An oil sketch of a mountain landscape. The primary colours are grey, brown, and blue. From the left side of the image raises a dark grey mountain lined in blue. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of cloud…
An oil sketch of a mountain landscape. The primary colours are grey, brown, and blue. From the left side of the image raises a dark grey mountain lined in blue. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of clouds, or a storm. The bottom of the piece has a small strip of blue, above which there are a series of vertical forms in green, blue and grey which could represent trees. The artist’s signature is in the brhc in orange paint. Au verso, written in black ink in the tlhc, “49/W”.
An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mo…
An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mottled green and beige. The artist’s signature is in the brhc in purple paint. Au verso, written in black ink in the tlhc, “49/X”.
An oil sketch of a mountain landscape. The primary colours used are grey, purple, green and beige. From the left side of the image raises a grey mountain in light and dark grey sections. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that sugg…
An oil sketch of a mountain landscape. The primary colours used are grey, purple, green and beige. From the left side of the image raises a grey mountain in light and dark grey sections. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of clouds, or a storm. The bottom of the piece has a small strip of grey-blue, above which there is a line of green. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the tlhc, “49/Y”.
A highly varnished painting of Boulder Pass. At the bottom of the image there is snow that sweeps up the right side of the image and caps a rocky cliff. The snow is quite yellow at the centre of the image but becomes shadowed and dark in the bottom right corner. A lower snow-capped cliff is in t…
A highly varnished painting of Boulder Pass. At the bottom of the image there is snow that sweeps up the right side of the image and caps a rocky cliff. The snow is quite yellow at the centre of the image but becomes shadowed and dark in the bottom right corner. A lower snow-capped cliff is in the lower left corner. It forms a pass between it and the cliff on the right. The sky is quite dark at the top of the image but quite cloudy and grey-yellow lower down at the centre of the image. The vantage point makes the viewer feel as if they are peering over the ledge of a cliff and that all that is visible is sky.
An oil sketch of a mountain landscape. The primary colours used are green, blue, yellow and purple. The top section of the image represents the mountains, rendered with intersecting horizontal and vertical lines. The bottom third of the image represents the water, which is also intersected with ver…
An oil sketch of a mountain landscape. The primary colours used are green, blue, yellow and purple. The top section of the image represents the mountains, rendered with intersecting horizontal and vertical lines. The bottom third of the image represents the water, which is also intersected with vertical lines on the right of the piece. The artist’s signature is in the brhc in red paint. Au verso, written in black ink in the tlhc, “45/P”.
An oil sketch of a mountain landscape. The primary colours are blue, green, purple, orange and brown. The piece is dominated by one mountain, painted in a variety of colours. The bottom third of the image is blue. The artist’s signature is in the brhc in green paint. Au verso, written in black ink …
An oil sketch of a mountain landscape. The primary colours are blue, green, purple, orange and brown. The piece is dominated by one mountain, painted in a variety of colours. The bottom third of the image is blue. The artist’s signature is in the brhc in green paint. Au verso, written in black ink in the tlhc, “45/S”.
An oil sketch of a mountain landscape. The primary colours are white, blue, purple and green. The top of the image is blue, with grey clouds. The mountains are represented in the centre of the image in tones of purple, white and blue. The bottom third of the image is a mixture of purple and green. …
An oil sketch of a mountain landscape. The primary colours are white, blue, purple and green. The top of the image is blue, with grey clouds. The mountains are represented in the centre of the image in tones of purple, white and blue. The bottom third of the image is a mixture of purple and green. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the tlhc, “45/T”.
The foreground is a green rolling hill, behind which is a orange long mountain with the rays of a sun rising over the right side. The sky is a shade of yellow.
The foreground is a green rolling hill, behind which is a orange long mountain with the rays of a sun rising over the right side. The sky is a shade of yellow.
A cast bronze sculpture of a calk. The calf is painted black with a white tip on its tail. Both ears have a bolt through them. The left ear has a tag that reads “FAFARD 2009”
A cast bronze sculpture of a calk. The calf is painted black with a white tip on its tail. Both ears have a bolt through them. The left ear has a tag that reads “FAFARD 2009”