees on the lower right. Between the mountains and the foreground is a line of burgundy. On the back “Above the West Road Banff 24 H. G. Glyde.”
A herd of caribou stand on a rocky knoll, dominant animal is centre left, others to the right and farther away, mountains in background in the distance, top is cloudy sky
A herd of caribou stand on a rocky knoll, dominant animal is centre left, others to the right and farther away, mountains in background in the distance, top is cloudy sky
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altere…
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altered, glazed with a traditional Celedone glaze, fired in reduction cone 9. Post firing sand blasting with silver amalgam added in lamination separations to conclude the work in keeping with historical ceramic traditions.
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black…
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the trhc, “45/W”.
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artis…
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artist’s signature is in the blhc in purple paint. Au verso, written in black ink in the tlhc, “47/R”.
Pencil drawing of landscape with water in foreground and mountains in background.brc: Band of shadows across riverOther cursive writing denotes details and colour scheme.
Pencil drawing of landscape with water in foreground and mountains in background.brc: Band of shadows across riverOther cursive writing denotes details and colour scheme.
Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circle…
Across the Southern States to the Blue Pacific and Vancouver
Date
1925 – 1966
Medium
graphite on paper
Dimensions
14.5 x 21.0 cm
Description
Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circled.Side 2: Pencil drawing of a car driving through a landscape of rolling hills. Mountains are barely visible in the background. This illustration is in a rectangular box. Below this box is a rectangle that is divided into four.
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-col…
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-coloured background, surrounded by a black square. Printed on the top back of the painting “BLACK BEAR - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw pri…
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw print on a taupe-coloured background, bordered with black. Printed on the top back of the painting “GRIZZLY - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.